Woah this is incredible ππΎ
Woah this is incredible ππΎ
You're biased but I will take it ππ€
Thank you so much Sarah that's very kind. And nooooo please don't say that. Your review was beautiful π€
From the team that brought us Queer Palm winner JOYLAND, comes a new moral fable about the interplay between desire, repression and intergenerational trauma. On the Berlinale World Premiere of Sarmad Khoosat's LALI for @thecurbau.bsky.social
www.thecurb.com.au/lali-review-...
Damn, even Sesame Street is scoring off me
In their first conversation out of @melbfilmfest.bsky.social, @nadinewhitney.bsky.social and @nehrukigalati.bsky.social speak about two films which are pilgrimages of a sort: Iron Winter and RomerΓa.
Listen to their discussion via the Curb here:
www.thecurb.com.au/miff-missive...
Tribeny Rai talks with @nehrukigalati.bsky.social about her film Shape of Momo.
Read it via the Curb here:
www.thecurb.com.au/tribeny-rai-...
When Jennifer Lawrence walks into the pet rescue in No Hard Feelings the kid behind the counter is reading Bear by Marian Engel. I would like to kiss whoever made that choice on the mouth
Big thanks to @roughcutfilm.bsky.social and editors Tiia and Indigo for making this piece shine βΊοΈ
My only chance in life to open a piece with a Farsi verse by Ghalib β€οΈ
Delighted to share this wonderful conversation with Matthew Rankin & Ila Firouzabadi about one of my absolute favourite films of the past year. UNIVERSAL LANGUAGE is in Australian cinemas now!
roughcutfilm.com/2025/05/23/a...
"Thereβs no point in making culture if you donβt believe in community building."
Virat Nehru (@nehrukigalati.bsky.social) goes long with Matthew Rankin and Ila Firouzabadi about their absurd and moving film UNIVERSAL LANGUAGE, collaboration, fluidity, and much more.
tinyurl.com/4nkx7c2x
Twenty-five years on from the premiere of In the Mood for Love, Wong Kar Wai looks back on the complicated genesis of his masterpiece of desire and restraint.
www.bfi.org.uk/sight-and-so...
First #Cannes2025 review: Enzo, a beautiful, bittersweet study of a teenage boy finding his way in life.
Veteran French director and one-time Palme dβOr-winner Laurent Cantet passed away during production, and the reins were taken over by his friend and colleague Robin Campillo.
Big big hugs and thank you to the incredibly warm and generous Matthew Rankin, easily one of the nicest people you could ever talk to! His film "UNIVERSAL LANGUAGE" will be in cinemas this Thursday. It's one of my absolute favourite films from the past year. Just go and experience it β€οΈ
Only available from the Umbrella webstore, The Fall Collector's Edition includes: * World premiere 4K Dolby Vision HDR feature * A 100 page book with behind-the-scenes, experiences and art with essays by William Bibbiani, Nadine Whitney and David Michael Brown * Custom rigid case artwork * Custom slipcase artwork * 8 artcards * A3 reversible poster * Limited Edition Numbered release Umbrella Entertainment presents The Fall for the first time in 4K Dolby Vision HDR. The Fall is a breathtaking treat from visionary filmmaker Tarsem Singh (The Cell, Immortals), a tribute to storytellers, to love, to the power of imagination, and to cinema. Shot in 24 countries using no sets and entirely funded by Tarsem Singh. The Fall is visually stunning with transportive storytelling, destined to linger long in the imagination. In 1920s Los Angeles, whilst rehabilitating in hospital after a fall, innocent optimist Alexandria (Catinca Untaru) strikes up an unlikely friendship with Hollywood stuntman Roy (Lee Pace; Twilight Saga, The Hobbit). Recovering from a near fatal accident and a personal betrayal, Roy begins to tell of a magical, mythological land ruled by Governor Odious and the 5 extraordinary heroes charged to defeat him - an enthralling story of colour, texture and immense riches unravels and it is only when the lines between reality and fantasy begin to blur that Alexandria realises how much there is at stake.Β Director: Tarsem Singh Cast: Catinca Untaru; Justine Waddell; Lee Pace; Marcus Wesley; Robin Smith
