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Jo Underhill

@jounderhill

Photographer | Art, exhibitions & architecture | Working with art galleries, curators and artists | Likes horror, art and brutalism. www.structuraleye.co.uk

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14.11.2024
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Latest posts by Jo Underhill @jounderhill

Have a great time! Look forward to hearing what your favourites are πŸ’€

20.08.2025 20:16 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Preview
Jo Underhill / Photographer - What can be done with painting: Gillian Ayres Heong Gallery | Cambridge What can be done with painting: Gillian Ayres in the β€˜70s at the Heong Gallery at Downing College, Cambridge, reveals an overlooked period in the career of British painter, G...

Little update on my website, added new photography of the wonderful Gillian Ayers exhibition at Heong Gallery, Cambridge. Also latest exhibition at Kettle’s Yard, 'Lubaina Himid with Magda Stawarska: Another Chance Encounter'.
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#photography

structuraleye.co.uk/gillian-ayres

20.08.2025 17:04 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Some tombs overgrown with autumnal vegetation and ivy against a backdrop of skeletal trees.

Some tombs overgrown with autumnal vegetation and ivy against a backdrop of skeletal trees.

Another view of Highgate Cemetery, circa 1974.

30.05.2025 18:04 πŸ‘ 117 πŸ” 13 πŸ’¬ 3 πŸ“Œ 0
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We're delighted to announce that our latest three 'Field Notes' zines are now available to pre-order! πŸ”₯

'Under A White Sun' by Luis Lazo
'The Frith Fields' by Amanda Harman
'Alquimia' by DarΓ­o Toscano

Just Β£8 each, editions of 100, available here - anotherplacepress.bigcartel.com/category/zines

30.05.2025 14:17 πŸ‘ 26 πŸ” 8 πŸ’¬ 1 πŸ“Œ 1
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I have expanded the shop and added heaps of zines from Uhm! Publishing.

ourshadowswillremain.bigcartel.com/category/features

29.05.2025 15:27 πŸ‘ 1 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Museum display recreating a Saxon burial, with a notice reading:
For your safety, please do not touch the items in the Saxon burial or attempt to climb into the grave.
(Red House Museum, Christchurch)

Museum display recreating a Saxon burial, with a notice reading: For your safety, please do not touch the items in the Saxon burial or attempt to climb into the grave. (Red House Museum, Christchurch)

If M.R. James wrote safety signage

20.05.2025 12:25 πŸ‘ 877 πŸ” 275 πŸ’¬ 19 πŸ“Œ 33
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Concrete furniture and walkways of Bedford House on the Solon Estate, Clapham.
Designed by William Jacoby of the Lambeth Architect’s Department under Ted Hollamby
1966-1968
#mondaysarebrutal

12.05.2025 08:04 πŸ‘ 3 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Hugely deserved - congratulations !

28.04.2025 14:54 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Thank you !

28.04.2025 14:25 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Ah thanks Richard! It’s a gorgeous day, actually taking a cheeky day off as it’s my birthday!

28.04.2025 11:04 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
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From the archive for this weeks #mondaysarebrutal - Thamesmead, London photographed in autumn 2017 for my ongoing personal photography project, Beautiful Brutalism.

28.04.2025 07:06 πŸ‘ 9 πŸ” 1 πŸ’¬ 2 πŸ“Œ 0

Looking amazing Dan! So interesting to see how you make them and how they work, thanks for the info in the alt text.

25.04.2025 14:00 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Angel Blake (Linda Hayden) in the forest wearing a crown of branches in The Blood On Satan's Claw (1971)

Angel Blake (Linda Hayden) in the forest wearing a crown of branches in The Blood On Satan's Claw (1971)

Today marks the birthday of one of folk horror's famed Unholy Trinity as The Blood on Satan’s Claw turns 54!

A bit of advice: if you uncover a skull with a working eye in the field, don't just shrug it off!

#Horrorsky #BloodOnSatansClaw #FolkHorror #Filmsky

14.04.2025 23:40 πŸ‘ 20 πŸ” 2 πŸ’¬ 1 πŸ“Œ 1

Privilege to step back into #insideno9 Stage/Fright again last night for the final show at the Wyndhams. Beautiful love letter to comedy, theatre, horror and their creative partnership. Congratulations to all the cast and crew on an amazing piece of theatre!

