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phillip crymble

@phillipcrymble

poet | phd | umichwriters alum | fiddlehead poetry editor | record collector | author of not even laughter | one-armed bandit | he/him

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Latest posts by phillip crymble @phillipcrymble

Lifeless in appearance, sluggish
dazed spring approaches--

from William Carlos Williams's Spring and All (1923)

Lifeless in appearance, sluggish dazed spring approaches-- from William Carlos Williams's Spring and All (1923)

10.03.2026 19:27 πŸ‘ 3 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Modernism

by STUART DYBEK

The two poems written
a decade apart
have remained modern

for over a hundred years.
Together, not counting titles,
they total thirty words,

and share the scent
of a freshly fallen rain
that continues

to gleam on both
a wheelbarrow, and the faces
on a wet, black bough.

Stuart Dybek is the author of five books of fiction and two collections of poetry. He is the Distinguished Writer in Residence at Northwestern University.

Modernism by STUART DYBEK The two poems written a decade apart have remained modern for over a hundred years. Together, not counting titles, they total thirty words, and share the scent of a freshly fallen rain that continues to gleam on both a wheelbarrow, and the faces on a wet, black bough. Stuart Dybek is the author of five books of fiction and two collections of poetry. He is the Distinguished Writer in Residence at Northwestern University.

A new poem by Stuart Dybek in the inaugural issue of PORTICO.

10.03.2026 15:06 πŸ‘ 7 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Provisions

What should we have taken
with us? We never could decide on that; or what to wear, or at what time of
year we should make this journey
so here we are, in thin
raincoats and rubber boots
on the disastrous ice, the wind rising,
nothing in our pockets
but a pencil stub, two oranges
four toronto streetcar tickets
and an elastic band, holding a bundle of small white filing-cards
printed with important facts.

Provisions What should we have taken with us? We never could decide on that; or what to wear, or at what time of year we should make this journey so here we are, in thin raincoats and rubber boots on the disastrous ice, the wind rising, nothing in our pockets but a pencil stub, two oranges four toronto streetcar tickets and an elastic band, holding a bundle of small white filing-cards printed with important facts.

Margaret Atwood

09.03.2026 18:39 πŸ‘ 28 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0
RITE OF SPRING

So winter closed its fist
And got it stuck in the pump. 
The plunger froze up a lump

In its throat, ice founding itself 
Upon iron. The handle
Paralysed at an angle.

Then the twisting of wheat straw 
Into ropes, lapping them tight 
Round stem and snout, then a light

That sent the pump up in flame. 
It cooled, we lifted her latch,
Her entrance was wet, and she came.

RITE OF SPRING So winter closed its fist And got it stuck in the pump. The plunger froze up a lump In its throat, ice founding itself Upon iron. The handle Paralysed at an angle. Then the twisting of wheat straw Into ropes, lapping them tight Round stem and snout, then a light That sent the pump up in flame. It cooled, we lifted her latch, Her entrance was wet, and she came.

Seamus Heaney

09.03.2026 14:52 πŸ‘ 17 πŸ” 3 πŸ’¬ 1 πŸ“Œ 1
The 'voice of sanity' is getting hoarse.

The 'voice of sanity' is getting hoarse.

Seamus Heaney

09.03.2026 00:30 πŸ‘ 15 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0
Dropping out is not the answer; fucking-up is. Most women are already dropped out; they were never in. Dropping out gives control to those few who don't drop out; dropping out is exactly what the establishment leaders want; it plays into the hands of the enemy; it strengthens the system instead of undermining it, since it is based entirely on the non-participation, passivity, apathy and non-involvement of the mass of women. Dropping out, however, is an excellent policy for men, and SCUM will enthusiastically encourage it.

Dropping out is not the answer; fucking-up is. Most women are already dropped out; they were never in. Dropping out gives control to those few who don't drop out; dropping out is exactly what the establishment leaders want; it plays into the hands of the enemy; it strengthens the system instead of undermining it, since it is based entirely on the non-participation, passivity, apathy and non-involvement of the mass of women. Dropping out, however, is an excellent policy for men, and SCUM will enthusiastically encourage it.

