Lorelei and Athens by Zans Brady Krohn
They were not fancy girls, but they did love the absolute best of things, and also appreciated the simple pleasures the earth had to offer: good red dirt, full-fat Coca-Cola.
“They were not fancy girls, but they did love the absolute best of things, and also appreciated the simple pleasures the earth had to offer: good red dirt, full-fat Coca-Cola.”
From “Lorelei and Athens” by Zans Brady Krohn in our new Spring issue.
10.03.2026 20:30
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“There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”
From our Art of Nonfiction interview with Darryl Pinckney. buff.ly/0C7aGMC
10.03.2026 17:01
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“I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”
From our Art of Nonfiction interview with Sarah Schulman. buff.ly/CugUQ7B
10.03.2026 16:02
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Our Spring issue is here—featuring interviews with Sarah Schulman and Darryl Pinckney, prose by Tao Lin and Yu Hua, poetry by Inger Christensen and Joyelle McSweeney, art by Cauleen Smith, a cover by Cecily Brown, and more. buff.ly/fGxnHCT
10.03.2026 15:01
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Richard Wilbur, The Art of Poetry No. 22
“A man like Sartre can get a whole book out of a proposition which is, on the face of it, untrue . . . ”
“One of the jobs of poetry is to make the unbearable bearable by clear, precise confrontation.” —Richard Wilbur
09.03.2026 22:01
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Ralph Ellison, The Art of Fiction No. 8
“The American novel is … a conquest of the frontier; as it describes our experience, it creates it.”
“I despise concreteness in writing, but when reality is deranged in fiction, one must worry about the seams.” —Ralph Ellison
09.03.2026 19:04
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Francine du Plessix Gray, The Art of Fiction No. 96
“Being forced at the age of twenty-two to sit at a typewriter on the night shift of United Press and turn out trade stories in a manner of minutes—this took some of the fear [of writing] away. Like…
“We’ve been brainwashed by the myth that fiction and poetry are more ‘creative’ than criticism or reportage, a strictly American hang-up exploited by our universities to plug their seedy little Creative Writing departments.” —Francine du Plessix Gray
08.03.2026 19:01
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The Paris Review Newsletter
Each week, we unlock from our archive stories, poems, and interviews for our readers.
Sign up for the Redux newsletter to receive these pieces—by writers like Toni Morrison, Joan Didion, and Kazuo Ishiguro—to your inbox every Sunday morning.
08.03.2026 16:01
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Maya Angelou, The Art of Fiction No. 119
“People are too busy putting things under microscopes and so forth. Creativity is greater than the sum of its parts.”
“What happens is most people get older. That’s the truth of it. They honor their credit cards, they find parking spaces, they marry, they have the nerve to have children, but they don’t grow up.” —Maya Angelou
07.03.2026 20:01
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The Paris Review Newsletter
Stay up to date with the Review by signing up for our Weekly newsletter. Each Friday, you’ll receive a recap of some of the most recent work we’ve published on our website.
06.03.2026 23:00
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Gary Indiana, The Art of Fiction No. 250
“I was desperate to write a novel, but I didn’t have a story. Whenever I tried to write fiction it was all about my own inner bullshit.”
“I learned a lot from reading Beckett, naturally, and Thomas Bernhard—that peculiar tension between misanthropy and compassion that always lands in the right place. I like sentences that express more than one thing.” —Gary Indiana
03.03.2026 20:01
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Arundhati Roy, The Art of Fiction No. 249
“I love immersing myself in the universe of a novel for years. There is never a time when I am more alive.”
“My writing has created my community for me . . . it has become my passport to places that are otherwise not always welcoming to other people.” —Arundhati Roy
03.03.2026 17:03
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