@krautart
Berlin-based artist, artspace & artblog (she/her) #womensart #politicalart #aiassistedart #mixedmediaart #femaleartist https://www.krautart.de/ https://www.corneliaessaid.de/ https://www.singulart.com/en/artist/cornelia-es-said-66492
breakfast lecture:
How media monoculture obscures the architecture of global violence — and why these wars are symptoms of the same machine. From Iran and Gaza to Sudan, Mexico, the Sahel, and 14 more. Analysis of why these 20+ wars share the same structural causes
www.krautart.de/global-confl...
Morgen Abend. Letzte Ausstellung im krautART ARTspace.
„Während die Maschine läuft" — zehn Jahre Ölmalerei. Wer die Munition herstellt. Wer den Blick aushält. Wer die Strukturen benennt.
Vernissage Fr 13.3., ab 18 Uhr
Lückstr. 11, Berlin-Lichtenberg
Live:J.aezzt
→ www.krautart.de/wahrend-die-...
Tomorrow evening. Final show at krautART ARTspace.
"While the Machine is Running" — ten years of oil painting. Who makes the ammunition. Who sustains the gaze. Who names the structures.
Opening Fri March 13, from 6 pm
Lückstr. 11, Berlin-Lichtenberg
Live: j.aezzt
→ www.krautart.de/wahrend-die-...
Close-up of an expressionistic oil painting by Cornelia Es Said featuring a face partially covered by a hand, with one green eye looking directly at the viewer. To the left, text details the retrospective exhibition "While the Machine is Running" at krautART ARTspace Berlin. Top left badge: "2 DAYS TO GO". Bottom left corner lists the opening on Friday, March 13, from 6 pm at Lückstr. 11, Berlin. The phrase "Final exhibition" is highlighted in pink.
2 days to go.
"While the Machine is Running" — ten years of figurative oil painting. Power structures, war logic, oligarchic patterns. Final exhibition at krautART ARTspace.
Opening: Fri March 13, from 6 pm
Lückstr. 11, Berlin-Lichtenberg
Jazz, DJ, video screenings.
www.krautart.de/wahrend-die-...
Nahaufnahme eines expressionistischen Ölgemäldes von Cornelia Es Said. Es zeigt ein Gesicht, dessen Augenpartie von einer Hand halb verdeckt wird; ein grünes Auge blickt intensiv den Betrachter an. Links im Bild stehen Informationen zur Werkschau „Während die Maschine läuft“ im krautART ARTspace Berlin-Lichtenberg. Text-Badge oben links: „NOCH 2 TAGE“. Unten links Details zur Vernissage am Freitag, 13.03. ab 18 Uhr in der Lückstr. 11. Der Hinweis „Letzte Ausstellung“ ist in Pink hervorgehoben.
Noch 2 Tage.
„Während die Maschine läuft" — zehn Jahre figurative Ölmalerei. Machtstrukturen, Kriegslogiken, oligarchische Muster. Letzte Ausstellung im krautART ARTspace.
Vernissage: Fr 13.3., ab 18 Uhr
Lückstr. 11, Berlin-Lichtenberg
Jazz, DJ, Video Screenings.
www.krautart.de/wahrend-die-...
so wird also die kunstfreiheit und satirefreiheit umschifft... meine güte, wem nützt das denn, leute zu kriminalisieren? so viel gehäuften mist aus allen ecken wie zur zeit habe ich in meinem ganzen leben noch nicht erlebt...
Dieses Thema liegt mir am Herzen. Bitte hier unterzeichnen: weact.campact.de/petitions/ka...
31.3.2026: Das Ende des physischen krautART ARTspace.
Ein Dialog mit Gemini 3 über KI-Sycophancy, Prekariat & „digitale Hausbesetzung“. Warum echte Gespräche „High-Quality-Futter“ für LLMs sind.
Lies hier: www.krautart.de/gemini-3-ki-...
#BerlinArt #krautART #Gemini3 #Sycophancy #DigitalResistance
Wide horizontal oil painting. Centered figure from the torso up, head tilted back, mouth open as if speaking or calling out. They wear large round steam-punk goggles with pink-blue reflections, a dark choker, and a loose robe in patchy warm colors (orange, pink, mauve, ochre) over a darker top. Both arms stretch outward across the full width; the left hand on the far left is vivid warm red-orange, fingers splayed, while the right hand near the right edge is cooler and less detailed. Background is mostly turquoise/teal with abstract blocky shapes and shadow-like silhouettes; a tall pale vertical shape behind the head reads as a beam or opening (a kind of limen—threshold). On the far right, darker purple and black shapes crowd the edge, increasing contrast.