From The SCUM Manifesto (1967), Valerie Solanas on dropping out.
#InternationalWomensDay

08.03.2026 18:54 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

correct

08.03.2026 17:17 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Daylight Saving

MY answers are inadequate
To those demanding day and date,
And ever set a tiny shock
Through strangers asking what's o'clock; 
Whose days are spent in whittling rhyme-- 
What's time to her, or she to Time?

Daylight Saving MY answers are inadequate To those demanding day and date, And ever set a tiny shock Through strangers asking what's o'clock; Whose days are spent in whittling rhyme-- What's time to her, or she to Time?

A poem by America's most famous wit

08.03.2026 02:32 πŸ‘ 130 πŸ” 27 πŸ’¬ 1 πŸ“Œ 1
A WINTER'S NIGHT 

The outside, where the snow Is softly and soundlessly Falling (there is no wind Tonight) has brought its quiet Into the house that was noisy All day with TV voices, The telephone ringing,
And the happy shouts of children Romping from room to room. Now, except for me, sleep Has taken over the house. I bring the silence of the dark Outside into it. I wrap that Around my cares. Soon I, too, Will be sleeping.

A WINTER'S NIGHT The outside, where the snow Is softly and soundlessly Falling (there is no wind Tonight) has brought its quiet Into the house that was noisy All day with TV voices, The telephone ringing, And the happy shouts of children Romping from room to room. Now, except for me, sleep Has taken over the house. I bring the silence of the dark Outside into it. I wrap that Around my cares. Soon I, too, Will be sleeping.

A late poem by James Laughlin

08.03.2026 00:42 πŸ‘ 12 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Modernism in literature has not passed; rather, it has been exposed as never having been there. Gossip grows old and becomes myth; myth grows older, and becomes dogma. Wyndham Lewis, Eliot and Pound gossiped with one another; the New Criticism aged them into a myth of Modernism; now the antiquarian Hugh Kenner has dogmatized this myth into the Pound Era, a canon of accepted titans.

Modernism in literature has not passed; rather, it has been exposed as never having been there. Gossip grows old and becomes myth; myth grows older, and becomes dogma. Wyndham Lewis, Eliot and Pound gossiped with one another; the New Criticism aged them into a myth of Modernism; now the antiquarian Hugh Kenner has dogmatized this myth into the Pound Era, a canon of accepted titans.

Harold Bloom, from the not-at-all ironically titled A Map of Misreading (1975)

07.03.2026 21:34 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Amazing. What a poem!

07.03.2026 19:21 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
OUR SENSE OF ACHIEVEMENT

trees do not mean to cause us harm
themselves across the planet
trees move
in wide invisible
lines trees are all around us like fire
once there
was a song called Everything We Know About Chairs but nobody wrote it where would you
even begin every day many things do not happen a perfect winter
a perfect love once you keep failing
you've got it right
you don't fail just when you think
arrives some spring

OUR SENSE OF ACHIEVEMENT trees do not mean to cause us harm themselves across the planet trees move in wide invisible lines trees are all around us like fire once there was a song called Everything We Know About Chairs but nobody wrote it where would you even begin every day many things do not happen a perfect winter a perfect love once you keep failing you've got it right you don't fail just when you think arrives some spring

Heather Christle

07.03.2026 18:19 πŸ‘ 7 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

Loved him as O'Reilly the builder in Fawlty Towers.

07.03.2026 01:02 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
UNFOLDING
If there is no spirit unfolding itself in history, 
No gradual growth of consciousness
Beneath the land grabs and forced migrations, 
The bought elections, the betrayal of trust 
By party faction in the name of progress- 
What about spirit in the personal realm 
Unfolding slowly inside us, so slowly 
That our best days seem like a holding action? 
Seasons repeat themselves, but the tree 
Shading the yard keeps growing.
Don't be chagrined that the sadness you felt 
This evening beside the bed of a friend 
Who's growing weaker wasn't more profound 
Than the sadness of yesterday, that you still 
Can't imagine a fraction of what he's feeling 
As the world he loves slips from his grasp. 
No progress from your perspective,
But who's to say what you might notice
If the scroll of the last few months were unrolled 
On the table before you, how clear it might be
That your your understanding of all you're losing
In losing him has been slowly deepening? 
Another day, you say to yourself, at dusk
As you climb your porch steps, which you notice 
Could use some scraping and painting this weekend, 
A fresh coat that with luck will last a year.