06.04.2025 19:36 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Great to be featured again in the second BRUTAL Bristol zine by Tom. Available to order now from link below -

#mondaysarebrutal

24.03.2025 06:15 πŸ‘ 7 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

Don’t think it’s just one β€˜fans’ behaviour. Seen some very rude and disrespectful comments and behaviour on socials and at events over the years from β€˜fans’.

22.03.2025 10:27 πŸ‘ 2 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0
Seberg is in a long black coat buttoned to the throat, tights and black shoes; she is reflected in the surface of the wet rainy courtyard.

Seberg is in a long black coat buttoned to the throat, tights and black shoes; she is reflected in the surface of the wet rainy courtyard.

Jean Seberg in London on the set of SAINT JOAN, 1957. Photographed by Bob Willoughby.

21.03.2025 12:29 πŸ‘ 63 πŸ” 12 πŸ’¬ 2 πŸ“Œ 0

Ah thanks so much Richard! Wonderful exhibition, highly recommend a visit.

21.03.2025 12:13 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Installation view of art exhibition at the Serpentine Gallery, London. Showing a lady sitting and enjoy the oil paintings.

Installation view of art exhibition at the Serpentine Gallery, London. Showing a lady sitting and enjoy the oil paintings.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Installation view of colourful art exhibition at the Serpentine Gallery, London.

Few images from my latest commission with the Serpentine Gallery photographing their latest exhibition, Arpita Singh: Remembering. Beautifully curated and stunning artwork from her whole career.

21.03.2025 09:39 πŸ‘ 7 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
BRUTAL Bristol II zine

BRUTAL Bristol II zine

BRUTAL Bristol II is in and ready to order!

A little hint of what @raynewman.bsky.social prepared for the zine.

ourshadowswillremain.bigcartel.com

20.03.2025 13:59 πŸ‘ 7 πŸ” 3 πŸ’¬ 0 πŸ“Œ 1

Thanks so much James. Just so many good angles at the National!

17.03.2025 16:12 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

It’s a beauty !

17.03.2025 16:12 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Gorgeous! Thanks Richard.

17.03.2025 08:41 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Detail of the beautiful concrete corner of the National Theatre in London. Theatre was built by architect Denys Lasdun in the brutalist style.

Detail of the beautiful concrete corner of the National Theatre in London. Theatre was built by architect Denys Lasdun in the brutalist style.

My obsession for this corner of the National Theatre continues! Looks beautiful in any light.
#mondaysarebrutal #brutalism

17.03.2025 07:46 πŸ‘ 34 πŸ” 3 πŸ’¬ 4 πŸ“Œ 0
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This book is up for pre-order... publishing September this year.
The cover wraps around with more monsters on the back... but another good excuse to paint my favourite Dracula and Frankenstein creation, on the front panel.

16.03.2025 12:09 πŸ‘ 9 πŸ” 3 πŸ’¬ 1 πŸ“Œ 0
Michael Hordern death scene in the film Theatre of Blood on the 15 March, Ides of March

Michael Hordern death scene in the film Theatre of Blood on the 15 March, Ides of March

Beware the Ides of March

15.03.2025 09:52 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
This Must Be The Place: a visual tour of modern Britain with Simon Phipps and John Grindrod
This Must Be The Place: a visual tour of modern Britain with Simon Phipps and John Grindrod YouTube video by Milton Keynes Lit Fest

Relive our online visual tour of Britain’s modern places with acclaimed photographer Simon Phipps &social historian John Grindrod on LitFlix!
youtube.com/watch?v=D7DV...

#architecture #modernism #brutalism #photography
@grindrod.bsky.social @septemberbooks.bsky.social @new-brutalism.bsky.social

14.03.2025 18:45 πŸ‘ 11 πŸ” 4 πŸ’¬ 0 πŸ“Œ 0
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Few snaps from the beautiful and poignant Theaster Gates
1965: Malcolm in Winter: A Translation Exercise exhibition at White Cube, Bermondsey.

12.03.2025 17:16 πŸ‘ 11 πŸ” 2 πŸ’¬ 1 πŸ“Œ 0

Amazing view, thanks for sharing Richard.

10.03.2025 15:40 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0