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Erin Overbey

@erinoverbey

Writer, Archivist, Editor Archive Editor, The New Yorker Journalist, whistleblower & media gal in NYC

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Latest posts by Erin Overbey @erinoverbey

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NEWS: The Trump administration confirmed it bombed a girl’s school in Iran.

It's one of the most devastating military errors in decades.

Trump lied about it. Pete Hegseth gutted the office preventing civilian casualties.

175 are dead. Most were kids. Hegseth should be fired.

11.03.2026 16:48 πŸ‘ 3963 πŸ” 1250 πŸ’¬ 351 πŸ“Œ 156
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Iran begins laying mines in Strait of Hormuz, sources say | CNN Politics Iran has begun laying mines in the Strait of Hormuz, the world’s most important energy chokepoint that carries about one-fifth of all crude oil, according to two people familiar with US intelligence r...

Yesterday Trump's Advisors said Iran didn't have the capacity to start laying mines in the Strait of Hormuz. Today Iran started laying mines in the Strait of Hormuz. www.cnn.com/2026/03/10/p...

10.03.2026 21:21 πŸ‘ 794 πŸ” 451 πŸ’¬ 48 πŸ“Œ 44
The voice that won over Ira Glass hasn't changed much since 1992. It's more subdued than it was in riotously funny essays like "Me Talk Pretty One Day," but the wry wisecracking, the deliberate bitchiness β€” those qualities are still in evidence. Still, in "Cash and Carry," when Sedaris critiques the phrasing on a homeless man's cardboard sign ("It should be 'Help one of the homeless,' I wanted to tell him. Otherwise it sounds like you’re going to take whatever you collect and distribute it to other people in need."), I sympathize with the guy's response that he hopes Sedaris burns in hell. His essays often derive their humor from catty, judgmental moments like that one, and so it's notable that this is the first time I can remember reading one and being firmly on the other person's side. The tone may not have changed, but Sedaris's positioning inarguably has. The very bitchiness which once made his voice feel so fresh has become a commonplace in humor writing; writers from Tina Fey to Samantha Irby have surpassed him in their own fluent versions of it. Watching him uphold it now with such determination feels like watching your dad try to squeeze into the leisure suit he last wore in 1971. Sedaris spent so many years assuring us he was an incurious curmudgeon that he seems to have talked himself into becoming one, at least on the page.

The voice that won over Ira Glass hasn't changed much since 1992. It's more subdued than it was in riotously funny essays like "Me Talk Pretty One Day," but the wry wisecracking, the deliberate bitchiness β€” those qualities are still in evidence. Still, in "Cash and Carry," when Sedaris critiques the phrasing on a homeless man's cardboard sign ("It should be 'Help one of the homeless,' I wanted to tell him. Otherwise it sounds like you’re going to take whatever you collect and distribute it to other people in need."), I sympathize with the guy's response that he hopes Sedaris burns in hell. His essays often derive their humor from catty, judgmental moments like that one, and so it's notable that this is the first time I can remember reading one and being firmly on the other person's side. The tone may not have changed, but Sedaris's positioning inarguably has. The very bitchiness which once made his voice feel so fresh has become a commonplace in humor writing; writers from Tina Fey to Samantha Irby have surpassed him in their own fluent versions of it. Watching him uphold it now with such determination feels like watching your dad try to squeeze into the leisure suit he last wore in 1971. Sedaris spent so many years assuring us he was an incurious curmudgeon that he seems to have talked himself into becoming one, at least on the page.

i wrote about why david sedaris’s writing leaves me cold now
www.patreon.com/posts/152798...

11.03.2026 20:59 πŸ‘ 857 πŸ” 63 πŸ’¬ 50 πŸ“Œ 11

Doesn't matter. I would argue that putting a struggle artist on an Academy Award nominated Black actress is racism.

10.03.2026 20:36 πŸ‘ 1 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0
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πŸ˜• πŸͺ

10.03.2026 22:13 πŸ‘ 14220 πŸ” 4560 πŸ’¬ 427 πŸ“Œ 152
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The Ascension of Christ, by Adriaen van der Werff, 1710, πŸ“Έ by Issac Baldizon

11.03.2026 02:13 πŸ‘ 1958 πŸ” 350 πŸ’¬ 16 πŸ“Œ 14
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How Trump and His Advisers Miscalculated Iran’s Response to War

NEW: Before the Iran War, Trump ignored warnings that Iran could retaliate across the region and stop oil shipments. Now, with energy markets in chaos, some aides are pessimistic about the lack of a strategy to end the war. But they haven't told Trump. Gift link: www.nytimes.com/2026/03/10/u...

11.03.2026 01:27 πŸ‘ 1523 πŸ” 593 πŸ’¬ 125 πŸ“Œ 150

Is this intentionally racist or just someone that isn’t great at drawing accurate faces?

10.03.2026 11:02 πŸ‘ 3 πŸ” 3 πŸ’¬ 3 πŸ“Œ 1
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Mamdani Chooses His Words Carefully After Alleged Terror Attack

One day the NYT's editors will read these stories again and be ashamed of themselves. Mamdani called the attack "heinous," "criminal," "reprehensible," "terrorism," and "the antithesis of who we are." The insinuation that he's conflicted about this is disgraceful. www.nytimes.com/2026/03/09/n...

