purkka

you're coming for the AI's job...

that sounds like an option, though what i'm really looking for is something subtler and less syntactically forceful. the og line is literally something like "it had to happen this way" and it's only the particles (and word order) that add the "which i think is bad"

I should have gone to the event. That's how it was meant to be.

machine translation is not particularly helpful here, don't fire your translators...

Olikin pitänyt mennä tapahtumaan niin. Olipa niinkin pitänyt tapahtua.

crowdsourcing a translation in case someone can help: not the exact line, but how would you express this sentiment (which i would characterize as lament or regret about something that happened) arising from the affective qualities of the -pA and -kin enclitic particles in English?

LIST (2011), directed by Hong Sangsoo

letterboxd page for the Nummisuutarit film from 1938

so tired of Nummisuutarit '38 antis dissing Laila Rihte when she's literally THE greatest Jaana of all time?? you all don't know what she went through for this performance, next time just say you hate people from Orimattila

letterboxd page for the Nummisuutarit film from 1938

so tired of Nummisuutarit '38 antis dissing Laila Rihte when she's literally THE greatest Jaana of all time?? you all don't know what she went through for this performance, next time just say you hate people from Orimattila

i'm jealous of people who only like big studio movies bc they get to have the craziest discourse all the time... you can't really do "if you don't like X you're a bad person" when X has been logged by less than 5k people on letterboxd

i know you all have a portal to the metaverse for VR chat reasons so no excuse to not play it

my friend's VR horror game is coming out THIS FRIDAY!! he's not on social media so i'm just quoting this post by a bot that caught it

A ½ review of Fingerpori (2019) Finally, a Finnish Uwe Boll movie... Didn't like this, but given I watched with a Russian dub, Russian gambling ads, and Swedish subs that went out of sync every five minutes (who said mandatory Swedi...

letterboxd.com/purkka/film/...

frame from Fingerpori (2019), notably almost entirely covered by a russian ad for a gambling thing of some sort and with swedish subtitles reading "faller offer för kärlekens luriga upptåg"

watched FINGERPORI (2019) just like God and Pertti Jarla intended

a screenshot from shadowhearts 2 of a wolf in round glasses saying "inconceivable... valedictorian of the wolf academy...beaten by a lowly stray...!"

I got my Masters in comparative folklore at Wolf Academy. I have to pay my student loans in bones.

i'm a transhumanist but more importantly, i'm a transfoodist; if you ask me, the stuff we invented outsells mother nature so hard. oat milk sent cow milk to the khia asylum, and beans + soy chunks are the only everyday protein sources i need

I'd even go as far as to call it the bee's knees but you know, the payment processors might be listening

this diva gives you plentiful proteins & fibers at a minimal cost and expires basically never... and the respect she gets for it in our culture is close to zero...

Mohammed Atta and Satam al-Suqami were enjoying a pleasant flight to New York on the morning of September the 11th 2001, but then things took an unexpected twist when it turned out they were insane religious fanatics. Things would never be the same again.

horror makes things that are the hardest for the characters to experience the easiest for the audience to stomach. it's like, oh awesome, gore effects! but then (at least to me) the focus is on the effects rather than the gore, and the stakes become a lot harder to buy into.

i think the reason i often struggle with horror is how it combines the repulsive and the comforting (through being full of familiar tropes the audience is expected to like seeing). artistic impulses that could in theory be challenging and confrontational instead become boring and conventional.

we need to watch it together... maybe i'll my find my way to Tampere sometime...

they're going to have to shove me into the criterion closet bc i haven't watched Get Out yet... but i have seen NOPE and found it pretty good, if messy, though i think it worked better for me as an action spectacle thing

letterboxd page for Noel Marshall's film ROAR (1981), listing its genres as comedy, thriller, horror, adventure

and by this i mean that ROAR is apparently a horror movie and yeah i guess i love that one

i should say, i guess, that i usually like horror more as a mode than a genre. i think it's easier to fight against this dissonance when you're working with multiple genre influences, allowing horror elements to be a shocking intrusion in a world where they're not predetermined.

horror makes things that are the hardest for the characters to experience the easiest for the audience to stomach. it's like, oh awesome, gore effects! but then (at least to me) the focus is on the effects rather than the gore, and the stakes become a lot harder to buy into.

i think the reason i often struggle with horror is how it combines the repulsive and the comforting (through being full of familiar tropes the audience is expected to like seeing). artistic impulses that could in theory be challenging and confrontational instead become boring and conventional.

new music out now 💿

OST from the visual novel Defenders of Neon

from our Novembuck 25 VN submission

extended with extra synth tracks
+ remastered

awww, happy anniversary!!

cute!!

Marten Digital art; 2400 x 2400

Sketch for marten day because I am very happy to exist in the same world as them | #furryart #digital #mar10