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Thorn / Skye (they/he) || will draw almost anything for a burger

@timeskye

CURRENTLY POSTING BACKLOG ONCE A DAY artist, character designer, cartoonist, illustrator ; aspiring rpgm dev in tears (mid 20s) πŸ”žno minorsπŸ”ž + βš°οΈπŸ•Š (if its taboo assume its probably here) rules, so please keep that in mind + i will block freely. thanks :)

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29.01.2026
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Latest posts by Thorn / Skye (they/he) || will draw almost anything for a burger @timeskye

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#bnha #mha #endhawks he was crazyyyy for asking endeavor out on a dinner date first thing. + a bonus hawks

04.03.2026 22:16 πŸ‘ 4 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Image is of Osamu Dazai and Ranpo Edogawa from Bungou Stray Dogs . Dazai is on the left, and Ranpo is on the right, fist bumping each other in the middle of the image. Ranpo's expression is an iconic grin and Dazai's expression is more tame, but equally pleased. Both of them are blushing in their cheeks. Dazai's other arm is wrapped around his torso, implying a bit of defensive sheepishness that his body language unconsciously communicates. Ranpo is noticeably fatter than how he is depicted in canon. Above them reads the words in all caps, in pink, saying "FUCK BUDDIES", underlined twice for emphasis and importance. In semi-transparent text under their fistbump, there is additional text that reads "(fuck yeah!)", underlined twice for emphasis.

Image is of Osamu Dazai and Ranpo Edogawa from Bungou Stray Dogs . Dazai is on the left, and Ranpo is on the right, fist bumping each other in the middle of the image. Ranpo's expression is an iconic grin and Dazai's expression is more tame, but equally pleased. Both of them are blushing in their cheeks. Dazai's other arm is wrapped around his torso, implying a bit of defensive sheepishness that his body language unconsciously communicates. Ranpo is noticeably fatter than how he is depicted in canon. Above them reads the words in all caps, in pink, saying "FUCK BUDDIES", underlined twice for emphasis and importance. In semi-transparent text under their fistbump, there is additional text that reads "(fuck yeah!)", underlined twice for emphasis.

Image is pornographic content of Osamu Dazai and Ranpo Edogawa from Bungou Stray Dogs . Both of them are drawn to be placed in the Armed Detective Agency in Yokohama, by one of the larger work desks. It is implied no one is in the room, supposedly. Dazai is folded over the desk, getting penetrated by Ranpo, though it is only visible from their positioning and movements, as their genitals are not visible. Ranpo is leaning over Dazai, one hand on the desk to hoist himself more over Dazai to slam his hips deeper into Dazai's hips, and his other hand grabbing onto the suicidal maniac's bangs and yanking them back. This lifts Dazai's head that was otherwise hidden in his arms folded in front of him, in an attempt to muffle himself and hide his expression. This is in vain, as Dazai's eyes are rolled back and tongue lulled out his mouth and drooling, and heavily implied that he is much louder than Ranpo. They are surrounded by onomatopoeia used for sex, such as, "PWAP", "SMACK", and "SLAP". Dazai and Ranpo are both moaning, Ranpo's softer as "hah.. nnh.. ah.. shit.." but Dazai is loud with "AH! NYAH! YES! OHH! FUCK!!" In a large shout bubble, Dazai yells "AH! EDOGAWA-SAN! YOUR COCK IS SOOOOOO FUCKING BIG!!" Ranpo has a smug and proud expression, pleased by these results, knowing just how to push Dazai's buttons, reading him like a book. He can't help but tell him back out of affection, "you're a massive slut, you know that? ❀️" Lord knows how much that freak loves being degraded. Who is he to say no?
Ranpo is noticeably fatter than how he is depicted in canon. The artist's intended vision reflects a cis-presenting Ranpo and transmasculine-presenting Dazai, but does not mind other interpretations of the piece, due to the ambiguity of what kind of genitals they truly have and if a strap is involved or not.