Extras: Only available from the Umbrella webstore, The Fall Collector's Edition includes: * World premiere 4K Dolby Vision HDR feature * A 100 page book with behind-the-scenes, experiences and art with essays by William Bibbiani, Nadine Whitney and David Michael Brown * Custom rigid case artwork * Custom slipcase artwork * 8 artcards * A3 reversible poster * Limited Edition Numbered release Audio commentary with director/producer Tarsem Singh Audio commentary with actor Lee Pace, co-writer/co-producer Nico Soultanakis and co-writer Dan Gilroy NEW! Interview with Director Tarsem Singh NEW! Interview with Production Designer Ged Clarke NEW! Interview with Cinematographer Colin Watkinson NEW! Interview with Actor Lee Pace NEW! The Making of an Impossible Film: A Video Essay by Virat Nerhu NEW! The Quest for Origins - Trauma, Cinema and Storytelling in Tarsemβs The Fall: A Video Essay by Anton Bitel Deleted Scenes Wanderlust: A Making-Of Featurette Nostalgia: A Making-Of Featurette Archival Interviews with Cast and Crew Trailer
Disc type: 4K and Blu-ray No. of discs: 2 Running time: 119 Audio format: 5.1 & 2.0 Format: DOLBY VISION HDR 2160P Colour: COLOUR Languages: English Aspect ratio: 16:9 Image ratio: 1.85:1 Subtitles: English Year of Production: 2006 Release Date: 07 May 2025 Authored By: Fidelity In Motion
https://shop.umbrellaent.com.au/collections/collectors-editions/products/fall-the-4k-2006-4k-blu-ray-collectors-edition
Contributors copy of Tarsemβs THE FALL Umbrella 4K is with me. Includes work by @antbit.projectedfigures.com @williambibbiani.bsky.social David Michael Brown, @nehrukigalati.bsky.social and more. Details in alt. I adore it.
Available for pre-order now!
www.arrowfilms.com/dark-city-li...
I remember exactly how nervous I was when I was asked to contribute to this release. To have new writing published for this 4K release of Alex Proyas' DARK CITY is a great honour. Indebted to @horrornonna.com & @neilsnowdon.bsky.social for their support and guidance β€οΈ
Big hugs and thanks to @horrornonna.com and @neilsnowdon.bsky.social for including my words on this very special Arrow 4K release of Alex Proyas' DARK CITY π€
@joshnelsonfilm.bsky.social, @alexwest.bsky.social, @richardkadrey.bsky.social, @sabinastent.bsky.social, @martynpedler.com, @nehrukigalati.bsky.social as well as Craig Anderson, Bruce Isaacs and Herschel Isaacs of the Film Vs Film podcast. UK/US release. Pre-orders up now #ArrowVideo
A graphic that reads: THE AUSTRALIAN FILM CRITICS ASSOCIATION AUSCRITIC AWARDS FOR EXCELLENCE IN CRITICISM AWARD FOR BEST REVIEW OF AN INDIVIDUAL NON-AUSTRALIAN FILM WINNER VIRAT NEHRU ALL WE IMAGINE AS LIGHT
Congratulations to Virat Nehru (@nehrukigalati.bsky.social) for winning the award for Best Review of a Non-Australian Film at the @auscritic.bsky.social Awards last night, for his review of Payal Kapadiaβs ALL WE IMAGINE AS LIGHT, published w/ Rough Cut last August.
Very well deserved!
And congrats to all the amazing winners including @nehrukigalati.bsky.social @tansyg.bsky.social and @sameytram.bsky.social
A roomful of film critics.
A terrific night at the @auscritic.bsky.social awards. Such an enormous reservoir of talent, and so few chances to celebrate it. Thank you Andrew and Nadine and everyone for all the work in making this happen.
Absolutely blown away to win @auscritic.bsky.social for best Australian review and a huge hurrah for @auscritic.bsky.social supporting our work and to Charles Williams and everyone behind the beautiful Inside.
ICYMI: I spoke to Payal Kapadia about centering her film around friendship, why the men in AWIAL feel like a breath of fresh air, and the choice of music in the film.
All We Imagine as Light screens at Perth Festival until Sunday. Don't miss it β€οΈ
www.thecurb.com.au/all-we-imagi...
I've got so many wonderful messages about it already. My heart is full π€
Thank you π₯²π€
Thank you so much! Hope you enjoy the piece. Payal has immense clarity in what she's trying to say through her work. It was an absolute honour picking her brain
Thank you so much!! I really wanted to dissect the men in the film. I was surprised that they've gone under the radar in terms of all the discussion that's taken place about the film. I specifically thanked Kapadia for her choice of men on screen π€