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Danielle Smotherman Bennett

@athenasvases

Assistant Research Curator, interested in ancient Mediterranean art, particularly Greek vases, provenance research, and digital humanities

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Latest posts by Danielle Smotherman Bennett @athenasvases

I also had to reset the password and not use the one that was sent to my email (like 6 times) yesterday.

08.01.2026 20:09 πŸ‘ 2 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Assistant Curator of Provenance, European Art
 Toronto, Ontario
APPLY
Description
Requisition Id: 2025-134
Number of Positions: 1
Job Status: Temporary Full-Time
Hours & Days of Work: 35 hours per week
Minimum Rate: $42.82
Maximum Rate: $53.51
Target Start Date: 09/01/2025
Target End Date: 08/31/2027
Assistant Curator of Provenance, European Art
Temporary Full-Time; 2 year contract
(35 hours per week)

Assistant Curator of Provenance, European Art Toronto, Ontario APPLY Description Requisition Id: 2025-134 Number of Positions: 1 Job Status: Temporary Full-Time Hours & Days of Work: 35 hours per week Minimum Rate: $42.82 Maximum Rate: $53.51 Target Start Date: 09/01/2025 Target End Date: 08/31/2027 Assistant Curator of Provenance, European Art Temporary Full-Time; 2 year contract (35 hours per week)

#provenancejob at the AGO:

jobs.jobvite.com/ago/job/o3oI...

18.08.2025 19:19 πŸ‘ 10 πŸ” 4 πŸ’¬ 1 πŸ“Œ 0
Preview
Who Owns the Past?: UTSA & SAMA Provenance Project

Interested in teaching cultural heritage/provenance using museum collections? Check out a fantastic project by Prof. Jessica Nowlin and UTSA students creating StoryMaps on objects/collectors from the San Antonio Museum of Art. I really enjoyed working with the class! www.samuseum.org/blog/utsa-sa...

21.02.2025 20:56 πŸ‘ 10 πŸ” 4 πŸ’¬ 1 πŸ“Œ 1
Preview
Res Diff 6 2025 The 2025 Res Difficiles conference will take place on March 21st. Conference registration will be made available ahead of the event. Res Difficiles: A Conference On Challenges and Pathways for Addr…

It is my pleasure to announce the program for #ResDiff6 (March 21, 2025), an annual digital conference addressing inequity in classics, which I co-organize with Joseph Romero. Keynote: Sarah Derbew. resdifficiles.com/res-diff-6-2...

11.02.2025 22:49 πŸ‘ 51 πŸ” 34 πŸ’¬ 1 πŸ“Œ 12
Ausschreibung // Albert-Ottenbacher-Fellowship fΓΌr Provenienzforschung 2025 β€” Zentralinstitut fΓΌr KunstgeschichteAusschreibung // Albert-Ottenbacher-Fellowship fΓΌr Provenienzforschung 2025 β€” Zentralin... Das vom Verein der Freunde des Zentralinstituts fΓΌr Kunstgeschichte e.V. CONIVNCTA FLORESCIT gestiftete Albert-Ottenbacher-Fellowship fΓΆrdert Forschungsvorhaben zur Provenienzforschung im weitesten Si...

The "Albert Ottenbacher Fellowship for Provenance Research 2025", sponsored by the Association of Friends of the Zentralinstitut fΓΌr Kunstgeschichte e.V. CONIVNCTA FLORESCIT, supports research projects on #provenanceresearch. Deadline: February 28, 2025. More information: www.zikg.eu/aktuelles/na...

10.01.2025 07:47 πŸ‘ 10 πŸ” 9 πŸ’¬ 0 πŸ“Œ 0
CFP: Provenance Research and Restitution – Transdisciplinary Approaches – Arbeitskreis Provenienzforschung


CFP: Provenance Research and Restitution – Transdisciplinary Approaches

Our Annual Conference will take place from 8 - 10 September 2025 in Bonn. The conference will be held in English.

Deadline for proposals is 28 February 2025.

www.arbeitskreis-provenienzforschung.org/en/cfp-prove...

09.01.2025 10:46 πŸ‘ 11 πŸ” 8 πŸ’¬ 1 πŸ“Œ 1

Happy to share that my latest article is out on #provenance research on Greco-Roman terracottas in the collection of Daniel Marie Fouquet: journals.ub.uni-heidelberg.de/index.php/tr...

03.01.2024 14:56 πŸ‘ 7 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Preview
The Hidden Archeologists of Athens By collecting long-forgotten archeological data, a new project reveals the researchers who toiled unrecognized.

Seen on the other side, h/t @flintdibble.bsky.social and BerkeleyDAGRS: t.co/BBwJlB967K - the women behind the walls walk and much more. Brings back fond memories of a walk with Leda Costaki! Eager to retrace it with their app.

23.08.2023 12:26 πŸ‘ 13 πŸ” 7 πŸ’¬ 1 πŸ“Œ 0