...as they should, because it's one of those premises that's really only going to be effective once, because once you've seen dinos brought "back to life" with start of the art FX, there's no putting that toothpaste back in the tube.
...as they should, because it's one of those premises that's really only going to be effective once, because once you've seen dinos brought "back to life" with start of the art FX, there's no putting that toothpaste back in the tube.
Yeah, seriously; they keep bringing up people being bored of dinos as a plot point in the newer JPs, but that's clearly not a problem with audiences, but critics...
Yup; the scene with the cop, holy shit...
Yup; I'm watching RadBrad play it right now, in fact: youtu.be/OfUFOn_hN1w?...
Like Nostalgia Critic said, did he get castrated in the middle of that line, or something?
Yup; it made for an all-time scenery chewing from Balki, too: m.youtube.com/watch?v=bpJJ...
Donated!
Yup; while the OG Star Wars had a ton of clear influences, it still didn't feel derivative because it mixed and matched elements from so many different sources, while the influences of the sequel trilogy was mostly just previous Star Warses, so the series ended up becoming a snake eating its tail.
"A puppeteer took yo job, Piggy!"
You got some great movies on that list nonetheless though, including a couple of my personal favorites: letterboxd.com/stusmallz/ta...
Every millionaire comedian is like “Look comedy is about confrontation, it’s about being taboo” and then scurry away to Riyadh for a payout they don’t need, and every actually funny comedian is like “queer folks rock, let’s all be silly together.”
Not automatically, if you ask me; style can often enhance substance (like with the romance between Irene & the Driver in Drive), but it can also used as an insufficient substitute for it as well, and I'd say the simplistic revenge fantasy of The Crow definitely qualifies as that.
Eh, I don't know about that; I liked the style of The Crow, but I couldn't help but feel that it was trying to cover up for an overall lack of substance in that movie.
Are you watching a porno with the best cast ever, or something?
Anyway, I might as well share my full thoughts on it here as well while I'm at it: letterboxd.com/stusmallz/fi...
I know; I was just checking. Anyway, Strangelove isn't a gag a minute Comedy like Airplane!, but I feel that a lot of the humor comes from its general feeling of absurdity, contrasting with the literal end of the world as we know it.
Not even at this moment?:
Hey, cool; I actually might be able to make it to this, if I can get the time off work for it.
Yeah, seriously; just get over Luke not being the hero anymore people, geez.
Yeah, seriously; I'm cis, but sometimes it feels like half of my Discord friends are trans, and I love every single one of 'em.
Don't forget about this all-timer from him: www.youtube.com/watch?app=de...
Really makes me nostalgic for that classic Wilde/Chris Jericho feud in the WWF, y'know.
Yeah, though since I grew up watching the Sci-Fi era eps, I grew accustomed to the faster pace, so it was hard for me to adjust to the Joel era once I got around to them. It was worth it though, since there are some gems in that period; "Santa Claus Conquers The Martians", anyone?
...if you want an amazing series finale you can watch without a ton of homework, Star Trek: The Next Generation's "All Good Thing..." is perfect for that, since you can just watch the pilot beforehand (which isn't good, to warn you), and then you'll have all the essential info you need to enjoy it.
It's the series finale of The Shield, and it's fucking devastating; I think I remember you saying that you were hesitant to watch that show because of its length though, and because a lot of people say it doesn't get truly great until the halfway point (which is pretty much true, to be fair), but...
Have you ever watched "Family Meeting", then?