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Quarterly literary magazine founded in 1953. https://www.theparisreview.org/ https://theparisreview.substack.com/

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“There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”

From our Art of Nonfiction interview with Darryl Pinckney. buff.ly/0C7aGMC

10.03.2026 17:01 👍 3 🔁 0 💬 0 📌 0
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“I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”

From our Art of Nonfiction interview with Sarah Schulman. buff.ly/CugUQ7B

10.03.2026 16:02 👍 6 🔁 0 💬 0 📌 0
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Our Spring issue is here—featuring interviews with Sarah Schulman and Darryl Pinckney, prose by Tao Lin and Yu Hua, poetry by Inger Christensen and Joyelle McSweeney, art by Cauleen Smith, a cover by Cecily Brown, and more. buff.ly/fGxnHCT

10.03.2026 15:01 👍 5 🔁 1 💬 0 📌 0
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Richard Wilbur, The Art of Poetry No. 22 “A man like Sartre can get a whole book out of a proposition which is, on the face of it, untrue . . . ”

“One of the jobs of poetry is to make the unbearable bearable by clear, precise confrontation.” —Richard Wilbur

09.03.2026 22:01 👍 5 🔁 2 💬 0 📌 0
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Ralph Ellison, The Art of Fiction No. 8 “The American novel is … a conquest of the frontier; as it describes our experience, it creates it.”

“I despise concreteness in writing, but when reality is deranged in fiction, one must worry about the seams.” —Ralph Ellison

09.03.2026 19:04 👍 4 🔁 1 💬 0 📌 0
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Luisa Valenzuela, The Art of Fiction No. 170 “Journalism requires a horizontal gaze; it is absolutely factual. On the other hand, fiction requires a vertical gaze—delving deeper into the non-facts, the unconscious, the realm of the imaginary.”

“Intellectuals do need to earn a living.” —Luisa Valenzuela

09.03.2026 16:03 👍 1 🔁 0 💬 0 📌 0
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Iris Murdoch, The Art of Fiction No. 117 “You can’t write a traditional novel without giving your characters moral problems and judgments.”

“I’ve never thought of counting words. I’d rather not know.” —Iris Murdoch

09.03.2026 13:01 👍 4 🔁 1 💬 0 📌 0
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Nathaniel Mackey, The Art of Poetry No. 107 “By making breath more evident, more material, more dwelled-upon, they make black breath matter, implicitly insist that black lives matter.”

“A thing I enjoyed about math was that it was a kind of hermetic language.” —Nathaniel Mackey

08.03.2026 22:00 👍 5 🔁 1 💬 0 📌 0
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Francine du Plessix Gray, The Art of Fiction No. 96 “Being forced at the age of twenty-two to sit at a typewriter on the night shift of United Press and turn out trade stories in a manner of minutes—this took some of the fear [of writing] away. Like…

“We’ve been brainwashed by the myth that fiction and poetry are more ‘creative’ than criticism or reportage, a strictly American hang-up exploited by our universities to plug their seedy little Creative Writing departments.” —Francine du Plessix Gray

08.03.2026 19:01 👍 6 🔁 1 💬 0 📌 1
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The Paris Review Newsletter

Each week, we unlock from our archive stories, poems, and interviews for our readers.

Sign up for the Redux newsletter to receive these pieces—by writers like Toni Morrison, Joan Didion, and Kazuo Ishiguro—to your inbox every Sunday morning.

08.03.2026 16:01 👍 1 🔁 0 💬 0 📌 0
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Jean Cocteau, The Art of Fiction No. 34 “Appreciation of art is a moral erection; otherwise mere dilettantism. I believe sexuality is the basis of all friendship.”

“People love to recognize; not venture. The former is so much more comfortable and self-flattering.” —Jean Cocteau

08.03.2026 13:01 👍 2 🔁 1 💬 0 📌 0
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Grace Paley, The Art of Fiction No. 131 “One of the first things I tell my classes is, If you want to write, keep a low overhead.”

“If you want to write, keep a low overhead.” —Grace Paley

07.03.2026 23:01 👍 9 🔁 1 💬 0 📌 0
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Maya Angelou, The Art of Fiction No. 119 “People are too busy putting things under microscopes and so forth. Creativity is greater than the sum of its parts.”

“What happens is most people get older. That’s the truth of it. They honor their credit cards, they find parking spaces, they marry, they have the nerve to have children, but they don’t grow up.” —Maya Angelou

07.03.2026 20:01 👍 7 🔁 2 💬 0 📌 0
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Susan Sontag, The Art of Fiction No. 143 On Yeats’s assertion that one must choose between the life and the work: “Of course, if by life you mean life with other people, Yeats's dictum is true. Writing requires huge amounts of solitude.”

“A principal task of art is to strengthen the adversarial consciousness.” —Susan Sontag

07.03.2026 17:01 👍 10 🔁 3 💬 0 📌 0
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Kazuo Ishiguro, The Art of Fiction No. 196 “I’ve never been intimidated by the idea of having to make up a story. It’s always been a relatively easy thing that people did in a relaxed environment.”