I wish you a happy new year— as expressive, healthy, and inspiring as it can be!
Transmission (2025) | oil on canvas | 150×60 cm | series: Digital Shamans
You can find the whole series on my website: www.corneliaessaid.de/serie-digita...
I hope something unexpectedly good happens to you this week.
Bei mir gibt's diese Woche auf jeden Fall ein erwartetes schönes Erlebnis, freu mich sehr meinen Bruder Risto wiederzusehen bald, aber was unerwartet schönes ist natürlich immer willkommen und das wünsche ich auch allen hier 💚 🫶🏻
👍🤣
yes, I fear that is so.
Ebenso möchte ich mich bei all jenen entschuldigen, an denen ich ohne Gruß vorbei gelaufen bin. Es lag nicht an der mir immer wieder nachgesagten Arroganz. Es lag eher an der in dem Moment nicht aufgesetzten Brille, ohne die ich zwar alles sehen, aber nichts wirklich erkennen kann.
2/8
😂🤣😂
A dialogue between two aliens: "What are they celebrating?" "Their planet made a full circle around their star." "I told you they are not intelligent."
Wide horizontal oil painting. Centered figure from the torso up, head tilted back, mouth open as if speaking or calling out. They wear large round steam-punk goggles with pink-blue reflections, a dark choker, and a loose robe in patchy warm colors (orange, pink, mauve, ochre) over a darker top. Both arms stretch outward across the full width; the left hand on the far left is vivid warm red-orange, fingers splayed, while the right hand near the right edge is cooler and less detailed. Background is mostly turquoise/teal with abstract blocky shapes and shadow-like silhouettes; a tall pale vertical shape behind the head reads as a beam or opening (a kind of limen—threshold). On the far right, darker purple and black shapes crowd the edge, increasing contrast.
I wish you a happy new year— as expressive, healthy, and inspiring as it can be!
Transmission (2025) | oil on canvas | 150×60 cm | series: Digital Shamans
You can find the whole series on my website: www.corneliaessaid.de/serie-digita...
Please sign the petition to support HateAid against the attacks from Trump & Co:
#WeAreHateAid #Democracy #Solidarity
weact.campact.de/petitions/so...
„10 Regeln für die Digitale Welt“: 1. Erhebt digitale Technik nicht zum Selbstzweck. 2. Schreibt Maschinen keine Menschlichkeit zu. 3. Schafft Raum für Muße und analoge Begegnung. 4. Garantiert den Erhalt sozialer und demokratischer Kompetenzen. 5. Zerstört nicht die Natur für den technischen Fortschritt. 6. Behandelt Menschen nicht als bloße Datenobjekte. 7. Lasst Euch nicht Eurer menschlichen Potenziale berauben. 8. Verleugnet nicht die Grenzen der Technik. 9. Nutzt Maschinen nicht, um die Freiheit Anderer zu untergraben. 10. Verhindert Machtkonzentration und garantiert Teilhabe.
'10 Regeln für die Digitale Welt' sind nun "in der Welt"! 😊
Ich durfte sie in einer spannenden Gruppe mitdefinieren, u.a. mit @jurgenpfeffer.bsky.social und @paulnemitz.bsky.social.
Hier eine der vielen News dazu:
news.vm.uni-freiburg.de/de/newsarchi...
Kommentare sind sehr willkommen!
1/2
A dark global rap pulse about power, extraction, and the people who refuse to bend.
02:45 minutes of pure uprising.
🎧 Watch: www.youtube.com/shorts/Xu987...
#PoliticalMusic #GlobalBass #Rap #AIxArt #Resistance
If you're in Berlin, you can see the original at the PopUp Store at Allee Center, Landsberger Allee 277, 13055 Berlin until Nov 29th 😍
🤣🤪🤣
#Klimakonferenz : Handeln statt Blockieren!
Bitte unterzeichne auch du die #Petition, damit die Bundesregierung an ihre Pflicht zum Schutz der #Natur und #Zukunftsperspektiven für alle zu erinnern:
weact.campact.de/petitions/bu...
