Anonym elev fra Rembrandts værksted? Tidligere tilskrevet Rembrandt
A Young Woman Resting her Hands on the Picture Frame https://www.europeana.eu/portal/record/2020903/KMSsp406.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
In this work titled "Portrait of Saskia van Uylenburgh," Rembrandt captures his wife in a rich, velvety profile adorned with luxurious furs and an elaborate feathered hat, reflecting her serene beauty and wealth. The use of warm lighting and soft textures highlights Rembrandt's mastery in conveying both physical presence and emotional depth.
Portrait of Saskia van Uylenburgh https://www.wikiart.org/en/rembrandt/portrait-of-saskia-van-uylenburgh
Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
Presentation in the Temple, with the Angel: Small Plate https://www.harvardartmuseums.org/collections/object/279609
"Beggars Receiving Alms at the Door of a House" is an etching by Rembrandt, showcasing his mastery in depicting human emotions and social themes. The artwork captures the poignant moment of alms being given to a group of destitute figures, highlighting Rembrandt's sensitivity to the struggles of the lower classes.
Beggars Receiving Alms at the Door of a House https://clevelandart.org/art/1977.113
"Repentant Judas Returning the Pieces of Silver" by Rembrandt vividly captures the anguished figure of Judas kneeling and returning the coins, a powerful moment of remorse illuminated by dramatic chiaroscuro. The painting's rich use of light and shadow emphasizes the intense emotional struggle and moral drama, characteristic of Rembrandt's mastery in depicting human vulnerability.
Repentant Judas Returning The Pieces Of Silver https://www.wikiart.org/en/rembrandt/repentant-judas-returning-the-pieces-of-silver-1629
"The Beggar with a Wooden Leg" is an etching by Rembrandt, capturing the dire condition and dignity of a destitute figure, emphasizing texture and expression. Rembrandt's work often illustrates empathy and realism, portraying the human condition with profound depth.
The Beggar with a Wooden Leg https://www.slam.org/collection/objects/48707/
Joseph was the favorite among Jacob's twelve sons, which made for some very jealous brothers. As this gathering shows, reactions are mixed as the teenager recounts his dreams. In one, Joseph and his brothers bundled up sheaves of grain, and their sheaves bowed toward Joseph's. In the other dream, the sun, moon, and stars revered Joseph, prophesying his family's veneration of him. Alarmed, the brothers decide to sell Joseph into slavery. As illustrated in Joseph's Coat Brought to Jacob, they soak Joseph's many-colored coat with goat's blood and show it to Jacob to convince him that a wild beast had attacked and killed his son.
Joseph's Coat Brought to Jacob https://collections.artsmia.org/art/55088/
"Polander Leaning on a Stick" is a detailed etching by Rembrandt, showcasing a figure in profile, donning a tall hat and leaning thoughtfully on a stick. The artwork demonstrates Rembrandt's skillful etching technique and his ability to capture character and mood with minimal lines.
Polander leaning on a stick https://www.wikiart.org/en/rembrandt/polander-leaning-on-a-stick-1632
man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree This image seems to have begun as a straightforward study of a willow tree, battered by violent weather and disfigured by harvesters taking its branches. As Rembrandt's imagination took hold, the wizened tree became both haven and metaphor for the aged saint, who carries on his studies at his ramshackle desk. With a few strokes of his etching needle, Rembrandt moved the scene from Holland's flat terrain to an alpine valley with a waterfall. This print, acquired by Mia in 2009, is a major addition to the museum's collection of Rembrandt etchings. The copper plate used to print this image deteriorated quickly, but this impression was printed while the plate was still fresh. This is the finest example to have appeared on the market in more than 50 years.
Saint Jerome by the Pollard Willow https://collections.artsmia.org/art/107161/
Gift of Helen Swift Neilson, 1943
Portrait of a Young Woman with a Fan https://www.metmuseum.org/art/collection/search/437391
This portrait by Rembrandt captures his wife, Saskia van Uylenburgh, adorned in luxurious attire with intricate details highlighting the texture of her garments and jewelry. The artist's use of chiaroscuro subtly emphasizes her serene expression, creating a sense of intimacy and warmth.
Saskia, the Artist's Wife https://www.wikiart.org/en/rembrandt/saskia-the-artist-s-wife
Clarence Buckingham Collection
Jan Asselijn, Painter https://www.artic.edu/artworks/23977/
Gift of Stanley Field
Canal with an Angler and Two Swans https://www.artic.edu/artworks/80102/
Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
Pieter Haaringh ("Young Haaringh") https://www.harvardartmuseums.org/collections/object/279251
Clarence Buckingham Collection
St. Jerome Reading in an Italian Landscape https://www.artic.edu/artworks/43244/
The "Portrait of Jacob III de Gheyn," painted by Rembrandt in 1632, captures the refined attire and thoughtful expression of the subject with a masterful use of chiaroscuro. This artwork exemplifies Rembrandt's ability to convey depth and character, reflecting his status as one of the leading portrait artists of the Dutch Golden Age.
