I’ve had great success using Perusall for collaborative annotations. Students were mixed in liking/disliking it, but there was consensus about its positive impact.
11.09.2025 10:19
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I’ve had great success using Perusall for collaborative annotations. Students were mixed in liking/disliking it, but there was consensus about its positive impact.
Meus amores, preciso da ajuda de todo mundo agora pra compartilhar isso: darei uma oficina GRATUITA na Fundaj do Derby, Recife, dias 7 e 8 de agosto, das 9h às 12h, sobre Gestos ético-estéticos no cinema a partir da Palestina. Inscrições abertas e detalhes da oficina: docs.google.com/forms/d/e/1F...
thehollywoodconference.com
The Hollywood Conference is just over a week away and we have our full schedule up on our website. It's going to be so much fun (for an academic conference)! #HWC25 thehollywoodconference.com
Excellent news! Congrats, Tanya!
Frame from GOOD MANNERS, depicting a woman walking up a street in São Paulo at night, holding an umbrella.
My latest in the Summer issue of @filmquarterly.bsky.social addresses the genre-blending traits and intersectionality of GOOD MANNERS, one my favorite films to teach. Open access link: shorturl.at/yvlg7
Journal cover for Film Quarterly Spring 2025 featuring a painted poster of an audience enjoying a Lumiere brothers film in 1895.
FQ‘s new issue features free articles (link below)! 🍿
-The Art and History of Movie Novelizations by Jim Knipfel
-Interview with Jenni Olson by Eliot Dunn
-Reassessing the Butt Shot by Caetlin Benson-Allott
-Wanda and Beyond by Elena Gorfinkel
-Editor's Notebook by J. M. Tyree
Frame from GOOD MANNERS, depicting a woman walking up a street in São Paulo at night, holding an umbrella.
My latest in the Summer issue of @filmquarterly.bsky.social addresses the genre-blending traits and intersectionality of GOOD MANNERS, one my favorite films to teach. Open access link: shorturl.at/yvlg7
Hold onto your butts, folks--my butt shot article is finally out! Thanks for all of your help, hivemind. I can't wait to hear what you think! Here's an open access link: www.google.com/url?q=https:...
Can we do assessment differently, in ways that increase access, support greater inclusion, improve learning outcomes, and enhance the experience of teaching and learning?
Wide-eyed woman stares off screen. Frame from Cemetery of Splendor.
My piece draws from an ungraded assignment for a course on International Cinema at @comatbu.bsky.social, for which I asked students to curate a film festival that challenged traditional film canons.
Right on cue, as I submit final grades: check out JCMS teaching dossier on ungrading practices in film/media courses.
🎧 New episode of 'The COMversation' from @bostonu.bsky.social College of Communication.
Dr. Charlotte Howell talks with @brunoguarana.bsky.social & Dr. AnneMarie McClain about how kids are portrayed in media—and why it matters.
🎙️ Listen now: tinyurl.com/mprhajms
#ChildhoodInMedia #BUPodcast
Dirigido pela pernambucana Milena Times, ‘Ainda Não É Amanhã’ estreia em 05 de junho nos cinemas pela Embaúba Filmes.
A trama conta a história de amadurecimento de Janaína (Mayara Santos), uma garota negra de 18 anos que foi criada pela mãe e pela avó na periferia do Recife. 🇧🇷
Jocelyn Szczepaniak-Gillece’s book is a must.
I am happy to announce the publication of the first part of a 2-part @jcmsjournal.bsky.social Teaching Media dossier on #ungrading that @lisawj.bsky.social and I co-edited. Please check out "Part I: Critical Reflections on Ungrading" here: quod.lib.umich.edu/j/jcms/teach... Part two coming soon!
The wonderful @jennblaylock.bsky.social and I co-edited a 2-part Teaching Media Dossier for @jcmsjournal.bsky.social on #ungrading. "Part I: Critical Reflections on Ungrading" is now live, and we couldn't be prouder. Huge thanks to our contributors and editors! Look out for Part II soon! #teaching
Projector screen in classroom with text and images of Bruno Guaraná and Lynn Spigel
Taught @brunoguarana.bsky.social 's interview with Lynn Spigel from @filmquarterly.bsky.social again yesterday. What a great, teachable text that gives students new ways to think about TV history! Also a fine example of the academic interview genre.
#teachingmedia #TVstudies
I love MFA Boston's relatively new Center for Netherlandish Art because they don't shy away from the history of Dutch slavery and colonialism.
For example, the gallery of still-lifes has map & ledgers of the Atlantic trade routes and ugly truth of the sweets and "exotic" fruits in the paintings.
What a line-up!
I'm very excited to share that my department at USC is hosting a new conference this summer - The Hollywood Conference! Please spread the word and come join us in LA (the obviously spot for this) next July. www.thehollywoodconference.com/cfp
O livro do "Manifesto para Curadoria" é esse: "Cinco Manifestos para o Mundo Bonito", publicação resultante da série de conferências "Alchemy Lectures", organizadas por Sharpe anualmente na Universidade de York em Toronto.
Em primeira mão por aqui: o teaser de "Ainda Não É Amanhã", filme de Milena Times que estreia hoje à noite no Festival do Rio mulhernocinema.com/videos/ainda...
NYU Cinema Studies position in moving image archiving and preservation tisch.nyu.edu/cinema-studi...
Card de divulgação com o seguinte texto em caixa alta, sobre uma Imagem de fundo com padrões de azulejo e cores: "Lançamento do Livro" , acima; no centro, o título do livro, "No rastro dos encontros perdidos: a Mostra Novíssimo Cinema Brasileiro"; abaixo do título, "depois da sessão das 19h de O Marinheiro das Montanhas; embaixo do card, sob uma linha branca, CONSTA "13SET" em referência à data 13 de setembro, à esquerda, e "CINUSP Paulo Emílio - Rua do Anfiteatro 109", à direita.
Pessoas de São Paulo: o livro "No rastro dos encontros perdidos: a Mostra Novíssimo Cinema Brasileiro" será lançado nesta sexta, 13/09, após sessão de O Marinheiro das Montanhas, no CINUSP. Contribuí com o texto "Casulo, secreção, segredo", a convite de um dos organizadores, o querido Gustavo Maan.
New FQ Webinar on Interactive Cinema posted! Page Views editor Bruno Guaraná joins Marina Hassapopoulou for a conversation about her new book, Interactive Cinema, moderated by Rebecca Prime. filmquarterly.org/2024/07/26/i...