Image is pornographic content of Osamu Dazai and Ranpo Edogawa from Bungou Stray Dogs . Both of them are drawn to be placed in the Armed Detective Agency in Yokohama, by one of the larger work desks. It is implied no one is in the room, supposedly. Dazai is folded over the desk, getting penetrated by Ranpo, though it is only visible from their positioning and movements, as their genitals are not visible. Ranpo is leaning over Dazai, one hand on the desk to hoist himself more over Dazai to slam his hips deeper into Dazai's hips, and his other hand grabbing onto the suicidal maniac's bangs and yanking them back. This lifts Dazai's head that was otherwise hidden in his arms folded in front of him, in an attempt to muffle himself and hide his expression. This is in vain, as Dazai's eyes are rolled back and tongue lulled out his mouth and drooling, and heavily implied that he is much louder than Ranpo. They are surrounded by onomatopoeia used for sex, such as, "PWAP", "SMACK", and "SLAP". Dazai and Ranpo are both moaning, Ranpo's softer as "hah.. nnh.. ah.. shit.." but Dazai is loud with "AH! NYAH! YES! OHH! FUCK!!" In a large shout bubble, Dazai yells "AH! EDOGAWA-SAN! YOUR COCK IS SOOOOOO FUCKING BIG!!" Ranpo has a smug and proud expression, pleased by these results, knowing just how to push Dazai's buttons, reading him like a book. He can't help but tell him back out of affection, "you're a massive slut, you know that? ❀️" Lord knows how much that freak loves being degraded. Who is he to say no? Ranpo is noticeably fatter than how he is depicted in canon. The artist's intended vision reflects a cis-presenting Ranpo and transmasculine-presenting Dazai, but does not mind other interpretations of the piece, due to the ambiguity of what kind of genitals they truly have and if a strap is involved or not.

NSFW, IMPLIED TRANSMASC, WORKPLACE SEX
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drawn back when i first got in bsd in 2019-2020. saw how ranpo n dazai interacted n concluded that they were definitely fucking as friends/coworkers with benefits. also chubby ranpo supremacy ✌️ #bsd #bungoustraydogs #souheki #nsfw

03.03.2026 23:59 πŸ‘ 1 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Image is of Tatsumiya from Wadanohara and The Great Blue Sea, by Deep Sea Prisoner/Funamusea. Tatsumiya's kimono has two wardrobe malfunctions happening, the top falling off her shoulders to reveal her moderate breasts, and a current catching the bottom, lifting it to reveal Tatsumiya wearing dark red rose lace panties. She is shocked and embarrassed, emphasized by an interrobang in a speech bubble. Her antennae are wiggly to emphasize embarrassment. There is a simple light red to moderate crimson gradient square for the background. The signature reads "TempsCiel", which is TimeSkye's former NSFW-only handle.

Image is of Tatsumiya from Wadanohara and The Great Blue Sea, by Deep Sea Prisoner/Funamusea. Tatsumiya's kimono has two wardrobe malfunctions happening, the top falling off her shoulders to reveal her moderate breasts, and a current catching the bottom, lifting it to reveal Tatsumiya wearing dark red rose lace panties. She is shocked and embarrassed, emphasized by an interrobang in a speech bubble. Her antennae are wiggly to emphasize embarrassment. There is a simple light red to moderate crimson gradient square for the background. The signature reads "TempsCiel", which is TimeSkye's former NSFW-only handle.

Image is of Fumus from Deep Sea Prisoner / Funamusea 's works. Fumus is sitting on a couch in the dark, visible from the ankle up, legs spread wide with the pants' fly wide open and his cock erect and leaking pre-cum. He is leaning back as he takes a drag from his cigarette, his eyes glowing. He demands, "Suck it." underlined for emphasis of the command.

Image is of Fumus from Deep Sea Prisoner / Funamusea 's works. Fumus is sitting on a couch in the dark, visible from the ankle up, legs spread wide with the pants' fly wide open and his cock erect and leaking pre-cum. He is leaning back as he takes a drag from his cigarette, his eyes glowing. He demands, "Suck it." underlined for emphasis of the command.

Image is of Meikai and Old from Wadanohara and The Great Blue Sea, made by Deep Sea Prisoner / Funamusea . Meikai is blindfolded and has his hands handcuffed and hung above his head, his chest and hips tightly bound up in a shibari. Meikai is blushing profusely and is smiling sheepishly. 
Old is next to Meikai, implied to be the one who has tied him up. He has his arm wrapped around Meikai to grab at his chin, rubbing his thumb over his cheek, leaning in with a wide, toothy grin and admiring his beloved wizard. His other hand touches at Meikai's hips, just shy of his genitals. Both of them are already erect in anticipation. Old has shark claspers, and Meikai is almost naked aside from boxers.

