I’m sorry to say this one just didn’t do it for me… review in today’s @theguardian.com www.theguardian.com/artanddesign...
I’m sorry to say this one just didn’t do it for me… review in today’s @theguardian.com www.theguardian.com/artanddesign...
⭐️⭐️⭐️⭐️⭐️ for Gwen John: Strange Beauties at National Museum Cardiff. Opening 150 years after the artist’s birth, this glorious retrospective explores how she returned repeatedly to the same subjects and each time saw them through fresh eyes. @the-independent.com www.independent.co.uk/arts-enterta...
Here she is photographed by Robert Mapplethorpe with a mischievous grin and Fillette (1968), her garish latex sculpture resembling a gigantic phallus (or a female torso, depending on the angle), tucked under her arm like a baguette.
Back at it ✍️ I really enjoyed this biography of Louise Bourgeois, written in French by Marie-Laure Bernadac and translated by Lauren Elkin. The best bit is how present, and deliciously unfiltered, Bourgeois is on the page. Review in today’s @thetimes.com www.thetimes.com/culture/book...
On Monday I met with Maggi Hambling and Sarah Lucas to discuss their new joint show OOO LA LA. We talked about their 25-year friendship, doubt and despair, growing older, and what they make of being the so-called bad girls of British art. In today’s @thetimes.com www.thetimes.com/culture/art/...
A mixed bag at the RA… my review of A Story of South Asian Art for @thetimes.com www.thetimes.com/culture/art/...
Chris Ofili loves steel pans. Lindsey Mendick adores Self Esteem. And Ragnar Kjartansson has to have the Cure. For the @theguardian.com I asked a dozen artists to reveal the music that brings out the best in them. www.theguardian.com/artanddesign...
I went to Skagen, a remote fishing port at the northernmost tip of Denmark, in search of Anna Ancher for @thetimes.com www.thetimes.com/culture/art/...
⭐️⭐️⭐️⭐️ in @theguardian.com for Betty Parsons at De La Warr Pavilion. Playful paintings and driftwood sculptures (I love the archive photo of the latter crouched on the beach like crabs!) from the legendary gallerist who represented Rothko, Pollock et al www.theguardian.com/artanddesign...
✨ SALLY MANN ✨ I spoke to the US photographer about the controversy sparked by the images she made of her children in the 1990s, the “main characters” you need to make art, and the stuff that surrounds and hinders it. @theartnewspaper.bsky.social www.theartnewspaper.com/2025/09/01/c...
The case of the disappearing Amédée Ozenfant! Or, my latest for @thetimes.com www.thetimes.com/culture/book...
I wrote about James Delbourgo's history of collecting (and my childhood Beanie Baby stash) for @thetimes.com www.thetimes.com/culture/book...
Winning online comment:
Very happy to have the lead book review in today’s @thetimes.com ✨
On Judith Mackrell’s lively joint biography of Gwen and Augustus John.
www.thetimes.com/culture/book...
I reviewed Judith Mackrell’s long and lively joint biography of Gwen and Augustus John for @thetimes.com www.thetimes.com/culture/book...
another day, another press release
Niki de Saint Phalle and Jean Tinguely reunite! My review for @theguardian.com www.theguardian.com/artanddesign...
If you ask me, there’s nobody painting modern motherhood quite like Caroline Walker. We chatted ahead of her new show, which focuses on the constellation of mostly female workers providing support during childbirth and early-years care. In today’s @theguardian.com www.theguardian.com/artanddesign...
It’s remarkable, really, the web Katie Kitamura can spin around a scene as simple as a woman meeting a man for lunch. My review of the author’s confounding and quietly intense fifth novel is in this week’s @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
Yes, much too tempting for tiny fingers!
Those light switches, plug sockets, door handles in action:
Never has a light switch been so enticing! A plug socket pleasing! A door handle deserving of a turn! I reviewed Do Ho Suh’s exquisite show at Tate Modern, which is as bright and cheery as it is profound, for @thetimes.com
www.thetimes.com/culture/art/...
I reviewed (and loved) Madeleine Watts’ second novel, Elegy, Southwest, which is thoughtful and quietly compelling, and conjures the familiar sense of steadily trundling towards disaster…. In this week’s @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
Not every artist who skyrockets to fame makes it all the way into space….
I interviewed Amoako Boafo for @theguardian.com
www.theguardian.com/artanddesign...
My family were very confused about my sudden interest in the cables that carry info around the world on the ocean floor – until I told them about TWIST, Colum McCann’s latest, out now from @bloomsburybooksuk.bsky.social. My review for @thespectator1828.bsky.social www.spectator.co.uk/article/deep...
To celebrate the paperback publication of Hagstone next week, @chloeashby.bsky.social and I will be in conversation with Rosie Beaumont-Thomas of the Feminist Book Society at Bàrd Books on Tuesday 25th, followed by a book signing.
🎟️: wearebardbooks.co.uk/the-feminist... @cormackinsella.bsky.social
Tomorrow!
The dangers of dating Picasso ❤️💔
For @thetimes.com I reviewed Sue Roe’s Hidden Portraits, a group biography of the six women who loved Picasso: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot and Jacqueline Roque.
www.thetimes.com/culture/book...
SECOND SELF but make it French 🇫🇷 My author copies of REPENTIRS have arrived, a week ahead of publication day (13th March) and on World Book Day! Translated by Anouk Neuhoff and published by Alice Déon and the dream team at La Table Ronde ❤️