in case you know someone who considers a personal #WorlCup boycott
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11.03.2026 14:27
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in case you know someone who considers a personal #WorlCup boycott
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s a n d - c 1 (2018)
#abstractart by A.Weinstein
L 4 U 6 (2026)
#blackandwhite #abstractart
by A.Weinstein
[please click to see for more detail in original size]
beleuchtet
FotografΓa de una obra en hierro forjado realizada por Pablo Serrano, su exposiciΓ³n con fuerte luz cenital genera la uniΓ³n del objeto y su sombra. Β©οΈ Cristian Berga
La sombra y la obra.
Pablo Serrano.
#AlphabetChallenge #WeekJforJuxtaposition
The Daily Rothno is a wall in Trastevere
Shadow Orbits
Acrylic on canvas
40 X 40 cm
#art #artlovers #abstractart #abstractpaintings #paintings #artcollector #artgallery #modernart #contemporaryart
Daffodil raindrop.
#MusicChallenge
Band /artist starting with I
youtu.be/bEi2b2-Ovn0?...
![[cover painting by Iain Patterson: βTrioβ - 2025, acrylic on linen]
1982 was quite a while ago, even the very end of it, which is when this gig took place apparently, with Lol Coxhill, Sylvia Hallett and me, Susanna Ferrar. The White Horse had a big room which we played in, on the ground floor, if I remember aright. It was on the way to Brixton from Kennington, and parking was no problem. There was no congestion charge zone then of course, and I just remember it being an easy place to get to and play. I don't know who organised the gigs there. Maybe it was us. We still had the LMC's end of the London Film Makers Co-op building in Gloucester Avenue, Camden, at that point. Sylvia and I had been keeping the office going. I think I had met Lol a year or two before then, and Sylvia would have known him longer. I met him at Rougham Tree Fair one summer, when I was fairly new to the world of free improvisation. There was a directory of members of the LMC and people could ring up other members and suggest getting together to play. That was how I met Derek Bailey, for example, and a bit later Evan Parker. I had been going to as many of Evan's gigs as I could, so when Luc Houtkamp said to me, in 1986, I think it was, "Who would you like to play with but you don't dare ask?" I replied, "Evan Parker". He dared me to ask him and so I did - but that is a story for another time. When I met Lol, it was completely out of every other context. I was at the Fair with my family: husband and son. I heard the sound of Lol's saxophone from quite far away, but relayed over the speaker system. I wandered along, gradually tracking the sound to its source and there was Lol, standing on the stage with his soprano... I asked if I could play too and he said I could, so I did! After that we had ideas of going busking, but never quite
Susanna Ferrar - February 2026](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:nacjxptk24msytsdc76lbvsa/bafkreic4esi4bm7sbqwyktnyvhkxlzdyvbcuicscqrwz63zwnikbg3hjcm)
[cover painting by Iain Patterson: βTrioβ - 2025, acrylic on linen] 1982 was quite a while ago, even the very end of it, which is when this gig took place apparently, with Lol Coxhill, Sylvia Hallett and me, Susanna Ferrar. The White Horse had a big room which we played in, on the ground floor, if I remember aright. It was on the way to Brixton from Kennington, and parking was no problem. There was no congestion charge zone then of course, and I just remember it being an easy place to get to and play. I don't know who organised the gigs there. Maybe it was us. We still had the LMC's end of the London Film Makers Co-op building in Gloucester Avenue, Camden, at that point. Sylvia and I had been keeping the office going. I think I had met Lol a year or two before then, and Sylvia would have known him longer. I met him at Rougham Tree Fair one summer, when I was fairly new to the world of free improvisation. There was a directory of members of the LMC and people could ring up other members and suggest getting together to play. That was how I met Derek Bailey, for example, and a bit later Evan Parker. I had been going to as many of Evan's gigs as I could, so when Luc Houtkamp said to me, in 1986, I think it was, "Who would you like to play with but you don't dare ask?" I replied, "Evan Parker". He dared me to ask him and so I did - but that is a story for another time. When I met Lol, it was completely out of every other context. I was at the Fair with my family: husband and son. I heard the sound of Lol's saxophone from quite far away, but relayed over the speaker system. I wandered along, gradually tracking the sound to its source and there was Lol, standing on the stage with his soprano... I asked if I could play too and he said I could, so I did! After that we had ideas of going busking, but never quite Susanna Ferrar - February 2026
"Brixton 1982" [scatterArchive 2026]
>releases Monday 20 April 2026
>recorded12/30/82 at The White Horse in Brixton, South London
Lol Coxhill soprano sax
Susanna Ferrar violin, harmonica, bamboo pipe, bells
Sylvia Hallett violin, voice, harmonica, music box
scatterarchive.bandcamp.com
![[photograph courtesy Ulrike Coxhill-Scholz]
Lol Coxhill (19 September 1932 β 10 July 2012)
"There are very few versatile artists that hold the importance Lol Coxhill has in European improvised music. His highly personal style on soprano and tenor saxophone (fluent, lyrical yet capable of shrieking outbursts), his ability to perform with everyone and in every style, from jazz standards to the weirdest electro-acoustic improv, backed by his enduring sense of humour, all draw the figure of a maverick musician." François Couture, All Music Guide
Born in Portsmouth and raised in Aylesbury, he bought his first saxophone in 1947.
