In Skank Sinatra, Jens Rada has created one of the most compelling cabaret personas currently emerging on Australian stages.
www.disruptingstages.com/post/skank-s...
In Skank Sinatra, Jens Rada has created one of the most compelling cabaret personas currently emerging on Australian stages.
www.disruptingstages.com/post/skank-s...
In Adelaide??? Please come see us....
The river knows. The town forgets. Two girls decide.
EDEN — Adelaide Fringe,
Courtyard of Curiosities, 17–23 March 🌿
Siren Theatre Co / Kate Gaul / Karrine Kanaan & Lara Lightfoot
adelaidefringe.com.au/fringetix/eden
The anarchic spirit of devised performance - messy, unpredictable and gloriously human -still has teeth. GO SEE THIS!!
www.disruptingstages.com/post/look-at...
Epic, intimate and vocally astonishing, Andy Freeborn’s "Brand New Dress" turns queer self-discovery into high musical myth. A major talent in the making.
www.disruptingstages.com/post/brand-n...
"The Performers" This time around, Dolly and Skank understand that the audience is not there for perfection; they are there for presence. And presence they deliver in abundance.
www.disruptingstages.com/post/the-per...
The play’s central idea - that memory is both sanctuary and distortion - feels particularly resonant in queer history, where personal testimony often substitutes for institutional record.
www.disruptingstages.com/post/es-flo-...
Ruth Strutt commands the space with fearless precision - vocally sumptuous, dramatically exacting, and utterly magnetic from first stillness to final blaze.
www.disruptingstages.com/post/possess...
Megan Drury makes the cosmic feel intimate and the intimate feel epic. 🌕✨SELENE is luminous, fierce and utterly magnetic. A myth reborn for our bodies and our time.
www.disruptingstages.com/post/selene-...
“They Will Be Kings" is a fierce, funny and deeply felt celebration of drag kings - claiming masculinity, lineage and power on defiantly queer terms. GO SEE IT!!!
www.disruptingstages.com/post/they-wi...
Patrick Kennedy approaches this quieter, more mannered play with care, allowing its tensions to accumulate rather than explode. "Perfect Arrangement" NEW THEATRE
www.disruptingstages.com/post/perfect...
⚡LUMO FLASH SALE IS ON AT ADELAIDE FRINGE⚡
$5 off tickets to hundreds of incredible shows, brought to you by our friends at Lumo Energy who cover the difference so artists get their fair share while you save!
Grab yours before they’re gone!
BOOK NOW - adelaidefringe.com.au/fringetix/ed...
A thrilling "Turandot" lifted by director Ann Yee’s fresh choreographic vision and a gold-plated Calaf from Young Woo Kim — opera that dares to soar.
www.disruptingstages.com/post/turando...
Behind the beauty of ceremony is pressure, exhaustion and damage. "Lacrima" is bold, sophisticated theatre that refuses to look away from the human cost of spectacle.
Sydney Festival
www.disruptingstages.com/post/lacrima...
"Dean, Don’t Dance!" insists on being seen not as exception or inspiration, but as part of the ecology of contemporary performance
www.disruptingstages.com/post/dean-do...
"Split Ends" asks important questions about control and attachment, but says them too often. A compelling strand that could benefit from a cleaner cut.
www.disruptingstages.com/post/split-e...
In a festival context that champions ambitious international work, WAKE is undercooked as theatre. A powerful communal ritual instead registers as an enthusiastic but unfocused showcase. Celebration alone is not enough; even joy benefits from structure.
www.disruptingstages.com/post/wake-sy...
Big Mouth: Salty Brine’s Glorious, Genre-Shattering Sydney Takeover weaving Mary Shelley’s Frankenstein, personal confession and reimagined Smiths songs into a commanding, wildly original piece of music theatre.
www.disruptingstages.com/post/big-mou...
“Rothar” is a celebration of imagination, collaboration, and the sheer pleasure of play. Come on a bicycle ride through the imagination - and rediscover how thrilling it can be to see the world anew.
www.disruptingstages.com/post/rothar-...
“Post-Orientalist Express” Rather than easing audiences into Sydney Festival's terrain for 2026, it announces itself through excess, density and refusal, asking spectators to submit to its terms from the outset.
www.disruptingstages.com/post/post-or...
Circa's "Duck Pond" - beneath the feathers, fairy tales and formal beauty lies the raw, communal thrill that circus does better than almost any other artform.....
www.disruptingstages.com/post/duck-po...
A friendship on the edge of change.
EDEN awaits.
🎟️ BOOK NOW → adelaidefringe.com.au/fringetix/ed...
My Cousin Frank is a knockout. Rhoda Roberts AO delivers a searing, uplifting tribute to Australia’s first Aboriginal Olympian. A 75-minute masterclass in truth-telling, grace and fire.
www.disruptingstages.com/post/my-cous...
Love this work - NOT TO BE MISSED!!!
"Cowbois" at the Seymour Centre is already setting hearts (and yes, the underpants) on fire.
Every ticket is $40. Bring your pals, your nanna, your favourite troublemaker.
Paul Gilchrist's "Atlantis" doesn’t give us answers so much as a gentle provocation: maybe the truth isn’t a fixed point at all, but a lens we’re free to adjust. The play lingers with a soft afterglow, urging us to choose our stories with care and courage.
www.disruptingstages.com/post/atlanti...
"The Edit" stands out for its polish, intelligence, & provocation. It dissects the ethics of entertainment with empathy and rigour — reminding us that while viewers can choose what to watch, the participants inside the frame often have far less control.
www.disruptingstages.com/post/the-edi...
Clever, playful and quietly provocative, "Everything I Know About This Water Bottle" finds poetry in the debris of human progress.
www.disruptingstages.com/post/everyth...
COWBOIS - by Charlie Josephine is a western with everything you’d expect, but our lone cowboy is a gender outlaw who fights the patriarchy and inspires a queer revolution. Tickets $40 - www.seymourcentre.com/event/cowbois/