When I say “hell yeah,” this is what I’m referring to
When I say “hell yeah,” this is what I’m referring to
Not a waste at all. Try the 2025 remake, it rocks. gameinformer.com/feature/2024...
“She knew that great art required taking big risks."
Huge thanks to the Chicago Sun-Times and Stefano Esposito for speaking with me about A DANGER TO THE MINDS OF YOUNG GIRLS. chicago.suntimes.com/books/2026/0...
always make me laugh
this is how I access bluesky
Thanks for sharing!
Text from Gayle Feldman’s biography of Bennett Cerf: On June 2, 1947, Life ran a long feature headlined "Young U.S. Writers—A Refreshing Group of Newcomers on the Literary Scene Is Ready to Tackle Almost Anything." War was over; who would take up the mantle of Hemingway, Fitzgerald, and go one better? Life piqued readers' curiosity with photos of those it was betting on. The vote for "most brilliant" of the new fictionists went to two: Jean Stafford— who'd already been compared to Proust and was Mrs. Robert Lowell-and Thomas Heggen, whose critical and bestselling success Mister Roberts would later be adapted for stage and screen. Names like Norman Mailer, J. D. Salinger, and Saul Bellow were not yet lighting up the horizon, although Bellow had published his first novel during the war. Instead, the magazine pointed to Calder Willingham, Elizabeth Fenwick, Peggy Goodin, Ann Chidester, Peggy Bennett, Gore Vidal, and husband-and-wife Nancy and Benedict Freedman —who, with the exception of Vidal, have faded into obscurity.
We are almost always wrong in the moment.
A LEGO set box features a model of the Maersk container ship&10;
Finally a Lego set for shipping sickos.
hell yeah becca rothfeld afeteworsethandeath.substack.com/p/you-dont-h...
"The worldbuilding is fascinating. The combat is thrilling. But where MARATHON really excels is its corporate satire."
For The Frontlist, I got an early look at the new sci-fi extraction shooter out today, March 5, from @bungie.net. www.thefrontlist.org/p/look-on-my...
1908: the Lancet, one of the most respected scientific journals, calls for 18 age limit on reading in bed amidst a moral panic surrounding children becoming "addicted" to novels, which were "designed to keep kids hooked" and destroy their attention/mental health
Burnt Norton is so good.
If you're a book editor, agent, or freelance critic who is available to participate in our soon-to-be-launched manuscript critique program (coming this summer), please shoot me an email or dm! (you don't need to be in the south)
author's ouevre = hyperobject
author over time = hyperpersona 😂
This great dashboard from @randomwalker.bsky.social, @sayash.bsky.social & @stvrb.bsky.social shows that the models behind popular chatbots have gotten only barely more reliable (which could explain why people and businesses aren't getting much value from them?).
hal.cs.princeton.edu/reliability
Personally, the biggest obstacle to book criticism (in addition to the loss of review outlets) is that I only want to read weird little books these days — and occasionally, weird big books.
When I like them, few outlets will care. When I dislike them, I don't have the heart to tell anybody.
Loved @sdgorton.bsky.social's piece on Margaret C. Anderson this morning! newrepublic.com/article/2057...
These are the same people who "have" to be on work calls at the airport / on the plane / in the cab.
Huge thanks to Stephanie Gorton for this insightful look at A DANGER TO THE MINDS OF YOUNG GIRLS for The New Republic. newrepublic.com/article/2057...
I thanked him for that quote as soon as he finished the sentence.
It depends on how we qualify "full-time book critic," as I think the Atlantic folks do more editing than writing? I could be wrong.
Wow just the 3 at the NYT then!
To my knowledge it's 4 now, Sam plus the 3 at the NYT.
She would have to be capable of shame for this to "sting."
NEW: “CBS Evening News” producer Alicia Hastey sends a bombshell farewell note:
Stories are “evaluated not just on their journalistic merit but on whether they conform to a shifting set of ideological expectations.”
"She’s a great reminder that to make good art, you have to take big risks.”
Huge thanks to PBS Chicago for chatting with me about A DANGER TO THE MINDS OF YOUNG GIRLS. www.wttw.com/playlist/202...
Holy hell, LARB.
Editors, I would like to write about books, games, and culture more broadly this year as a freelancer (features, profiles, you name it). Here are some clips. Hit me up! adam-stephen-morgan.com/selectedworks/