Have been toying around with my new DJ controller and made available two sets. Leave some love, if you like them ☺️
m.soundcloud.com/marcel-hartw...
26.02.2026 19:18
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Have been toying around with my new DJ controller and made available two sets. Leave some love, if you like them ☺️
m.soundcloud.com/marcel-hartw...
super proud to have been invited to join this conversation! Revisit my thoughts about Roy Orbison and David Lynch below. Thanks to all organizers of this amazing online symposium on adaptation and seriality. And thank you, Julie Grossman and Constantine Verevis, for including me!
we are about to finalize the stage production for our new adapted play, CLOSER by Patrick Marber. Feel free to come around for one of our three shows in Siegen or come see us in Maynooth in November: lyz.online-ticket.de/the-desperat...
some impressions from tonight’s student-led pop-up exhibition on New American Cinema 🍿
looking forward to this☺️
uhm … no 😅 even though UNCUT GEMS would have made a list with more available slots ☺️
my choice for the nyt’s reader’s poll
Unsere KJL Biennale ist heute erfolgreich mit Autor Benjamin Tienti gestartet.
Unsere KJL Biennale steht und wartet auf ihre Gäste über die nächsten beiden Wochen in der Siegener Stadtbibliothek, mit dabei sind die Autoren Benjamin Tienti, Nils Mohl und Rüdiger Bertram.
some of you asked for this: here is the unmixed tracklist from my opening set at our closing party #dgfa2025
open.spotify.com/playlist/6P8...
Collage of four photos showing speakers in front of a large screen. Slides depict poetry manuscripts and paper titles.
For this afternoon's DGfA session, I picked a panel on "Transmedial (Un)Archiving: Poetry Transposition into New Media" with four wonderful talks featuring #poetry, visual art, film, video games & poetry by #MinaLoy, #WaltWhitman, and #SylviaPlath. #AmericanStudies #DGfA2025
thought-provoking panels, great keynotes, closing with a bang — #dgfa2025 is a wrap (almost… says the bookkeeper)
#dgfa2025 beats party better with you
Prof. Daniel Stein, Anglia co-editor-in-chief, presenting the special issue from the research cluster "Archival Crossings", edited by Prof. Thomas Hallock and Dr. Marcel Hartwig.
@danstein2025.bsky.social @tbhallock.bsky.social @marsimekko.bsky.social
🔗 www.degruyterbrill.com/journal/key/...
a great opening; about 200 members showed up today; great conversations, amazing keynote — hyped for the next two days now!
#dgfa2025
www.uni-siegen.de/phil/anglist...
conference setup is a go ✅ #dgfa2025
This is getting real — we are looking forward to seeing you all in Siegen! #dgfa2025
#dgfa2025 😇
We are looking forward to seeing you at this year’s GAAS meeting in Siegen: www.uni-siegen.de/phil/anglist...
How fitting and timely is this? The research cluster Thomas Hallock and I edited for ANGLIA on our MOBILE ARCHIVE Project arrived just one day after I returned home from Veracruz. It is accessible through your academic institutions (DOI: 10.1515/ang-2024-0056): www.degruyter.com/journal/key/...
this was great 😊
www.uv.mx/prensa/gener...
Happy to be involved in this conference, the personal highlight of my year ☺️
happy for the recognition of our intercultural work by the city of Siegen ❤️
It’s a wrap—this week we had our final meeting about this year’s shows by our Desperate Thespians&made new plans for the year ahead. We had three sold-out shows of DEAD MAN’S CELL PHONE, a cooperation with MU Drama&are nominated for the city’s integration award. A Making Of is underway—stay tuned☺️
planning and shaping big future events at the University of Siegen
sitting at the cool table with the cool kids @ #dgfa2024
I had the opportunity to share my two cents on “The End of the English Major” for a podcast, my slots begins at about 10mins into the show:
teacherstalkradio.podbean.com/e/the-end-of...
A great week in Tulsa is coming to its end — this truly felt like a homecoming. Looking forward to future collaborations.
some impressions from our latest theatre production here at U Siegen: The Desperate Thespians presented Conor McPherson’s THE WEIR between Oct 25-27, 2023 at LYZ to sold-out audiences.