Image is of Meikai and Old from Wadanohara and The Great Blue Sea, made by Deep Sea Prisoner / Funamusea . Meikai is blindfolded and has his hands handcuffed and hung above his head, his chest and hips tightly bound up in a shibari. Meikai is blushing profusely and is smiling sheepishly. Old is next to Meikai, implied to be the one who has tied him up. He has his arm wrapped around Meikai to grab at his chin, rubbing his thumb over his cheek, leaning in with a wide, toothy grin and admiring his beloved wizard. His other hand touches at Meikai's hips, just shy of his genitals. Both of them are already erect in anticipation. Old has shark claspers, and Meikai is almost naked aside from boxers.

Image is pornographic content of Lobco and Aom from Wadanohara and The Great Blue Sea, made by Deep Sea Prisoner / Funamusea . Both of them are near naked (Lobco with crimson and dark red stockings only, and Aom only in her light cobalt blue panties.) positioned onto a bed with lilac sheets, where Aom lays on her back below Lobco, who is positioned on top of her, hips above her face and her lobster tail laying across Aom's torso. Lobco hides her face with her hand from Aom's perspective, but visible for the viewer, where she has an embarrassed, tender, and flushed expression. Lobco is wearing crimson and dark red stockings.
Aom has wrapped her arms around Lobco's thighs, pressing her fingers into Lobco's flesh. Aom is focused on eating out Lobco, her expression composed and mature, her tongue firmly placed against Lobco's clitoris. They seem to be having a wonderful, yuriful time.

Image is pornographic content of Lobco and Aom from Wadanohara and The Great Blue Sea, made by Deep Sea Prisoner / Funamusea . Both of them are near naked (Lobco with crimson and dark red stockings only, and Aom only in her light cobalt blue panties.) positioned onto a bed with lilac sheets, where Aom lays on her back below Lobco, who is positioned on top of her, hips above her face and her lobster tail laying across Aom's torso. Lobco hides her face with her hand from Aom's perspective, but visible for the viewer, where she has an embarrassed, tender, and flushed expression. Lobco is wearing crimson and dark red stockings. Aom has wrapped her arms around Lobco's thighs, pressing her fingers into Lobco's flesh. Aom is focused on eating out Lobco, her expression composed and mature, her tongue firmly placed against Lobco's clitoris. They seem to be having a wonderful, yuriful time.

⚠️NSFW, WARDROBE MALFUNCTION, POV DUBCON, CONSENSUAL BONDAGE, FACESITTING, YAOI N YURI THE USUAL
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selection of old poll winners from my nsfw twitter #deepseaprisoner #funamusea

03.03.2026 04:31 πŸ‘ 8 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

i mean he's so smart but in the most roundabout way possible, he's so dumb that he becomes a genius before my very eyes

27.02.2026 02:46 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Image is a vertical comic with two panels. The characters in the comic are Shuichi Saihara and Kaito Momota from DanganRonpa V3: Killing Harmony ( DRV3 ) and are present in both panels. 
In the first panel, Shuichi is the main focus in the background while Kaito is blurred in the foreground. Shuichi is holding a gallon of milk in both hands and has a tired, drained, utterly despair-inducing expression. In a shaky speech bubble, he quietly mutters "Sometimes, I drink milk straight from the container..." Implying he is too tired/depressed to get a cup to drink milk from.
In the second panel, Shuichi remains in the background but he is now blurred, with the focus now on Kaito, who's face is now visible. His brows are furrowed in thought as he pauses and processes what Shuichi said. "...The cow???" Kaito asks in confusion. Shuichi's tired gaze has shifted towards Kaito and his brows furrow in equal confusion, ableit different reasons, softly muttering "Kaito," with nothing else to add. Shuichi's speech bubble is slightly blurred, implying Kaito can only barely hear Shuichi call for his attention to ask about the implications of whatever the fuck he just said.