10.03.2026 12:15 πŸ‘ 9377 πŸ” 1937 πŸ’¬ 358 πŸ“Œ 196

ty🫑

10.03.2026 14:46 πŸ‘ 1 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

fr🫀

10.03.2026 14:45 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

🎯🎯

10.03.2026 04:00 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

essentially..it’s awful🫀

10.03.2026 03:43 πŸ‘ 1 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

yepπŸ™„

10.03.2026 03:07 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

all credit to her for spotting this & correcting it + making a much better illustration/artwork

10.03.2026 03:04 πŸ‘ 6 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

*taps sign*
x.com/erinoverbey/...

09.03.2026 19:58 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
X post: Apparently, The New Yorker ran a story with an illustration of Wunmi Mosaku that was obviously not intended to represent her well, so I redid it real quick in a similar style. Took 15 minutes & a love of Black women ❀️

X post: Apparently, The New Yorker ran a story with an illustration of Wunmi Mosaku that was obviously not intended to represent her well, so I redid it real quick in a similar style. Took 15 minutes & a love of Black women ❀️

i feel like i’ve been trying to warn about anti-blackness & racism at The New Yorker for years now but sometimes a picture is worth a thousand words…

09.03.2026 19:57 πŸ‘ 256 πŸ” 54 πŸ’¬ 5 πŸ“Œ 2
X post showing illustration of actress Wunmi Mosaku in The New Yorker: This is evil and anti-Black btw

X post showing illustration of actress Wunmi Mosaku in The New Yorker: This is evil and anti-Black btw

*coughs*

09.03.2026 19:53 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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Black illustrator DeAnn Wiley reminds artists to take care when portraying Black women after seeing illustration of β€˜Sinners’ Wunmi Mosaku in The New Yorker - F*XOXO Black illustrator DeAnn Wiley reminds artists to take care when portraying Black women after seeing illustration of β€˜Sinners’ Wunmi Mosaku in The New Yorker

Black illustrator DeAnn Wiley reminds artists to take care when portraying Black women after seeing illustration of β€˜Sinners’ Wunmi Mosaku in The New Yorker

https://www.fxoxo.com/273942/

Black illustrator DeAnn Wiley reminds artists to take care when portraying Black women after seeing …

09.03.2026 17:00 πŸ‘ 5 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0
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The Sacred Vibes of Wunmi Mosaku The Oscar nominee, who plays a hoodoo healer in β€œSinners,” stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan’s bag.

This article about Queen Wunmi, I haven't read yet.

But this illustration - who exactly is that supposed to be???

The Sacred Vibes of Wunmi Mosaku | The New Yorker share.google/qUAHZICEpScR...

09.03.2026 10:13 πŸ‘ 1 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
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This disgusting shit doesn’t belong in American society.

And Republicans who support it don’t belong in Congress.

09.03.2026 15:24 πŸ‘ 3761 πŸ” 833 πŸ’¬ 133 πŸ“Œ 84
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holy shit

09.03.2026 01:20 πŸ‘ 14160 πŸ” 3090 πŸ’¬ 238 πŸ“Œ 605
On Meir Kahane a terrorist mafia partner and extremist, free article: https://sarahkendzior.substack.com/p/the-no-world-order

On Meir Kahane a terrorist mafia partner and extremist, free article: https://sarahkendzior.substack.com/p/the-no-world-order

I wrote about one of the worst Americans of the late 20th century. He's dead but his dream lives on β€” in Israel:
sarahkendzior.substack.com/p/the-no-wor...

09.03.2026 14:43 πŸ‘ 256 πŸ” 104 πŸ’¬ 7 πŸ“Œ 3
Feels like 1930s France

Feels like 1930s France

Crate&Barrel’s marketing team really didn’t think this one thru huh

08.03.2026 23:33 πŸ‘ 783 πŸ” 120 πŸ’¬ 42 πŸ“Œ 27
Analysis of a significant shift in the queer media landscape.
The US brand them has been sold by Conde Nast to Equalpride, publisher of brands like Out, The Advocate, and Pride.com. The purchase comes amid a significant number of job cuts within Equalpride, including The Advocate and Pride.com's editors-in-chief, as well as multiple managers and staff writers across the organisation's magazine portfolios. The CEO said cuts were being made amid dwindling advertising revenue.

Analysis of a significant shift in the queer media landscape. The US brand them has been sold by Conde Nast to Equalpride, publisher of brands like Out, The Advocate, and Pride.com. The purchase comes amid a significant number of job cuts within Equalpride, including The Advocate and Pride.com's editors-in-chief, as well as multiple managers and staff writers across the organisation's magazine portfolios. The CEO said cuts were being made amid dwindling advertising revenue.

It also means, amid wider cuts at Conde Nast, there's few if any Trans+ staffers left across the organisation's publications.

09.03.2026 18:03 πŸ‘ 24 πŸ” 8 πŸ’¬ 1 πŸ“Œ 1

One, they wanted the content.
Two, they wanted to get rid of women and Black people.
Three, they wanted to install loyalists.

09.03.2026 17:35 πŸ‘ 837 πŸ” 284 πŸ’¬ 9 πŸ“Œ 8

Just a reminder that Muslims have been on this continent since the first arrival of non-Indigenous people. They were among the first generation of Americans, and have been here ever since.

09.03.2026 17:08 πŸ‘ 9104 πŸ” 2938 πŸ’¬ 596 πŸ“Œ 140