                                                                    --Carl Dennis

UNFOLDING If there is no spirit unfolding itself in history, No gradual growth of consciousness Beneath the land grabs and forced migrations, The bought elections, the betrayal of trust By party faction in the name of progress- What about spirit in the personal realm Unfolding slowly inside us, so slowly That our best days seem like a holding action? Seasons repeat themselves, but the tree Shading the yard keeps growing. Don't be chagrined that the sadness you felt This evening beside the bed of a friend Who's growing weaker wasn't more profound Than the sadness of yesterday, that you still Can't imagine a fraction of what he's feeling As the world he loves slips from his grasp. No progress from your perspective, But who's to say what you might notice If the scroll of the last few months were unrolled On the table before you, how clear it might be That your your understanding of all you're losing In losing him has been slowly deepening? Another day, you say to yourself, at dusk As you climb your porch steps, which you notice Could use some scraping and painting this weekend, A fresh coat that with luck will last a year. --Carl Dennis

SO many great poems in these old issues of The New Yorker

06.03.2026 19:21 πŸ‘ 152 πŸ” 31 πŸ’¬ 7 πŸ“Œ 1

I don't, but my mum might. You know the area?

05.03.2026 19:55 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

The Keel Bay Guest House. I often wonder whatever became of it.

05.03.2026 19:37 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
GINSBERG

When Ginsberg (always tolerant and kindhearted) wanted to help a starveling young poet he might close his letter by saying: take my letter to the Phoenix Bookshop in Cornelia Street, they may give you as much as $25 for it.

GINSBERG When Ginsberg (always tolerant and kindhearted) wanted to help a starveling young poet he might close his letter by saying: take my letter to the Phoenix Bookshop in Cornelia Street, they may give you as much as $25 for it.

James Laughlin's entry on Allen Ginsberg in The Way it Wasn't (2006)

05.03.2026 18:38 πŸ‘ 8 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Post image

Small world. My father's sister lives in a house on New Park Road. They bought it new. Something like this one.

05.03.2026 02:37 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Amazing. My parents owned and operated a guesthouse on Achill in the mid-60s.

04.03.2026 18:51 πŸ‘ 7 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0

Happy to. We have two new poems of hers in the winter issue.

04.03.2026 18:27 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
A MARRIAGE

His paintings were small, suggestions 
of houses, pinpricks of green for trees. 
She'd set her glass down, say, Paint 
like you're blind, from memory and passionβ€” 
two words he especially didn't care for. 
She'd say, Paint like you're on fire. 
But their house was already burning, 
and he was going blind and deaf. 
So he'd carry the painting back down 
to the basement, resume with
his thinnest sable brush. He would 
never touch her the way she wanted, 
though she kept asking him to, 
like this, in front of everybody.
                                                     
                                                       β€” Julie Bruck

A MARRIAGE His paintings were small, suggestions of houses, pinpricks of green for trees. She'd set her glass down, say, Paint like you're blind, from memory and passionβ€” two words he especially didn't care for. She'd say, Paint like you're on fire. But their house was already burning, and he was going blind and deaf. So he'd carry the painting back down to the basement, resume with his thinnest sable brush. He would never touch her the way she wanted, though she kept asking him to, like this, in front of everybody. β€” Julie Bruck

A heartbreaking poem by one of Canada's finest

04.03.2026 17:24 πŸ‘ 23 πŸ” 4 πŸ’¬ 0 πŸ“Œ 1
NIGHTGOWN

A cold so keen,
My speech unfurls tonight 
As from the chattering teeth 
Of a sewing machine.