“My imagination came alive when I moved away from the immediate world around me.” —Kazuo Ishiguro

07.03.2026 14:01 👍 4 🔁 0 💬 0 📌 0
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The Paris Review Newsletter

Stay up to date with the Review by signing up for our Weekly newsletter. Each Friday, you’ll receive a recap of some of the most recent work we’ve published on our website.

06.03.2026 23:00 👍 1 🔁 0 💬 0 📌 0
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Mario Vargas Llosa, The Art of Fiction No. 120 Quoting Neruda: “I have a chest full of all the insults, villainies, and infamies a man is capable of withstanding. . . . If you become famous, you will have to go through that.”

“It’s the most exciting moment when you discover life in what you’ve created.” —Mario Vargas Llosa

06.03.2026 20:03 👍 3 🔁 1 💬 0 📌 0
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Seamus Heaney, The Art of Poetry No. 75 On poetry’s power to suspend violence: “It can entrance you for a moment above the pool of your own consciousness and your own possibilities.”

“What matters is the shape-making impulse.” —Seamus Heaney

06.03.2026 17:03 👍 5 🔁 0 💬 0 📌 0
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Elias Khoury, The Art of Fiction No. 233 “What’s a revolution? It’s when a regime can no longer control the populace, when the regime is brought down to the ground.”

“Repetition is, I might say, a way of insisting that every story contains many stories inside it.” —Elias Khoury

06.03.2026 14:02 👍 5 🔁 2 💬 0 📌 0
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Nathaniel Mackey, The Art of Poetry No. 107 “By making breath more evident, more material, more dwelled-upon, they make black breath matter, implicitly insist that black lives matter.”

“I think of it as an invitation. It sets up a question for the readers. Am I a part of this ‘we’?” —Nathaniel Mackey

05.03.2026 23:00 👍 4 🔁 1 💬 0 📌 0
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Tahar Ben Jelloun, The Art of Fiction No. 159 “There is an important erotic element in A Thousand and One Nights, which is one of the keys to understanding the Orient.”

“My job is not to give answers or to find solutions, but to ask questions, to testify in a human situation.” —Tahar Ben Jelloun

05.03.2026 20:00 👍 2 🔁 0 💬 0 📌 0
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James Baldwin, The Art of Fiction No. 78 “After my best friend jumped off the bridge, I knew that I was next. So—Paris. With forty dollars and a one-way ticket.”

“If you really want to know something about solitude, become famous.” —James Baldwin

05.03.2026 17:05 👍 13 🔁 3 💬 0 📌 0
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Elias Khoury, The Art of Fiction No. 233 “What’s a revolution? It’s when a regime can no longer control the populace, when the regime is brought down to the ground.”

“Repetition is, I might say, a way of insisting that every story contains many stories inside it.” —Elias Khoury

05.03.2026 14:02 👍 3 🔁 1 💬 0 📌 1
Preview
Nathaniel Mackey, The Art of Poetry No. 107 “By making breath more evident, more material, more dwelled-upon, they make black breath matter, implicitly insist that black lives matter.”

“I think of it as an invitation. It sets up a question for the readers. Am I a part of this ‘we’?” —Nathaniel Mackey

04.03.2026 23:01 👍 4 🔁 1 💬 0 📌 0
Preview
Tahar Ben Jelloun, The Art of Fiction No. 159 “There is an important erotic element in A Thousand and One Nights, which is one of the keys to understanding the Orient.”

“My job is not to give answers or to find solutions, but to ask questions, to testify in a human situation.” —Tahar Ben Jelloun

04.03.2026 20:03 👍 3 🔁 0 💬 0 📌 0
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Henri Cole, The Art of Poetry No. 98 “In truth, I’m still slightly embarrassed to say, I am a poet. I’d rather say, I make poems.”

“I don’t know why I write when I do or why I’m silent.” —Henri Cole

04.03.2026 14:02 👍 2 🔁 1 💬 0 📌 0
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Grace Paley, The Art of Fiction No. 131 “One of the first things I tell my classes is, If you want to write, keep a low overhead.”

“There’s always that first storytelling impulse: I want to tell you something … ” —Grace Paley

03.03.2026 23:00 👍 5 🔁 0 💬 1 📌 1
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Gary Indiana, The Art of Fiction No. 250 “I was desperate to write a novel, but I didn’t have a story. Whenever I tried to write fiction it was all about my own inner bullshit.”

“I learned a lot from reading Beckett, naturally, and Thomas Bernhard—that peculiar tension between misanthropy and compassion that always lands in the right place. I like sentences that express more than one thing.” —Gary Indiana

03.03.2026 20:01 👍 6 🔁 1 💬 0 📌 0
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Arundhati Roy, The Art of Fiction No. 249 “I love immersing myself in the universe of a novel for years. There is never a time when I am more alive.”

“My writing has created my community for me . . . it has become my passport to places that are otherwise not always welcoming to other people.” —Arundhati Roy

03.03.2026 17:03 👍 7 🔁 0 💬 0 📌 0
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Gordon Lish, The Art of Editing No. 2 “I’ve got the fucking gift for it. Instinct, call it.”

“Carver could not have been more enthusiastic, nor more complicit—or complacent.” —Gordon Lish

03.03.2026 15:04 👍 2 🔁 0 💬 0 📌 0