He was a key figure in British free improvisation, working with, among many others, the Melody Four, the Dedication Orchestra, and his own ensemble, The Recedents [with Mike Cooper and Roger Turner].
He was renowned for his unaccompanied saxophone playing, often performing in unconventional settings.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:nacjxptk24msytsdc76lbvsa/bafkreigopwmom27iorwsmxjl6csgf4ytriub3lr6gh5wqbh2tqpxy25j2u)
[photograph courtesy Ulrike Coxhill-Scholz] Lol Coxhill (19 September 1932 β 10 July 2012) "There are very few versatile artists that hold the importance Lol Coxhill has in European improvised music. His highly personal style on soprano and tenor saxophone (fluent, lyrical yet capable of shrieking outbursts), his ability to perform with everyone and in every style, from jazz standards to the weirdest electro-acoustic improv, backed by his enduring sense of humour, all draw the figure of a maverick musician." FranΓ§ois Couture, All Music Guide Born in Portsmouth and raised in Aylesbury, he bought his first saxophone in 1947. He was a key figure in British free improvisation, working with, among many others, the Melody Four, the Dedication Orchestra, and his own ensemble, The Recedents [with Mike Cooper and Roger Turner]. He was renowned for his unaccompanied saxophone playing, often performing in unconventional settings.
LOL COXHILL
A cartoon from the 1950βs thatβs more relevant than ever π
In case you agree that #FIFA should
take away the
FIFA Peace Prize from
Donald #Trump
you might consider reposting
#Iran #war #soccer #football #WorldCup
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The Bachelors Twenty Years Later, 1943, Roberto Matta
#NowPlaying #vinyl
Frigya
by Imed Alibi feat Khalil Epi
[Shouka β SHK015V](2021)
My tip for a good energy boost of North-African Mediterranean music that makes you move your feet
imedalibi.bandcamp.com/album/frigya
"Tiradores, un lugar" by David Culebras.
#photography by A.Weinstein
[please click to see original size for more detail]
π·A.Weinstein
Bande rouge orangée sur bitume noir et lumière verte.
16/02/2026
π· #MobilePhotography
"... we should just create our own beautiful world."
SCREAM AT THE SKY: Yoko Ono interviewed by Thurston Moore & Byron Coley in Arthur No. 26/Sept 2007
arthurmag.com/2007/10/01/y...
A square, close-up, grainy, upside-down, black and white photograph of a game of sorts, a circular, aged, and distressed wooden board with a star-shape painted inside a circle, three differently shaped holes spaced unevenly through the middle of the board, each hole surrounded by tall pins with the numbers 1000, 2000, and 200 stenciled beneath each hole.
Score.
Through the Viewfinder
Pentax *ist D, Sigma 28-135mm Ζ/5.6 Macro + Kodak Duaflex II
#blackandwhite #classicmono #duaflex2 #eastcoastkin #game #grain #istd #kodak #pentax #photography #photographersofbluesky #score #theartofseeing #throughtheviewfinder #ttv
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#abstract #blackandwhite #photography
Here for a change some good news
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[please click to see original formate for more detail]
#blackandwhite #photography
#iceland
Z. Z. Wei - Afternoon Shadows (2012)
Oil on canvas, 62x50 in (152.4x121.9 cm)
www.instagram.com/zzweiart/
rovzargallery.com/artists/z-z-...