Image is a vertical comic with two panels. The characters in the comic are Shuichi Saihara and Kaito Momota from DanganRonpa V3: Killing Harmony ( DRV3 ) and are present in both panels. In the first panel, Shuichi is the main focus in the background while Kaito is blurred in the foreground. Shuichi is holding a gallon of milk in both hands and has a tired, drained, utterly despair-inducing expression. In a shaky speech bubble, he quietly mutters "Sometimes, I drink milk straight from the container..." Implying he is too tired/depressed to get a cup to drink milk from. In the second panel, Shuichi remains in the background but he is now blurred, with the focus now on Kaito, who's face is now visible. His brows are furrowed in thought as he pauses and processes what Shuichi said. "...The cow???" Kaito asks in confusion. Shuichi's tired gaze has shifted towards Kaito and his brows furrow in equal confusion, ableit different reasons, softly muttering "Kaito," with nothing else to add. Shuichi's speech bubble is slightly blurred, implying Kaito can only barely hear Shuichi call for his attention to ask about the implications of whatever the fuck he just said.

(2021 comic) my thoughts at the time of reading kaito in drv3 were along the lines of "ohhh ok so like, his head? there's not a thing going on in there" #danganronpa #drv3

27.02.2026 02:44 πŸ‘ 13 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0
Image is a vertical comic with two panels. First panel is of Nagito Komaeda in the cafeteria on Jabberwock Island, looking sunken and unkempt and pointing to Hajime Hinata, who is off screen in the first panel, asking "How big is that dick?" in reference to a screenshot of the same DM conversation, which is the second image on this post.
In the second panel, Hajime is holding a dirty plate, implying he just ate breakfast (alongside with the others), and a distress sprite of Komaeda is blurred in the background. Hajime has an irritated expression and responds in the speech bubble, "Small, leave me alone.", referencing  to the aforementioned screenshot's response to the prior message. Hajime additionally says (which is not part of the DM screenshot that is the source of this joke) "it's 8 in the morning, chill." further solidifying that this is taking place during the group breakfast in the morning in Super DanganRonpa 2.

Image is a vertical comic with two panels. First panel is of Nagito Komaeda in the cafeteria on Jabberwock Island, looking sunken and unkempt and pointing to Hajime Hinata, who is off screen in the first panel, asking "How big is that dick?" in reference to a screenshot of the same DM conversation, which is the second image on this post. In the second panel, Hajime is holding a dirty plate, implying he just ate breakfast (alongside with the others), and a distress sprite of Komaeda is blurred in the background. Hajime has an irritated expression and responds in the speech bubble, "Small, leave me alone.", referencing to the aforementioned screenshot's response to the prior message. Hajime additionally says (which is not part of the DM screenshot that is the source of this joke) "it's 8 in the morning, chill." further solidifying that this is taking place during the group breakfast in the morning in Super DanganRonpa 2.

Image is the DM screenshot the comic was referencing to. On the left side in a grey bubble (implied sent from delivering party), it reads "How big is that dick" with no punctuation. The response to this message, on the right in a blue bubble (implied sent from the receiving party) reads "Small leave me alone", once again, no punctuation.  These messages were sent within the range of 10:54 AM.

Image is the DM screenshot the comic was referencing to. On the left side in a grey bubble (implied sent from delivering party), it reads "How big is that dick" with no punctuation. The response to this message, on the right in a blue bubble (implied sent from the receiving party) reads "Small leave me alone", once again, no punctuation. These messages were sent within the range of 10:54 AM.

'nother old comic, around the end of 2020. i dont like that guy n i couldnt be bothered to draw him a second time but the vision i had here was too strong #danganronpa #sdr2 comic based off the 2nd image

25.02.2026 19:26 πŸ‘ 5 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

i didnt post for like 5 or 6 days not too long ago so i hope this makes up for it a bit <3

23.02.2026 02:13 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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and like... some old porn/suggestive art with them. for funsies (i never finished the last one and idk if i ever will lol)

23.02.2026 02:11 πŸ‘ 1 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0
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my #leafeon #gijinka named shamrock <3 he has an #espeon girlfriend named lilac who belongs to @liminalangel.bsky.social that i also designed ^ ^ bi4bi n all that #pokemon