Whom words appear to warm, 
Dear heart, wear mine. Come forth 
Wound in their flimsy white
And give it form.

NIGHTGOWN A cold so keen, My speech unfurls tonight As from the chattering teeth Of a sewing machine. Whom words appear to warm, Dear heart, wear mine. Come forth Wound in their flimsy white And give it form.

James Merrill, born 100 years ago today

03.03.2026 18:55 πŸ‘ 194 πŸ” 32 πŸ’¬ 5 πŸ“Œ 0

πŸ™

03.03.2026 14:44 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
THE SECRET OF THE YELLOW ROOM

Sloth's best. Lolling on a sofa
In a Chinese dressing gown
With the windows open in the heat, 
The breeze rousing the leaves.
The flies dozing on the ceiling.

The silky hush of a summer afternoon, 
Like floating on one's back
With eyes closed in some pond
Clogged with water lilies,
Inhaling their scent as they nuzzle close.

The light and shade dillydallying, 
The leaves sighing again.
Afterward, not even that.
Majestic stupor. Stirring only at midnight 
To click on the yellow table lamp.

THE SECRET OF THE YELLOW ROOM Sloth's best. Lolling on a sofa In a Chinese dressing gown With the windows open in the heat, The breeze rousing the leaves. The flies dozing on the ceiling. The silky hush of a summer afternoon, Like floating on one's back With eyes closed in some pond Clogged with water lilies, Inhaling their scent as they nuzzle close. The light and shade dillydallying, The leaves sighing again. Afterward, not even that. Majestic stupor. Stirring only at midnight To click on the yellow table lamp.

Charles Simic, for your late-winter blues

02.03.2026 18:20 πŸ‘ 30 πŸ” 7 πŸ’¬ 0 πŸ“Œ 1
Fragment

Christ,
may I die at night
with a semblance of my faculties,
like the full moon that fails.

Fragment Christ, may I die at night with a semblance of my faculties, like the full moon that fails.

Robert Lowell was born on this day in 1917. According to Frank Bidart, this is "[t]he final stanza of an unfinished poem that Lowell was working on the week before he died."

02.03.2026 00:29 πŸ‘ 53 πŸ” 13 πŸ’¬ 2 πŸ“Œ 0

Honestly, if you check your local classifieds I'm sure you could find a vintage turntable in decent shape for the price of a new LP. Doing this also comes with the added advantage of providing you with a spare once you've repaired the one you already own. Anyway, something to consider.

02.03.2026 00:00 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

πŸ™

01.03.2026 19:18 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
CAR COVERED WITH SNOW

Before I clear the windows, I sometimes sit inside. And the stillness is such that I lose how the day works.
It soaks up
all the steely details: March
ripped out of February, a raw thing. Sometimes my son has patience. And we sit a few minutes like this in the weird half-light. He says: we're in a closed fist, Mama.
Or, it's like the car's eye is closed. We're deep in the brain then, seeing as the blind see, all listening. Outside, the cardinal tinks tinks his alarm call,
his scared call. I hear it: the snow so terribly white.
And he is brilliant,
conspicuous.

CAR COVERED WITH SNOW Before I clear the windows, I sometimes sit inside. And the stillness is such that I lose how the day works. It soaks up all the steely details: March ripped out of February, a raw thing. Sometimes my son has patience. And we sit a few minutes like this in the weird half-light. He says: we're in a closed fist, Mama. Or, it's like the car's eye is closed. We're deep in the brain then, seeing as the blind see, all listening. Outside, the cardinal tinks tinks his alarm call, his scared call. I hear it: the snow so terribly white. And he is brilliant, conspicuous.

March / ripped out of February, a raw thing.

Marianne Boruch

01.03.2026 18:42 πŸ‘ 17 πŸ” 3 πŸ’¬ 1 πŸ“Œ 0

Yes! You'll note that they also italicized "Lester's." The copy editor was asleep at the switch that day.

01.03.2026 16:26 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Thank you, my friend. The more things change ...

01.03.2026 16:19 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0