Portrait of Jacob III de Gheyn https://www.wikiart.org/en/rembrandt/portrait-of-jacob-iii-de-gheyn
Gift of Stanley Field
Jan Cornelius Sylvius https://www.artic.edu/artworks/80098/
This etching by Rembrandt depicts Jan Cornelis Sylvius with remarkable detail, capturing the pensive expression and textured attire of the preacher. Rembrandt's mastery in printmaking is evident in the sophisticated play of light and shadow, a hallmark of his portraits.
Jan Cornelis Sylvius https://www.wikiart.org/en/rembrandt/jan-cornelis-sylvius-1634
Harvard Art Museums/Fogg Museum, Anonymous Gift
Fishing Boat near an Island https://www.harvardartmuseums.org/collections/object/296445
This self-portrait by Rembrandt features the artist in his later years, employing dramatic chiaroscuro to highlight his weathered face and thoughtful expression. The use of deep, rich colors and textured brushstrokes captures an introspective moment, typical of Rembrandt's masterful ability to convey depth of character.
Self-portrait https://www.wikiart.org/en/rembrandt/self-portrait-1665
The Maida and George Abrams Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Study after Rembrandt's Portrait of the Minister Eleazar Swalmius https://www.harvardartmuseums.org/collections/object/191997
Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
The Descent from the Cross: Second Plate https://www.harvardartmuseums.org/collections/object/279624
Gift of Mrs. Lincoln Ellsworth, in memory of Lincoln Ellsworth, 1964
Portrait of a Man https://www.metmuseum.org/art/collection/search/437387
Elizabeth Hammond Stickney Collection
Three Oriental Figures (Jacob and Laban?) https://www.artic.edu/artworks/74/
Clarence Buckingham Collection
Self-Portrait with Raised Sabre https://www.artic.edu/artworks/29229/
Marquand Collection, Gift of Henry G. Marquand, 1889
Man with a Beard https://www.metmuseum.org/art/collection/search/437418
In 1624 the city of Amsterdam erected the obelisk pictured here to mark its expanded boundary along the Spaardammerdijk River toward the town of Haarlem. Rembrandt romanticized the view of the relatively barren landscape, adding features and making the obelisk appear considerably larger than it actually was. Look closely to see that he initially drew it with an orb on top, just reaching the top of the image. Giving the etching needle greater dimension, he more firmly anchored the entire image. To the right is a farmhouse. The big peaked, thatched roof covers the animal barn, and the gabled section is the farmer's residence. The two structures were contiguous in order to preserve precious warmth during the cold, damp Dutch winters. Rembrandt shows it is time to prepare for another winter, for the roof of the hayrick-just behind the marker-is lowered, indicating the hay has been used up. A tiny figure in the distance carries a scythe for cutting hay to refill the rick.
Landscape with an Obelisk https://collections.artsmia.org/art/42098/
In "David in Prayer," Rembrandt captures the solemn moment of a kneeling figure engaged in deep reverence, enveloped by rich drapery and the intimate shadows of candlelight. The etching exemplifies Rembrandt's mastery of light and texture, highlighting his ability to evoke spirituality and contemplation.
David in Prayer https://clevelandart.org/art/1974.257
This etching self-portrait by Rembrandt, created circa 1630, showcases the artist's mastery of capturing intense expressions through intricate lines and texture. Known for his frequent self-exploration, Rembrandt depicted himself here with a startled or quizzical expression, reflecting both his innovative style and deep introspection.
Self-portrait https://www.wikiart.org/en/rembrandt/self-portrait-1630
Early in his career, Rembrandt catered to the popular demand for history paintings-high-minded narratives of biblical or historical scenes. These works were judged on how realistically the artist conveyed dramatic emotion. With that in mind, Rembrandt spent hours in front of the mirror making faces at himself and recording what he saw. Thus, while revealing as self-portraits, these head studies show Rembrandt's lifelong interest in exploring human expressions and making them integral to his work. Because copper was so expensive, he would sketch several heads on one plate and cut it apart, which is why these prints are so tiny. In an unprecedented program of self-portraiture, Rembrandt depicted his likeness at least 40 times in paintings and 31 times in prints.
Rembrandt in a Fur Cap (the dress light) https://collections.artsmia.org/art/55108/
