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Navkirat Sodhi walks the runway in a white look emblazoned with silver detailing. The look is half-dress, half suit-jacket, with a tailored collar and lapel melting into a shoulder-baring dress with long sleeves. The dress features a wrap skirt, revealing Sodhi's burn scars from her and Gupta's 2024 fire accident that left them both with life-changing injuries. Her hair is silver and sculpted, with a single dramatic earring in her left ear and silver makeup. She wears silver nail caps and silver shoes.

Poet and performer Navkirat Sodhi, Gupta's life partner, also walked the runway again this year. She wrote the poem that opens the show. Sodhi was part of Gupta's inspiration for the collection: hearing her labelled as only "his wife" made him question people's reliance on rigid binary structures.

i still need to look up this full collection to decide if i like it as a Collection, but oh my god? oh my god. oh my godddddd

when i saw this collection on tumblr i lost my gd minnnnd

The model wears a molded bodice made to resemble a jewelry display stand, with a large loop necklace. The bodice is red, and the skirt of the dress is also red, form-fitting and draped until a sheer red mermaid tail at the bottom. The model wears a red hat and carries a jewelry stand. They have red gloves up to their forearm.

The model wears a sculpted, white bodice over black dress pants with reptilian-like details over the front of the legs in black leather. They wear a long, black coat that hangs off their shoulders, paired with a black statement necklace over the white bodice. They wear a black crown and a full-face white mask, with short, black gloves.

The model wears a white, sleeveless dress with a voluminous crinoline over a hoop skirt. The fabric of the dress is sheer enough to be able to see the boning of the hoop skirt. The dress has French buttons up the front of it and the model wears a dramatic hat that shadows their face. The entire look is covered in delicate, fabric butterflies that "land" at various parts of of the outfit. The model wears white, sheer opera gloves.

The model wears a dramatic metallic black trench coat with a flared bottom and rounded, bolero shoulders over a black dress shirt. The coat has dramatic, oversized lapels and collar, and the model wears a dramatic hat. The entire look is covered in black fabric butterflies at random.

ROBERT WUN SPRING 2026 COUTURE COLLECTION [3/3].

The model wears a metal breastplate, molded to look like two hands clutching a star-shaped sword by the blade. The hilt and crossguard of the sword partly obscures the model's face. The dress has a layered, draped skirt with a train off to one side and completely covers the model's hands and arms. The dress is metallic silver.

The model wears a voluminous ballgown that covers them from head to toe. The gown is black, studded with thousands of gemstones in yellow and golden shades like a nebula. It matches the thunderstorm backdrop of the runway. The model wears a long, sheer veil that fully covers their face, also embroidered with yellow gemstones.

The model wears a full-body frayed dress with cascading pleats in white. The pleats outline the model's body in an imitation of an anatomical model of a muscular system. The dress has long sleeves and a frothy, sheer train. The model wears a white domino mask.

The model wears a metallic gold coat over a gold mermaid gown with a flared bottom and train. The coat is sculpted tightly to the model's body, with flared tulip sleeves and a high collar that forms a petal shape behind the model's head. The model wears a full-face golden mask and golden gloves.

ROBERT WUN SPRING 2026 COUTURE COLLECTION [1/3].

oh my god THIS COLLECTION

I'M SAYING

oh schiaparelli, you always come through

i'm really not trying to be mean, but like, if you're not putting ANY thought into it, then you're not actually doing anything, okay

the whole "i put on a few random things that clash and am pretending that's edgy fashion" thing is so boring send help

The model wears a frilled trapeze mini dress in a blush pink. The dress' frills are beaded, with numerous sparkling sequins. The dress has long sleeves and a high neck, nearly obscuring the hands, and ends at mid-thigh.

The model wears a white crinkle silk chiffon draped gown with dégradé tassels. The tassels are diagonal, stretching from the model's left hip to their right knee, hanging down to the floor. They are a gradient from white to a light blue. The dress also has tassels along the back, starting at the back of the right dress strap, falling like a cape. The dress features threadwork floral embroidery in light pink, blue, green, and white. The dress has a lattice cutout along the bottom, just above the tassels.

The model wears a tulle, corseted bodysuit in light cream underneath a chantilly lace gown in light blue. The gown puddles to the floor with a wide, circular train, fringed with long blue tassels. The gown features cutwork organza detailing of floral patterns up the model's sides.