#Klimawandel #Klimaschutz
#Halloween finde ich auch doof, aber #Samhain mag ich
A close-up oil painting on linen by Cornelia Es Said titled Still A Voice (2025), part of her series Generation Courage. The composition shows a woman’s face framed tightly by three hands. Two of them seem to be her own, pressing against her cheeks and pulling her eyelids open, while a third hand — ambiguously belonging to another person or to her doubled self — crosses the others, accentuating the tension. Her green eyes, rendered with sharp precision, stare directly at the viewer with a mix of exhaustion, clarity, and defiance. The mouth is slightly parted but silent, its red tones echoing the warmth of her skin. The color palette is expressive and layered: cool violets, greys, and muted turquoise tones contrast with the earthy oranges, ochres, and pinks of the flesh. The paint surface is visibly textured, showing brushstrokes, impasto, and areas of scraping that reveal hints of an earlier layer of handwritten text beneath — faintly legible words like “voice,” “truth,” and “insane” emerge through the paint, as if half-erased graffiti or memory fragments. The background is rough and atmospheric, suggesting plaster or worn stone, while the light falls evenly from above, illuminating the forehead and fingertips. The hands form an almost mask-like frame — part protection, part exposure — conveying both self-restraint and insistence on seeing. The overall mood is tense yet luminous, oscillating between psychological vulnerability and resilience. The painting captures a moment of resistance against despair — a determination to remain aware, to speak, to see, even when silence would be easier.
“Even a trembling voice is still a voice”
Still A Voice (2025) — oil on linen, 50×50 cm.
A fragile mask of hands, yet the gaze stays clear — resilience and perception intertwined.
www.corneliaessaid.de/project/unbl...
www.singulart.com/en/artist/co...
#OilPainting #PoliticalArt #Courage #Resilience
charcoal and sanguine drawibg of a female portrait looking at the viewer while 3 hands are touching the face from different angles.
back at #drawing with #charcoal and a little #sanguine: study for another painting in my #generationcourage series.
#charcoalddrawing #contemporarydrawing #womeninart
Torte der Wahrheit - Wer in Deutschland überdurchschnittlich gefördert wird: - Kleinkinder, ganz wenig - Schulkinder, ganz wenig - fossile Energieträger, ganz viel
Weg mit allen klimaschädlichen Subventionen‼️
📷 @katjaberlin.bsky.social via @zeit.de
huch, how could #art beat ubiquitous #trump in this one?
detail from the abstract mixed media work with collage, oil and image transfer. A figure with bright yellow hair and purple skin looks upward, arm raised, surrounded by fragments of text such as "WHY THIS RESULT?", "<algorithms>" and a QR code. The work addresses the interplay between technology, stability and human output.
detail from the abstract mixed media work with collage, oil and image transfer. A figure with bright yellow hair and purple skin looks upward, arm raised, surrounded by fragments of text such as "WHY THIS RESULT?", "<algorithms>" and a QR code. The work addresses the interplay between technology, stability and human output.
Abstract mixed media work with collage, oil and image transfer. A figure with bright yellow hair and purple skin looks upward, arm raised, surrounded by fragments of text such as "WHY THIS RESULT?", "<algorithms>" and a QR code. The work addresses the interplay between technology, stability and human output.
Thrilled that my piece "Why This Result?" (Mixed Media, 2025) has been included in Hamza Djelassi's (@hdgalerie) 'Curation du Jeudi' on Singulart! This work explores algorithms and output stability. Curation: www.singulart.com/en/collectio... #ArtNews #MixedMedia #BerlinArtist #DigitalArt #Singulart
Abstraktes, vielschichtiges Gemälde mit dem Titel 'Why This Result?' (100x100 cm) in Mixed Media. Eine dunkelhäutige Figur mit leuchtend gelbem Haar blickt mit erhobener Faust nach oben. Die Leinwand ist überlagert mit Collageelementen, Textfragmenten wie 'algorithms' und 'stability' sowie einem großen QR-Code, was die thematische Auseinandersetzung mit digitalen Systemen und deren Ergebnissen hervorhebt.
Mein Werk "Why This Result?" (2025) wurde von Hamza Djelassi (@hdgalerie) für die 'Curation du Jeudi' auf Singulart ausgewählt! Das 100x100 cm Bild reflektiert kritisch die Rolle von Algorithmen. Checkt die Kollektion: www.singulart.com/en/collectio...
#Kunst #Singulart #hdgalerie #WhyThisResult