navy

A MASTER BUILER (Jonathan Demme)

there's no one I like talking about film more than old people. everyone else feels the need to posture on some level. old people will just be like yeah this shit sucks let me show you a movie from the 40s I loved when I was your age

HOPPERS (Daniel Chong)

in the argument for most bleak endings ever I think

DEAD RINGERS (David Cronenberg)

www.youtube.com/watch?v=LPJ8...

THE BRIDE! (Maggie Gyllenhaal)

HEDWIG AND THE ANGRY INCH (John Cameron Mitchell)

PARIS, TEXAS (Wim Wenders)

an arrangements of busts with a black silhouette approaching

BEAUTY AND THE BEAST (Jean Cocteau)

a man looks at a phone, counfounded

POLICE STORY 2 (Jackie Chan)

me too. I appreciate how most of the jokes are pretty naturally woven into the conversations, not stopping to call attention to themselves. it lets the show breathe and build more genuine moments of sincerity than you would expect from something about a crude talking stuffed animal.

two people sit on a couch, resting their heads against each other

THE LOST DAUGHTER (Maggie Gyllenhaal)

a teddy bear and a teenager sit on a lawn smoking weed

TED (Season 1) (Seth MacFarlane)

bob dylan smokes a cigarette with a harmonica wrapped around his neck

DON'T LOOK BACK (D.A. Pennebaker)

a woman sitting on a couch views her own reflection in the screen of a tv

ALL THAT HEAVEN ALLOWS (Douglas Sirk)

a man in a suit contemplating something

THE GAME (David Fincher)

two people in an apartment

MEDICINE FOR MELANCHOLY (Barry Jenkins)

a woman in a white suit with her legs up on a table

HOW TO MAKE A KILLING (John Patton Ford)

a man embraces his scared wife

THE MAN WHO KNEW TOO MUCH (Alfred Hitchcock)

that's hilarious I'm glad I asked

hundred line -last defense academy- choice between meat and fish

so many very serious choices in this game and then sometimes it's just 'what do you want for dinner'

sirei from hundred line -last defense academy-

sam reich, ceo of dropout on the game changer set

sirei and sam reich are the same character

what in the world is he eating? a plate of pudding?

benicio del toro: *spends most of his screentime sitting and growling*
me:

THE FRENCH DISPATCH OF THE LIBERTY, KANSAS EVENING SUN (Wes Anderson)

KIND HEARTS AND CORONETS (Robert Hamer)

I don’t know why, but I’ve always loved this piece of Takeuchi art from Melty Blood. It gives off heavy 2000s vibes and it’s just a really cool piece of art