The model wears an olive green corseted tassel gown with lattice detailing and floral embellishments on the bodice. The skirt of the gown is made up of hundreds of tassels, slit up the side to the model's right hip.

PAOLO SEBASTIAN A/W 2025-2026 COLLECTION.

i don't follow runways closely enough to actually identify trends, but i feel like i've been seeing a lot of playing with suiting this year, and it's really fun

like are you kidding me. ARE YOU KIDDING ME

phan huy's 2025 collections have been murdering me (positive)

the bow on the blouse echoing the volume of the skirts on the dresses is really cute

bless you xander zhou for actually doing something interesting with basic suiting

beating my hands upon the floor

OBSESSED with the third one

The model wears a two-piece gown with a black bandeau top and a long, sarong-style skirt that puddles to the floor. The skirt has a slight up the side, revealing part of the model's leg, and the waistline of the dress imitates a tucked-in look. The black fabric is slightly metallic, catching the light. The bandeau top has a dramatic bodice made of carved bamboo sticks, possibly flutes. The bodice has a series of thin metal rods that extend to either side, where metal dragonflies made of bamboo sticks and leaves perch.

The model wears a gown in various shades of purple: both a light dusty-grey purple and a dark, near-black purple. The dress integrates techniques of traditional Chinese ink wash, freehand brushwork, and line drawing from Chinese art. The dress has a high-neck, sleeveless bodice with images of fossils and animals and a ruffled, full train with multiple bunches of fabric. The fabric has a gradient of dark to light, with many hanging folds. The various layers of the dress train are meant to recreate scattered lotus leaves. The dress has a loose cape, meant to imitate smoke, that begins under each arm. Per the designer: "Some looks use the handmade textile of the Miao minority in southwest China, which is a type of craftmanship on fabric, but the process is complex. It requires indigo dyeing, attaching egg white or cow‘s blood on the surface, constant pounding and steaming, it often takes months to produce a 45cm wide fabric, its surface is shiny but not dazzling."

Although not shown in motion, the model wears a kinetic dress with floral, gauze accents that bloom and twitch like flowers constantly growing and dying. The dress itself is a dark black, with sculptural flowers with a dark purple to light purple gradient. The sculptures flare out, giving the dress a ruffled appearance.

The model wears a kinetic robe made of shiny, black material with visible white stitching. This dress is also kinetic, as the metal dragonflies that perch on the dress move and spin using sound sensors. The dragonflies are hand-sculpted and rest on the model's torso and shoulders using thin metal poles. The dress also features green leaf sculptures, which also move when seen in video.

SIYUN HUANG 2/2 2024 "Immateriality" COLLECTION.

reaction 1: THE DRAMAAAAAAAAAA

reaction 2: genuinely love how volume is used here. "defence" still has dramatic volume, but in the form of blunt shapes and hard lines, compared to the frothy billowing of some other looks

i'm a simple woman. i love garments that celebrate the intrinsic properties of fabrics, and i love garments that do everything in their power to defy the intrinsic properties of fabrics

a collection of ball joint doll ghosts, underwater statues being overtaken by coral, and fungal body horror. i love it.

just screaming into my hands. personally i always want couture to do things you cannot feasibly do in ready-to-wear. why else are we here if not to do something Extra.

BITCH!!!

THE grand mother

so obsessed with the legacy of bisexual slayage on display here

YES i loved this look too, and i love this backstory

i continue to be on the "give tramell tillman an emmy" campaign and look at him. LOOK AT HIM. don't you want to give this angel an emmy.

Rihanna wears a Marc Jacobs dress with a corseted bodice and a matching cropped tuxedo jacket. The corset and skirt are pinstriped and she wears black and white dress shoes and a red, polka-dot cravat with a statement hat. She is visibly pregnant.

A$AP Rocky wears a double-breasted AWGE parka in wool, with coated snaps and Velcro detailing on the sleeves. He pairs the jacket with dressier pants, a white cotton shirt, black wool trousers, vest, and exposed satin boxers. He wears Christian Louboutin oxfords.

And let me end this thread with our usual Met Gala Royalty, and soon-to-be-parents. Rihanna is in custom Marc Jacobs from head-to-toe, although the hat is a collab with milliner Stephen Jones. A$AP Rocky is wearing his own label, AWGE.