Cultural policy, creativity and innovation ecosystems.
Towards a more united and diverse Europe. Now. More than ever. πͺπΊ
I am proud to present my latest publication: βCulture Wide Open: A bold artistic triumph at the Paris 2024 Olympics opening ceremonyβ, published in the journal Radical Creativities ISSUE #1. You can read my editorial here. www.radicalcreativities.com/post/culture...
Together with my colleagues on the Panel of International Experts for the Selection and Monitoring of the European Capitals of Culture we preselected the cities of Lviv (Ukraine) πΊπ¦ and NikΕ‘iΔ (Montenegro) π²πͺ as candidates for the ECoC 2030!Congratulations to both cities! #creativeeurope #ECoC
Valletta Resounds: The Caravaggio Experience has made #Maltese history! Weβre thrilled to announce that this #Udjenza production has officially broken a national record as the longest-running production in a historical venue with 75 shows and counting π€© If youβre visiting Malta check it out!
π½οΈ Check out the Summarised Report on Funding for Maltaβs Domestic Screen Production commissioned by #ArtsCouncilMalta. This report presents key insights and findings from research conducted by #CultureVenture between February and May 2024.
Olympic throwback! When #Bacchus met drag - a culture clash to remember. An editorial published in #RadicalCreativities on my reflections about the opening ceremony of the Paris 2024 #Olympics
Congratulations to #Kiruna, the city recommended to become the European Capital of Culture 2029 in Sweden! πΈπͺ I was delighted and honoured to be part of the final selection as member of the Expert Panel for the European Capitals of Culture, European Commission. #creativeeurope #Sweden #ECoC2029
This week Kiruna and Uppsala will present their final bids for the title of the European Capital Culture of Culture in Sweden in 2029. Looking forward to meet both teams and I wish them the very best! The winner will be announced on Friday afternoon.
#ECoC #EuropeanCommission #Sweden
International Day of Persons with Disabilities is an occasion to reflect on inclusivity in the arts. The work BALM with Angela is inspired by monologues she wrote about her feelings of being unseen - overlooked, labeled, utilized and categorized to fit into the tight spaces of an ableist society.