You're welcome, Amadeus!
@gr8flbluejay
Don’t follow leaders Watch the parkin’ meters - Bob Dylan 'I am a pilgrim and a stranger, Passing through this wearisome land' - Traditional "We must become ourselves, before someone else does" - Robert Hunter
You're welcome, Amadeus!
Clouds at dusk.
"It is such a mysterious place, the land of tears.”
Antoine de Saint-Exupéry - The Little Prince
Thank you, great to know!
Looking to the north. North Central Indiana, no storms here yet
Thanks! Interesting!
Understood!!
Ah, I should have mentioned, I believe this is a photograph of the original, so no guarantees on the color accuracy, considering color film at the time.
semi-abstrakt; selfie; myart Angst vor Krieg Der Krieg ist in wachsendem Umfang kein Kampf mehr, sondern ein Ausrotten durch Technik. Karl Jaspers Deutscher Psychiater und Philosoph 1883 - 1969
Der Krieg ist in wachsendem Umfang kein Kampf mehr, sondern ein Ausrotten durch Technik.
Karl Jaspers
Deutscher Psychiater und Philosoph
1883 - 1969
Artist: Richard Hescox
Lifetime endeavor there. But just think, when you're done, you can do it all over again with sources from different tapers!
That is a good question
Agree wholeheartedly
Evelyn DeMorgan, English (1855-1919), Earthbound, 1897, oil on canvas, framed: 87.63 x 118.11 cm, DeMorgan Collection, Barnsley, England
Criss Canning, Australian (1947- ), Datura with Thirteen Objects, 2023-24, oil on board, 60 x 60 cm, private collection
Laurence Edwards, British (1967- ), Witness, 2010, bronze, 88 x 36 x 36 cm
Only image available.
Perhaps the sculpture is just a bit hazy.
Dide, British ? (contemporary), Portrait of a Sculptor [Laurence Edwards], 2024, oil on canvas
Paul Nash, British (1889-1946), Ruined Country: Old Battlefield, Vimy, near La Folie Wood, 1918, watercolor and chalk on paper, support: 28.7 x 39.6 cm, mount: 50.3 x 60. 9 cm, Imperial War Museums, London, England
Alexej von Jawlensky Russian-German (1864-1941), Love, 1925, oil on cardboard, 59 x 49.9 cm, Städtische Galerie iim Lenbachhaus und Kunstbau München, Getmany
Thomas Nast, German-American (1840-1902), The Political Vampire, Harper's Weekly, April 4, 1885, wood engraving, quarter page, University Museums - Colgate University, Hamilton, New York, USA
Andrzej Adam Sadowski, Polish (1946- ), Holandia Trzy wiatraki, 1981, acrylic on canvas, 73 x 100 cm, private collection
Julian Lamar, American (1893-1967), Katherine Oakley Perot, oil on canvas, 42 x 31 cm
Rama and Sita Enthroned, South India, Tanjore, 19-20th century, painting, 23.8 x 19.7 cm, private collection
Remedios Varo, Catalan-Mexican (1908-1963), Caballero encantado, 1961, gouache, watercolor and pen and black and white inks on paper, 49.9 x 15.9 cm, private collection
Gustav Klimt, Austrian (1862-1918), Schubert at the Piano II, 1899, oil on canvas, 150 x 200 cm, destroyed by fire set by German troops at Schloss Immendorf, Austria, May 1945
Rock Carvings, Nordic Bronze Age, c. 1700 BCE-500 BCE, Tanum, Sweden
Winslow Homer, American (1836-1910), Girl and Laurel, 1879, oil on canvas, 57.5 x 40 cm, Detroit Institute of Arts, Detroit, Michigan, USA
Artist: Nataliya Bagatskaya
Title: The Last Witness
Artist: Zdzisław Jasiński
Title: Storm
Pendant Memento Mori Red Corallum Rubrum Italy 18th Century © Bernardo Antichita
www.alaintruong.com/2026/03/pend...