23.02.2026 01:59 πŸ‘ 6 πŸ” 2 πŸ’¬ 1 πŸ“Œ 0
A comic with five panels. Comic consists of Izuru Kamukura and Chiaki Nanami from Super DanganRonpa 2. Comic supposed takes place in a room with a computer. In the first panel, Izuru is using the mouse while Chiaki sits in the chair in front of the monitor. Izuru says, "Your punishment is that you have to watch this whole video." Chiaki replies, "Oh, well, that doesn't sound too ba--"
She interrupts herself as the second frame shows half of Chiaki's face with an exaggerated shocked expression and two exclamation points, as she realizes her fate, which is revealed in the third panel. 
The third panel shows the bottom half of an online video player bar and the title of the video, named "try not to dance - nintendo edition", other elements of a video interface are also present, such as the number of views, upload date, and thumbs up and down buttons. 
The fourth panel frames back to Izuru and Chiaki, where Chiaki remains in stunned and speechless, while Izuru nonchalantly yanks the usb cord for the mouse from the back of the desktop's monitor noted with a "pop" onomatopoeia, disconnecting the mouse and thus making it impossible to stop the video. No keyboard is visible anywhere in the comic. Izuru states, "move once, and you'll start again at the beginning." Chiaki is only just starting to process.
In the fifth panel, Izuru dashes for the door, USB mouse in hand, while Chiaki turns around in the swivel desktop chair to face where he is running towards, yelling while tears comically spray from her eyes, "IZURU I'M GOING TO STARVE" The word starve is underlined three times for emphasis.

A comic with five panels. Comic consists of Izuru Kamukura and Chiaki Nanami from Super DanganRonpa 2. Comic supposed takes place in a room with a computer. In the first panel, Izuru is using the mouse while Chiaki sits in the chair in front of the monitor. Izuru says, "Your punishment is that you have to watch this whole video." Chiaki replies, "Oh, well, that doesn't sound too ba--" She interrupts herself as the second frame shows half of Chiaki's face with an exaggerated shocked expression and two exclamation points, as she realizes her fate, which is revealed in the third panel. The third panel shows the bottom half of an online video player bar and the title of the video, named "try not to dance - nintendo edition", other elements of a video interface are also present, such as the number of views, upload date, and thumbs up and down buttons. The fourth panel frames back to Izuru and Chiaki, where Chiaki remains in stunned and speechless, while Izuru nonchalantly yanks the usb cord for the mouse from the back of the desktop's monitor noted with a "pop" onomatopoeia, disconnecting the mouse and thus making it impossible to stop the video. No keyboard is visible anywhere in the comic. Izuru states, "move once, and you'll start again at the beginning." Chiaki is only just starting to process. In the fifth panel, Izuru dashes for the door, USB mouse in hand, while Chiaki turns around in the swivel desktop chair to face where he is running towards, yelling while tears comically spray from her eyes, "IZURU I'M GOING TO STARVE" The word starve is underlined three times for emphasis.

alternative execution idea for chiaki #danganronpa #sdr2 #kamunami (comic from 2021)

21.02.2026 23:42 πŸ‘ 8 πŸ” 4 πŸ’¬ 0 πŸ“Œ 0

never really posted this one anywhere. this is the first time its free lol

20.02.2026 19:49 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
A comic with three panels. Comic contains (implied pregame / Kagehara) Shuichi Saihara and Izuru Kamukura in all panels, with Shuichi on the left and Izuru on the right. Both of them are in alternative outfits, Shuichi with his typical hat and in a black hoodie, and Izuru in a red-yellow vest with a white undershirt.
In the first panel, Izuru has lit his cigarette and started to smoke it, while Shuichi, with a sheepish smile and sweat dripping down his face, asks with a stutter "H-Hey... Mind if I get a light?" followed by a weak "heheh" under his breath. 
Izuru says "Sure." with a pause. 
In second panel, instead of using his lighter, Izuru instead uses his own lit cigarette to light Shuichi's. Izuru is stoic as ever, but Shuichi visibly becomes more nervous and his smile widens awkwardly as a blush floods his cheeks, unable to find the nerve to say something out loud, in fear of it being interrupted or taken away from him.
"AH..." Shuichi starts to think in a panic. "NOT QUITE WHAT I MEANT... AH..." 
With a pause, Shuichi quickly follows his previous thought with "he's so close... (heart) and smells fruity..." The word fruity is underlined. Izuru says nothing, represented with an ellipse. 
In the third and final panel, Izuru has grabbed Shuichi by the hoodie and has sighed his first inhalation of smoke into Shuichi's face. Rather than disgusted, Shuichi looks elated, despite commenting to himself "Ahh, I can't breathe..." A trail of drool traces down Shuichi's chin. "So hot!!" Shuichi's thoughts exclaim in masochistic glee. Izuru remains as stoic and bored as ever, but at least it's something to do.
Artist signature is TimeSkye and has 2021 for the date.

