and finally, the sticker
11.03.2026 03:58
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Can you find all the easter eggs in Seymour Skinner's office?
Poem in the Shape of the Poet Beating Henry Kissinger to Death with Their Bare Hands by Felix
VEGETABLES
Finally wearing this, thank you @jimprov.sendusyourmoney.com
A photo of the Chicago skyline at night with a tangle of bright lighting lignite gap the night sky during a thunderstorm
Boom! Had a great ight show over the skyline tonight. Here’s my first big lightning shot of the season.
This is a 2-frame composite. Best as I can tell, two large, branching bolts struck the eastern antenna mast of the Hancock. #wxsky #ilwx
Spungos
*mid-life effect
this is my mandela crisis
oh jeez you said everyTHING hurts now I look like a fool
don't say this around Canadians
this is how you get REM
Masterminds (2016)
this was way more fun than it had any right to be and I can't believe I never heard of it until tonight
Tom Joad The Wet Sprocket @Adequate_Scott Classic Rock Song: 🎶I wanna BANG TEENS 🎶Oh yeah I'm gonna BANG TEENS 🎶Jailbait, legal, and in between 🎶I wanna BANG TEENS Gray-Haired Musician In a Rock Documentary: "The song's about Vietnam." 8:49 AM • 2021-07-21
Prawn Salon
ohmigosh she's incredible
man you really should watch Hedwig
My "AI Generated" T-sныrrt háás peeiople askking α looit‘ of quiest||ons alrеoadyy aansωred‘ by mλ shiяяrt.
I HATE BEING BI-POLAR ITS SUPER
happy mario day
"Hello, I'm Shaquille O'Neal. Let us in please."
get Steve-O to do it first to make sure it's safe
NOTHING BAD CAN HAPPEN, IT CAN ONLY GOOD HAPPEN. BUT WITH TYLENOL, DON'T TAKE IT)
gårfeld comic
Donkey Kong Cuntry
"Just came back from the docco and boy are my arms retired!"
!["Helen and Frederick Hirschman have been collecting figurines since they were first married. They estimate they now have at least one hundred fifty of them" gelatin silver print
----- [from the Maryland Center for History and Culture] -----
In 1976, in recognition of the 200th anniversary of the United States, the National Endowment for the Arts funded a series of photographic survey projects across the country to create “a new visual record of a changing nation.” One of these projects was the East Baltimore Documentary Photography Project (1976-1980). This project originated out of a social documentary photography class taught by Linda G. Rich (1949-1998) in 1976 at the Maryland Institute, College of Art (MICA). Rich was joined in this project by two of her students Joan Clark Netherwood and Elinor B. Cahn.
Rich, Netherwood & Cahn aimed for their photographic survey to show the concept of the “neighborhood” as it is revitalized, maintained, and changed across many years. Their intent was to “photograph the people, to enter their lives, and to see them as they see themselves.” They spent time familiarizing themselves with local East Baltimore neighborhoods to get unprecedented access to religious and cultural communities, local stores and businesses, and family homes. Some of the photographs in the survey even came from the personal archives of the families they were photographing.
The East Baltimore area had long since been a home to many immigrant communities. The height of immigration to the area was from 1880 to 1921 when millions of Eastern and Southern Europeans immigrated to the United States and settled along the Eastern seaboard.
[...]
The East Baltimore Documentary Photography Project captured the unique mixing of many of these communities as they co-existed in the 1970s and 1980s, reflecting many ideas about the “melting pot” nature of the United States of America. It consists of more than 10,000 photographs, transcribed interviews, and audio tapes.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ewb37o2ftablnrgx3ma45l3b/bafkreid4gpzdrngk6quvoiob2uer6zj3ovwqiicgjcvhyyiwybdih2nave)
"Helen and Frederick Hirschman have been collecting figurines since they were first married. They estimate they now have at least one hundred fifty of them" gelatin silver print ----- [from the Maryland Center for History and Culture] ----- In 1976, in recognition of the 200th anniversary of the United States, the National Endowment for the Arts funded a series of photographic survey projects across the country to create “a new visual record of a changing nation.” One of these projects was the East Baltimore Documentary Photography Project (1976-1980). This project originated out of a social documentary photography class taught by Linda G. Rich (1949-1998) in 1976 at the Maryland Institute, College of Art (MICA). Rich was joined in this project by two of her students Joan Clark Netherwood and Elinor B. Cahn. Rich, Netherwood & Cahn aimed for their photographic survey to show the concept of the “neighborhood” as it is revitalized, maintained, and changed across many years. Their intent was to “photograph the people, to enter their lives, and to see them as they see themselves.” They spent time familiarizing themselves with local East Baltimore neighborhoods to get unprecedented access to religious and cultural communities, local stores and businesses, and family homes. Some of the photographs in the survey even came from the personal archives of the families they were photographing. The East Baltimore area had long since been a home to many immigrant communities. The height of immigration to the area was from 1880 to 1921 when millions of Eastern and Southern Europeans immigrated to the United States and settled along the Eastern seaboard. [...] The East Baltimore Documentary Photography Project captured the unique mixing of many of these communities as they co-existed in the 1970s and 1980s, reflecting many ideas about the “melting pot” nature of the United States of America. It consists of more than 10,000 photographs, transcribed interviews, and audio tapes.
Linda Rich (1977 - 1980)
Hey kids! Get YOUR own personal Reed Richards toilet seat cover featuring all your favorite heroes right where you micturate!
holy moly that char looks incredible
oh my god what is the volume on that bad boy
two left feet