Powerful in how unapologetically feral, messy, and perfectly imperfect it is.
Powerful in how unapologetically feral, messy, and perfectly imperfect it is.
As we get deeper into our print journey, I'm realising the importance of print for industry commentary. The ability to hold industry buzz in your hands during a digital age is priceless.
@locusmag.bsky.social is running their '26 fundraiser--well worth your time: locusmag.com/igg26
Best editor (short form):
Β· Beth Tabler (Grimdark Magazine)
Best semiprozine:
Β· Grimdark Magazine
Best dramatic presentation (short form)
Β· Luke Arnoldβs reading of a Reputation for Prudence by Richard Swan (YouTube)
Β· Laura Brentβs reading of All the Lovely Brides by Kelly Sandoval (YouTube)
Β· Colin Maceβs reading of The Last Wardog by Michael R. Fletcher (YouTube)
Best Related Work:
Β· Project Starship article series
Best short story (3/3):
Β· When the Skies Cried Crimson Rain by Ryan Cahill
Β· Ten Times Dead from the Goddess in the Womb by Ryan Cole
Β· The Bull Beneath by HΓ»w Steer
Β· The Salt Apostle by Zamil Akhtar
Best short story (2/3):
Β· The Brackwater Son by Andrea Stewart
Β· Only the Broken by Clayton Snyder
Β· Born Pious by Peter McLean
Β· Bravery by Michael R. Fletcher
Β· The Blacksmith of Lotharβs Cross by R.S. Ford
Β· The Name by Abhishek Sengupta
Best short story (1/3):
Β· Bastards and Baguettes by Justin Lee Anderson
Β· The Imbibing of Inggid Sel by Moses Ose Utomi
Β· Black Goat Parade by Josh Rountree
Β· Locke Lamora and the Bottled Serpent by Scott Lynch
Β· Beneath Green Skies, We Devour by Ed McDonald
Best novella:
Β· Casthen Gain by Essa Hansen
Β· The Scour by Richard Swan
We released a stack of fiction and non-fiction eligible for the Hugos this year. If youβve yet to cast a vote (or GdM gives you an irresistible urge to turn your coat) then this is what we put out there and the relevant categories (check the following Tweets):
One of my favourite things about the growth we're experiencing is how much cool art I get to procure. I can't tell you how much I love working with artists to create cool things.
Today, I want to show off a black and white piece that Carlos Diaz did for our Patreon.
This installment feels a little more like Aliens, given the increased fire power.
Find out more about The Soft Touch: www.grimdarkmagazine.com/return-to-lo...
Grimdark fantasy fans: your favourite stand-alone novella of 2026 has a cover! The Soft Touch by Daniel Polansky is now up for pre-order.
Come find out more in the comments.
Necromancers, a holy knight school, sentient killer trees, and the promise that history got it all wrong.
We sat down with @buehlmeister.bsky.social to talk about the March 2026 traditional republishing of his self-published medieval horror novel Between Two Fires, the next installment in the Blacktongue Series, the joy of fictional languages, writing horror creatures, and more.
Something in the Walls is a potent, unsettling addition to the grimdark genre and will leave the back of your neck slick with sweat.
I had such a great conversation with @grimdarkmagazine.bsky.social about why the "Malevolent Seven" aren't typical heroes and the value of friendship in dark worlds.
If you want to read our chat: www.grimdarkmagazine.com/an-interview...
#bookchat #booktalk #GRIMDARK #fantasy
A lean, action-packed adventure boasting a wonderfully weird setting.
It will definitely appeal to dark fantasy fans with its combination of horror and grim supernatural elements.
Set in the same world as her bestselling duology Divine Rivals, Rebecca Ross returns with Wild Reverence, where gods and goddesses exist in a realm adjacent to a mortal one.
Iβve been a fan of New Edge (or NESS) for quite a while now, and I was delighted to speak with Oliver Brackenbury about how he got into the genre, NESSβs origin story, the community surrounding the magazine, and where he hopes to take it in the future.
Love it mate! How does KotSk stack up against the show?
Whatβs everyone reading at the moment? I am currently absolutely HOOKED on Steel Gods by Richard Sean, The Will of the Many by James Islington, and Dark Age by a Pierce Brown.
We are once again partnering with @thebrokenbinding.bsky.social to release our second ever print edition! Our first print edition, issue #45 sold out quickly, so don't miss your chance to get in on what we think is one of the coolest thinks happening in the SFF magazine space!
If there was ever a debut that demanded a standing ovation, itβs Shannon J. Spannβs A Stage Set for Villains.