A comic with three panels. Comic contains (implied pregame / Kagehara) Shuichi Saihara and Izuru Kamukura in all panels, with Shuichi on the left and Izuru on the right. Both of them are in alternative outfits, Shuichi with his typical hat and in a black hoodie, and Izuru in a red-yellow vest with a white undershirt. In the first panel, Izuru has lit his cigarette and started to smoke it, while Shuichi, with a sheepish smile and sweat dripping down his face, asks with a stutter "H-Hey... Mind if I get a light?" followed by a weak "heheh" under his breath. Izuru says "Sure." with a pause. In second panel, instead of using his lighter, Izuru instead uses his own lit cigarette to light Shuichi's. Izuru is stoic as ever, but Shuichi visibly becomes more nervous and his smile widens awkwardly as a blush floods his cheeks, unable to find the nerve to say something out loud, in fear of it being interrupted or taken away from him. "AH..." Shuichi starts to think in a panic. "NOT QUITE WHAT I MEANT... AH..." With a pause, Shuichi quickly follows his previous thought with "he's so close... (heart) and smells fruity..." The word fruity is underlined. Izuru says nothing, represented with an ellipse. In the third and final panel, Izuru has grabbed Shuichi by the hoodie and has sighed his first inhalation of smoke into Shuichi's face. Rather than disgusted, Shuichi looks elated, despite commenting to himself "Ahh, I can't breathe..." A trail of drool traces down Shuichi's chin. "So hot!!" Shuichi's thoughts exclaim in masochistic glee. Izuru remains as stoic and bored as ever, but at least it's something to do. Artist signature is TimeSkye and has 2021 for the date.

Image is the same as previous, except all text and smoke is removed to demonstrate the full art of the piece.

Image is the same as previous, except all text and smoke is removed to demonstrate the full art of the piece.

old old oooold #danganronpa ship comic i did in 2021. despite its age, i'm still quite proud of it! my precious precious rarepair #kamuhara ougghh my beloved

20.02.2026 19:49 πŸ‘ 4 πŸ” 2 πŸ’¬ 1 πŸ“Œ 0
A near-monochromatic sketch of Marisa Kirisame from Touhou Project, the color palette being blacks, tans, whites. She is facing towards the left side while looking back at the camera with an open mouth smile, as if she is talking. She is holding her broom beside her, hand on top of the broomstick. Marisa's eyes, highlights, and teeth are the only things colored. Her black accents are scribbled and hatched in. There is a lot of hatched and dotted texture throughout the image. This piece was drawn in 2025, according to the artist's signature and watermark.

A near-monochromatic sketch of Marisa Kirisame from Touhou Project, the color palette being blacks, tans, whites. She is facing towards the left side while looking back at the camera with an open mouth smile, as if she is talking. She is holding her broom beside her, hand on top of the broomstick. Marisa's eyes, highlights, and teeth are the only things colored. Her black accents are scribbled and hatched in. There is a lot of hatched and dotted texture throughout the image. This piece was drawn in 2025, according to the artist's signature and watermark.

mari warmup i had done :3 #touhou #東方project

15.02.2026 20:46 πŸ‘ 7 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0
Subject of the image is the Sky Form of Shaymin, but instead of a red petal scarf and a green-yellow mohawk, it is a rose attached to a collar, and the head is adorned with a red pompadour covered in green thorns. The feet have black socks that transition into red, and has a red gradient on the white fur of its tail. There are hearts adorned to the headwings, which are more round than a traditional Sky Form Shaymin, and a singular piercing of emerald on the Shaymin's right wingtip. There is a pink bandage on the nose, some dark, tired-looking eyeshadow, and bandages wrapped around the torso. Text on the image reads "Barb", regarding the subject's name, and continues, "Genderless, Sassy, Mischievous, Grass and Poison Type". Barb has a proud expression on their face with a wide grin, displaying slightly yellowed teeth, and gesturing towards themselves with a front paw.

