www.trencin2026.eu/en/podujatie...
13.02.2026 09:35
👍 0
🔁 0
💬 0
📌 0
My new project for “Green Line”, curated by Oto Hudec, part of European Capital of Culture Trenčín 2026 is finally open to the public. “Out of the Passage to Seize Back the Sky” is a photographic installation consisting of 5 lightboxes in Trenčín’s underground passage
www.ressler.at/out_of_the_p...
The failure of the COP21 lies in the weakness of the contract, and only ten years after the COP21, 2024 was reported as the first year with a global average temperature above 1.5 °C.
Check out my video on the COP21 from 2016 online: vimeo.com/190832582
When the Paris agreement was introduced ten years ago, there was no shortage of criticism. How can you come up with the idea to limit global heating to 1.5°C above pre-industrial levels with an agreement relied on voluntary national pledges and lacking strict enforcement of emissions cuts?
Thanks to @marjolijndijkman.bsky.social for the wonderful conversation for the The Journal of the Commodity Frontiers Initiative. “Carbon Capture: ‘Let there be cracks’” can now be downloaded for free from this link: journal.commodityfrontiers.com/journal-issu...
"Here it's also useful to make a distinction between property damage (which protesters in the USA in our era have done from time to time) and harming living beings (which is largely something done by law enforcement in these demonstrations)."
Issue 7 of Commodity Frontiers is live on our new website! Contributors explore carbon frontiers through power, conflict, and sovereignty. journal.commodityfrontiers.com/journal-issu...
Will be on the train for the next 9 hours on my way to the conference “Lifelines: Re-Imagining Infrastructures between Culture and Construction“ and related screening of my film “The Desert Lives” in Braunschweig.
www.tu-braunschweig.de/fileadmin/Re...
Presentation of a Romanian version of the contested “Oil Spill Flag” from 2020 at RAD Art Fair Sculpture Park, Bucharest. The flag has a popular Norwegian predecessor. Further information: www.ressler.at/oil_spill_flag/
In addition some of my placards “Still Standing in the Wreckage” are presented.
The publication “Dog Days Bite Back” published on the occasion of my solo exhibition at Belvedere 21 will be presented at Open House at Belvedere 21, Vienna, on 27.04.2025 at 2:00 PM. Please join me in a conversation with Belvedere’s chief curator Luisa Ziaja.
www.belvedere.at/event/open-h...
Join me in calling on our European leaders to break free from Trump, Putin and fossil gas: act.350.org/sign/europe-...
Glad to be part of this show curated by Branka Bencic
mmsu.hr/en/event/iza...
The planned expansion of Porsche’s Nardò Technical Centre threatened the very survival of the last forest left in the Puglia region of Southern Italy. The Bosco d’Arneo, with centuries-old oaks was at risk of being logged to make space for nine new test tracks for electric vehicle testing.
Looking forward to meeting you at the opening of “Fixing Futures. Planetary futures between speculation and control” at Museum Giersch at Goethe University, Frankfurt am Main on April 4, 2025 at 7:00 PM.
The exhibition will be open to the public till August 31, 2025.
www.mggu.de/ausstellunge...
Happy to be part of this endeavor!
kunsthalcharlottenborg.dk/en/udstillin...
Thank you
A few images from “Contours of the Coming World” I did in collaboration with Claudia Schioppa, who carried out the amazing 20 ink drawings.
Images from the show “Imagine Climate Dignity”, still open till 09.06.2025 in Künstlerhaus Wien.
www.ressler.at/contours_of_...
Today in Lecce, Italy
Here is the introduction text for FIELD Global Update by Greg Sholette: field-journal.com/issue-29-win...
FIELD Global Update for 2025 is out now. Greg Sholette and Grant Kester asked a few cultural producers including myself to write about the recent far-right parliamentary shifts, and what those mean for socially engaged art. Find my report on Austria here: field-journal.com/issue-29-win...
◾▪️El mundo de la cultura apoya a Pablo de Soto. #Asturias #cultura #LABoral #Gijón
✍ @diegodiaz1981.bsky.social
www.nortes.me/2025/02/09/e...
Letter of support for Pablo de Soto’s work as director of LABoral. Please share and sign!!!
www.puxalaboral.info/eng/
This cause is close to my heart - please sign: weact.campact.de/petitions/mu...
Bestärken wir die demokratischen Parteien, #SPÖ, #ÖVP, #Neos, #Grüne darin, sich nochmal an den Verhandlungstisch zu setzen. Dennoch ist es nicht zu spät für eine weltoffene #Regierung. Unterstützt dieses Anliegen hier: mein.aufstehn.at/petitions/re...
“Touch Nature” at Lentos Kunstmuseum has opened last week. The 9.5-meter-long ink drawing “Property Will Cost Us the Earth” is presented in combination with “Still Standing in the Wreckage”, cardboard placards that showed up in climate action in London in 2023.
www.lentos.at/en/exhibitio...
Severe headache from Trump inauguration and anticipation of an upcoming FPÖ-led government in Austria
34 min long feature about my work in the culture program “Metropolis” in the television channel Televisión Española.
vimeo.com/1047113607?s...
El programa Metrópolis de @rtvecom.bsky.social recorrerá hoy la trayectoria de @oliverressler.bsky.social, artista que presentó en LABoral en 2023 la exposición 'Barricadas en los hielos', dedicada al activismo por la justicia climática. 💥
No te lo pierdas, hoy a la 01.00 h, en La 2.
Installation shot of my film “Anubumin” (2017) carried out in collaboration with Zanny Begg in the exhibition “Poetics of Power” at Kunsthaus Graz, curated by Andreja Hribernik and Nini Palavandishvili.
The show is still open till 25.05.2025
Photo: N. Lackner
www.museum-joanneum.at/.../poetics-...
