Drey

me too tbh the kids don’t know

var är carl?

i cannot confirm or deny that this Venn diagram is a circle

we’re not supposed to like heated rivalry because it’s sympathetic towards russians

we have to get these young sheldon & marauders fans in the united nations

people who are against war but like heated rivalry are so weird to me

the kids are coming up with new ways to sound fucking stupid

so true

YESSSSS

foundational

now,,,

I can’t even like lie down for awhile, set an alarm and do stuff later because I will not get up

depression and avoidance is beating my ass right now

tfw you take an everything shower that takes so long you talk yourself out of doing all the things you need to do today

he got SO CLOSE

a black and white typography edit that reads "i am making permanent choices because i want permanent changes." the text is in all caps and is printed over a opened case of tools. the image is textured with very small halftone dots

i ❣️ bodily autonomy

what’s the over/under on pete figuring out how to blow the horn

“women in STED: Shoveling The Entire Driveway”

“absurd sensations”

“When it comes to film, I’ve always been drawn to darker, more brutal, moody things, like work of Yorgos Lanthimos. I don’t always gravitate toward feel-good movies. That is also funny because the things I write are darker too, but they always end up as love stories. I love absurd sensations, films that make you feel something—but I also love human relationships. As a teenager, I had that idea that only art films mattered, that commercial films had no soul. And then you watch a romantic comedy and you’re like, ‘Oh. I get why everyone talks about this. It’s actually good.’”

same

“I think the role of art is to present an experience, and the conversation we have around it is what creates change. It’s a delicate line. Art that tries to be didactic can backfire. Heated Rivalry wasn’t created as a pretentious lecturing. It simply shared an experience so people could understand a different position. That honesty is what drew people in. You can connect to a story on a human level. That’s why it matters. Not because it’s over-intellectualized or academic. It’s about specific human experiences you can witness and understand, even if you don’t identify with them, and that make you think. I’ve heard conversations about hockey, sport, sexuality from people who played sports and realized, statistically, at least one person they knew probably went through something similar. That’s the most you can hope for—that you’re part of something strong enough to make people reflect on their own experience.”

connorrrrrr speak on it

okay listen

i think connor storrie could play patrick bateman

ugh god I love connor but snl is dreadful lmao

they just let him do one of his clowning bits on snl and I love that for him

this is all I care about rn I have not laughed once at this episode

need new writers on snl

🎵smooth alligator🎵

scene from Our Flag Means Death s1 ep 3, where Ed is sitting in his cabin, brooding and smoking his pipe. the curtains are drawn halfway, and hazy light beams break thru. Ed is sitting in a tall, throne-like chair, turned away from the viewer.

he's listening to Sade

Close up of the triptych from the man post

Close up of the triptych panels