Subject of the image is the Sky Form of Shaymin, but instead of a red petal scarf and a green-yellow mohawk, it is a rose attached to a collar, and the head is adorned with a red pompadour covered in green thorns. The feet have black socks that transition into red, and has a red gradient on the white fur of its tail. There are hearts adorned to the headwings, which are more round than a traditional Sky Form Shaymin, and a singular piercing of emerald on the Shaymin's right wingtip. There is a pink bandage on the nose, some dark, tired-looking eyeshadow, and bandages wrapped around the torso. Text on the image reads "Barb", regarding the subject's name, and continues, "Genderless, Sassy, Mischievous, Grass and Poison Type". Barb has a proud expression on their face with a wide grin, displaying slightly yellowed teeth, and gesturing towards themselves with a front paw.

happy valentine's day! i thought it would be appropriate to post my shaymin pokesona today, who is rose themed 🌹 personally described them as probably being stuck in a permanent manic episode. 😰 had a lot of fun designing them <3 #pokemon #pokesona #furry #furryart #valentines

14.02.2026 21:05 πŸ‘ 5 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Image has an yellow to orange to maroon background. The subject of the image is based off the PokΓ©mon Flygon, but instead of its normal color scheme, it is instead a yellow chunkier body with blue accents and stripes that look like the seams of an exoskeleton. The wings are small and have purple accents instead of red. This is carried the same on the end at the end of the tail, where there are 6 sections instead of 4, giving a more "regal" look. Flygon has four arms instead of two, and adorns various golden jewelry, further implying a regal aura. The Flygon's antennas start pointed like an arrow at the forehead and bend backwards behind the head, where there more golden piercings lining down the sides with golden tips and white tassels decorating the ends of the antenna. The Flygon's name is Gummy Wyrm, has a Mars symbol written nearby to imply a masculine identity, listed with nature of "Jolly", and given the in-game Pokemon characteristic of "Loves to eat".

Image has an yellow to orange to maroon background. The subject of the image is based off the PokΓ©mon Flygon, but instead of its normal color scheme, it is instead a yellow chunkier body with blue accents and stripes that look like the seams of an exoskeleton. The wings are small and have purple accents instead of red. This is carried the same on the end at the end of the tail, where there are 6 sections instead of 4, giving a more "regal" look. Flygon has four arms instead of two, and adorns various golden jewelry, further implying a regal aura. The Flygon's antennas start pointed like an arrow at the forehead and bend backwards behind the head, where there more golden piercings lining down the sides with golden tips and white tassels decorating the ends of the antenna. The Flygon's name is Gummy Wyrm, has a Mars symbol written nearby to imply a masculine identity, listed with nature of "Jolly", and given the in-game Pokemon characteristic of "Loves to eat".

The previously described Flygon is now drawn over an image of fat chicken that is perched in a chicken coop and is melting over each side of the perch, with the caption "can u maybe not do that". Inspired by a real post from Twitter.

The previously described Flygon is now drawn over an image of fat chicken that is perched in a chicken coop and is melting over each side of the perch, with the caption "can u maybe not do that". Inspired by a real post from Twitter.

my flygon pokesona :3 ! #pokemon #pokesona #flygon #furry #furryart

13.02.2026 00:07 πŸ‘ 5 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

thank you!! i think its a very fun n unique part of konngara's design that i've always appreciated ^ ^

12.02.2026 01:49 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Picture has a tan background that also serves as the main subject, Konngara's, skin color. They are giving a stern expression, with a finger with sharp black nails raised to their lips and blood running down their face. The main color palette aside from the tan are the reds of Konngara's outift, the back of her hair and shadows, and the whites of her sleeves. Konngara's apparent gender remains undefined and thus ambiguous in the piece.

