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@sanctorium

photography writing header/Alice Oswald

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Latest posts by @sanctorium

A new experience of being, a renewed rootedness in the universe, a newly grasped sense of higher responsibility, a newfound inner relationship to other people and to the human community- VH

10.03.2026 13:22 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Rooftop, old brick chimney, a seagull atop watching the world awaken.

Rooftop, old brick chimney, a seagull atop watching the world awaken.

a peaceful morning

10.03.2026 12:05 πŸ‘ 20 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

Photograph 
gelatine silver print


Marcel Duchamp, space writing, 1937

-lines of light inked in a glass frame- in front of his face and upper torso which faces the camera

Photograph gelatine silver print Marcel Duchamp, space writing, 1937 -lines of light inked in a glass frame- in front of his face and upper torso which faces the camera

MAN RAY

Marcel Duchamp, space writing, 1937

10.03.2026 10:29 πŸ‘ 12 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

Hyperrealism can create an atmosphere of surrealism because nobody sees the world in such detail.

Salman Rushdie

10.03.2026 09:46 πŸ‘ 13 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
double tower architecture and clouds

double tower architecture and clouds

of late, all is surreal

10.03.2026 08:50 πŸ‘ 13 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
gelatin silver print

France’s first Ferris wheel

gelatin silver print France’s first Ferris wheel

MAN RAY
La grande roue, 1921

10.03.2026 08:39 πŸ‘ 12 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

Nights through dreams tell the myths forgotten by the day.

C.G. Jung

09.03.2026 18:40 πŸ‘ 17 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Sylvia Plath 
Selected Poems

(faber and faber)

Sylvia Plath Selected Poems (faber and faber)

mood: Sylvia, a glass of wine

09.03.2026 17:45 πŸ‘ 16 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
winter trees, a high stone wall in twilight

winter trees, a high stone wall in twilight

the blue between day and night

09.03.2026 16:14 πŸ‘ 16 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Photograph of an architectural nature 

radial spikes around a seed pod

Photograph of an architectural nature radial spikes around a seed pod

Excellence does not require perfection.

Henry James

Nigella damascena, Karl Blossfeldt (1932)

09.03.2026 13:27 πŸ‘ 25 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

Isn't it the moment of most profound doubt that gives birth to new certainties? Perhaps hopelessness is the very soil that nourishes human hope; perhaps one could never find sense in life without first experiencing absurdity.

VΓ‘clav Havel

09.03.2026 13:21 πŸ‘ 10 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0

The salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and human responsibility.

VΓ‘clav Havel

09.03.2026 12:58 πŸ‘ 10 πŸ” 0 πŸ’¬ 0 πŸ“Œ 2

An era can be said to end when its basic illusions are exhausted.

Arthur Miller

09.03.2026 12:55 πŸ‘ 17 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0
watercolour collage on paper (surrealism)

a fish flies, a large beetle confronts a man in a top hat who stands, his hands clasped behind, a surreal eye -like octopus- gazes at you from atop a block of dark wood

Conroy was an English surrealist painter, collagist, writer through mediums of paintings, collages, photographs, objects and texts.

watercolour collage on paper (surrealism) a fish flies, a large beetle confronts a man in a top hat who stands, his hands clasped behind, a surreal eye -like octopus- gazes at you from atop a block of dark wood Conroy was an English surrealist painter, collagist, writer through mediums of paintings, collages, photographs, objects and texts.

The Waft of it All

Conroy Maddox, Untitled (1969)

09.03.2026 11:48 πŸ‘ 16 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

we have lost our way

09.03.2026 11:08 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
bird antiquity (19c porcelain)
In a nest, side-eye gaze

bird antiquity (19c porcelain) In a nest, side-eye gaze

they all know

09.03.2026 11:02 πŸ‘ 13 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
white cloud sky 

many seagulls swarm, one foreground gull looming

white cloud sky many seagulls swarm, one foreground gull looming

word is out

09.03.2026 10:58 πŸ‘ 30 πŸ” 3 πŸ’¬ 0 πŸ“Œ 1
two swans by tree and bank of grasses, akin

two swans by tree and bank of grasses, akin

communion

09.03.2026 10:53 πŸ‘ 9 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Photograph, b and w


on bared branches and morning clouds, a bird trills in the wee hours

Photograph, b and w on bared branches and morning clouds, a bird trills in the wee hours

coffee, with bird

09.03.2026 08:18 πŸ‘ 19 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Post image

Anne Carson, Decreation

08.03.2026 18:02 πŸ‘ 15 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
rendering of green black wave

rendering of green black wave

Truth is in our dreams, in the imagination.

Eugène lonesco

08.03.2026 17:15 πŸ‘ 34 πŸ” 5 πŸ’¬ 0 πŸ“Œ 0
a lion and giraffes on a sill,window  treetop level

old painted lead animals

a lion and giraffes on a sill,window treetop level old painted lead animals

wild things

08.03.2026 10:25 πŸ‘ 20 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Oops

Tennyson, In Memorium

Not Turner

08.03.2026 09:39 πŸ‘ 3 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Painting of sea, sky, clouds, distant cliff-
muted white, blue, green

Painting of sea, sky, clouds, distant cliff- muted white, blue, green

And Time, a maniac scattering dust,
And Life, a fury slinging flame.

Tennyson

J. M. W. Turner, In Memorium

08.03.2026 08:49 πŸ‘ 21 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0
Photograph of clouds and winter tree line in muted blue, cream, brown, with striations.

Photograph of clouds and winter tree line in muted blue, cream, brown, with striations.

What is divinity if it can come
Only in silent shadows and in dreams?

Wallace Stevens, Sunday Morning

08.03.2026 08:13 πŸ‘ 18 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

good night to you

07.03.2026 19:37 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Post image

good night

07.03.2026 19:23 πŸ‘ 41 πŸ” 5 πŸ’¬ 1 πŸ“Œ 0
b & w photograph 

branches of two trees, clouds fading in background

b & w photograph branches of two trees, clouds fading in background

bared sanctorium

07.03.2026 15:59 πŸ‘ 23 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

s i g h

07.03.2026 13:44 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Assemblage (2016)
In framed glass box on found iron stand

Open standing scrapbook (1875) with added torn contemporary page of shell-shocked woman standing in a dark grim city. 

The contemporary page is pasted over an original scrapbook page- of a large colourful strawberry, a pencil cow drawing and a fragment of rhyme: 

The cow is in the lot. 
She may eat the hay.

Assemblage (2016) In framed glass box on found iron stand Open standing scrapbook (1875) with added torn contemporary page of shell-shocked woman standing in a dark grim city. The contemporary page is pasted over an original scrapbook page- of a large colourful strawberry, a pencil cow drawing and a fragment of rhyme: The cow is in the lot. She may eat the hay.

It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.

Ezra Pound

07.03.2026 12:26 πŸ‘ 25 πŸ” 5 πŸ’¬ 1 πŸ“Œ 0