Randomly bumped into two quite socially-tiring friends on my way to get a quiet pub supper on my way to tonight’s event. They’ve now left (for a pre-event thing) but now I’m more exhausted than I was before…
A Rigoletto/Onegin double header should make a nice component in a multi-city trip round the UK in October. We already know Scottish Opera have a new Turandot (per fundraising email of a few weeks ago) - so all that remains is to find out if I can fit something by WNO into the same week’s travels.
Looking at the Opera North season announcement, I’m a little disappointed that their annual summer semi-staged performance tour (of Tristan und Isolde) doesn’t have a London date scheduled, but pleasantly surprised that their revival of their critically-acclaimed Monteverdi Orfeo does.
Charitably, it’s basically a concert performance (with film elements, I think), so people COULD have booked thinking they were just getting an orchestra and singers. But have they READ the plot?
Imagine booking Wozzeck tickets for your young children thinking it might be a cosy family show…
I’ve never used it - not once.
Milo displaying his usual level of engagement, I see 🤣
<stares at a huge number of people I used to know>
(OK, not the ONE thing. Also your cooking etc 😊)
See, the cat content is the one thing I miss about having said I wasn’t going to liaise with you directly for the translation on this occasion 😂
Daily mail article saying the Harry Potter series will be the steaming event of the decade
Lovely typo in a Harry Potter TV show article.
Yes, I suppose this should be true for the queuing systems that keep you in a waiting room and then automatically assign a queue number (like rhe Proms). Where it COULD make a difference is the ones where you have to wait for a Book Now button to go live, or refresh a page until it goes live.
No, but I agree with you. One year I was so fully-booked by the time they announced, I only made it to 1 Prom.
Finally got round to having fibre broadband installed, and everything’s pleasingly speedy. I wonder if this means I’ll get better online queue positions in future for things such as Proms booking 🤔
There’s one opera he mentioned, that I’ve never had a chance to hear live, by a composer I always love. I’d love to know that might happen in the future…
I added a £30 standing ticket for Entführung when public booking opened today 😎
I spoke to him in October 2019 when I was up for opening night of Tosca, and he let slip some plans for some interesting concert operas in the 2020/21 season which never ended up happening, and have never been rescheduled since 😕
I do wish Scottish Opera would revive their occasional Sunday-afternoon Operas in Concert series, which used to be scheduled for when there was a fully-staged show on the Saturday night, and made a weekend trip up worth my while. A Stuart Stratford innovation which fizzled out as a result of Covid.
It doesn’t help at all, because on Wednesday I will be at work, whereas yesterday there was a theoretical possibility I could have been there without it clashing with anything else. However, I have Tristan live from the Met in a fortnight, and 2 actual live performances coming up, so I’ll survive!
A reminder, for anyone who may have forgotten, that online public booking for the Glyndebourne Festival opens in a few minutes. (And that the cheapest tickets - restricted-view and standing - go freshly on sale to general public, without first dibs for paid-up members.)
How is the first thing coming along?
Yes of course, you were even on the right side of London! I do have Billy Budd as my other Glyndebourne date this summer. It falls on my birthday, and last time my birthday fell on a Saturday was during Covid when I had amazing plans set up and they were cancelled. We’re even eating in the Mildmay 😎
Ultimately even living within the catchment area they make sure people can get home to afterwards, a mid-price ticket plus travel and food can easily end up costing £250+ per head. The other summer festivals have equally attractive offerings and I’ve had to be really selective to stay in budget.
That’s certainly my top priority there this season. (I already have tickets.)
I’m glad I didn’t. I had a lovely nap for almost the entire duration of the train journey back to London, and am glad that’s it for the weekend.
I see Scottish Opera is doing Tristan und Isolde right now. I wonder if there was a time when I looked at my plans to see Peter Grimes last night and investigated whether I could get from Nottingham to Glasgow by 3pm? It feels like something I’d have considered, but I don’t recall.
Belgo closed down a long time ago, and what was the Lowlander was sold to new management last year and now has a new name. The Dovetail is still there, seemingly the last bastion of London’s Belgian beer scene.
It pains me that London has lost almost all of its specialist Belgian beer establishments.
I love strong Belgian beers, and think of them as to be drunk more like wine - which is consistent with the type of glass this has been served to you in, and the quantity that typically constitutes a serving.
You can email TFL to get them to pick them up. I imagine a What3Words reference is the best way of telling them exactly where it is. abandonedtflcycle@tfl.gov.uk