Picture has a tan background that also serves as the main subject, Konngara's, skin color. They are giving a stern expression, with a finger with sharp black nails raised to their lips and blood running down their face. The main color palette aside from the tan are the reds of Konngara's outift, the back of her hair and shadows, and the whites of her sleeves. Konngara's apparent gender remains undefined and thus ambiguous in the piece.

astral knight of my dreams <3 #touhou #東方project

11.02.2026 17:47 πŸ‘ 61 πŸ” 31 πŸ’¬ 1 πŸ“Œ 0
Reimu Hakurei from Touhou Project is in front of a forest background and holding up a sign with kanji "temple" on it, where Yuiman Asaman and Nina Watari are contemplating Reimu's question, which is "Quick! How many strokes does this kanji have?!" (The answer is 6.)

Reimu Hakurei from Touhou Project is in front of a forest background and holding up a sign with kanji "temple" on it, where Yuiman Asaman and Nina Watari are contemplating Reimu's question, which is "Quick! How many strokes does this kanji have?!" (The answer is 6.)

Yuiman answers with, "Obviously, the answer is nine." Nina answers with, "Have you tried blaming the government?" They both seem highly confident in their answers, ableit confused. Reimu turns towards Marisa Kirisame, holding a hand to her face to whisper and saying, "They're fucking lost causes." Marisa replies, "Do we annihilate them?" and before Marisa can finish, Reimu interrupts with "No, next question please." The "No" is exaggerated in larger text.

Yuiman answers with, "Obviously, the answer is nine." Nina answers with, "Have you tried blaming the government?" They both seem highly confident in their answers, ableit confused. Reimu turns towards Marisa Kirisame, holding a hand to her face to whisper and saying, "They're fucking lost causes." Marisa replies, "Do we annihilate them?" and before Marisa can finish, Reimu interrupts with "No, next question please." The "No" is exaggerated in larger text.

drew this shortly after touhou 20 came out. since they're inspired by the faulty nature of AI, i think their answers are would be similar to one too #touhou #東方project

10.02.2026 16:36 πŸ‘ 92 πŸ” 41 πŸ’¬ 1 πŸ“Œ 0
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ancient hollow knight comic from 2021. i just think theyre neat #hollowknight #fanart

10.02.2026 00:01 πŸ‘ 6 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
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doodles from 2024 #ninesols #九ζ—₯ #Ninesols九ζ—₯

08.02.2026 13:43 πŸ‘ 17 πŸ” 8 πŸ’¬ 0 πŸ“Œ 0
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more nine sols drawpile doodles i did back in late 2024 #ninesols #九ζ—₯ #Ninesols九ζ—₯

06.02.2026 14:19 πŸ‘ 24 πŸ” 6 πŸ’¬ 0 πŸ“Œ 0
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comics n memes i did in my sketchbook #ninesols #九ζ—₯ #Ninesols九ζ—₯

05.02.2026 22:33 πŸ‘ 13 πŸ” 4 πŸ’¬ 0 πŸ“Œ 0
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confident the game didnt touch on how exactly the sols were assigned so in my third eye i imagine it went something like this #ninesols #九ζ—₯ #Ninesols九ζ—₯

04.02.2026 20:37 πŸ‘ 23 πŸ” 9 πŸ’¬ 0 πŸ“Œ 0

Thank you very much <3 !!

04.02.2026 20:35 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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starting my backlog posting with my nine sols comics. here's the first one i did after i finished the game last year #ninesols #九ζ—₯ #Ninesols九ζ—₯

03.02.2026 22:41 πŸ‘ 15 πŸ” 4 πŸ’¬ 1 πŸ“Œ 0
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timeskye Lnk.Bio Β· link in bio timeskye Lnk.Bio Β· link in bio - Profile and social media links for timeskye

PLEASE PLEASE PLEASE CHECK OUT MY OTHER SITES YOU WILL FIND WHAT YOURE LOOKING FOR SUCH AS COMMISSION INFORMATION OR MY STORE OR INFO ON MY OCS OR OTHER SOCIAL MEDIA I (desperately try to) POST ON vvv

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03.02.2026 06:11 πŸ‘ 4 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0