OUT NOW: Issue Spring '26 🎊 The latest issue of Tint Journal, the award-winning literary magazine for English as a second language (ESL) writers, is out today! Find all texts online and for free at tintjournal.com 🌐
It is such a great honour to have my poem, “London Looter’s Week February ‘24,” published in the Ghosts 👻 issue of @theargylelitmag.bsky.social!
www.theargylelitmag.com/theme-05-gho...
but I’m still here
still whispering
the million names of God
by day a woman
at night a dove
— @maudmci.bsky.social from “Dove Woman” 🕊️ @whaleroadreview.bsky.social
www.whaleroadreview.com/mcinerney/
My poem, “Theatre Review,” is included in the wonderfully weird 16th issue of Occulum Journal! I started writing this poem/golden shovel/theatre review on the bus home right after the curtainfall of King Lear — this Lear was a disaster!
occulum.net/2025/11/29/t...
#poetry #poem
excerpt from featured poem from Issue #101, "Let Them Eat Cake" by Sharon Svendsen.
Issue #101 out now! Featured Poet Sharon Svendsen; supported by Carol Tiebout, David Chorlton, Sara Vernekar, Sky Davis, Celeste Perez, @yanisiqbal.bsky.social, Jenny Isaacs, Richard Stimac, and Mikha'El Dan.
www.neologismpoetry.com/October-2025/
When those who scraped the granite hill,
Harried, confused its flowing line,
Blasted its edge, its summit till
Boulders were crystals sharp and fine—
They had gone up, breathing the rare
Ethereal vapor, quick and whiny.
from “The Vandals” by Lynn Riggs
#LynnRiggs #IndigenousPeoplesDay #poetry
No living thing, the wild doves gone
and the king of Asini, whom we’ve been trying to find for two years now,
unknown, forgotten by all, even by Homer,
only one word in the Iliad and that uncertain
- “The King of Asini,” Giorgos #Seferis www.poetryfoundation.org/poems/51356/...
Day 6 of the Tell It Slant Poetry Festival is packed with programs — in-person at the Dickinson Homestead and streaming live to participants around the globe!
Space is limited, register for free:
emilydickinsonmuseum.org/tell-it-slan...
Starting today, The Tell It Slant Poetry Festival is live from Amherst and features hybrid events at the Emily Dickinson Museum — there's still time to register for free!
Tell all the truth but tell it slant!
FREE REGISTRATION:
emilydickinsonmuseum.org/tell-it-slan...
“The burned tree” @athenamelliar.bsky.social Flyway Journal of Writing & Environment
#poetry #Evros #Greece
flywayjournal.org/poetry/athen...
and now your blood finds its way
into my ruptured veins as i wonder
what use is prayer if not carnal:
every day we are recanting
from our own loneliness
from “self portrait as saint dymphna” by @mjluvoices.bsky.social, Grist Journal #poetry
gristjournal.com/2025/04/self...
My poem, “Calliste,” is in the 117th issue of Cordite Poetry Review alongside such incredible work form writers I admire.
cordite.org.au/poetry/nothe...
The island of Santorini was previously called Calliste (meaning “the most beautiful”).
#poetry #Santorini
My poem, “Calliste,” is in the 117th issue of Cordite Poetry Review alongside such incredible work form writers I admire.
cordite.org.au/poetry/nothe...
The island of Santorini was previously called Calliste (meaning “the most beautiful”).
#poetry #Santorini
“I Google Myself” by Mel Nichols @poetryfoundation.bsky.social
#poetry
www.poetryfoundation.org/poetrymagazi...
I want something pulled out of me
like a maiden witched back up out of the well
or maybe i want
to slit and blink at the bottom of it
let the heir tumble into me
live forever there
dead and romantic
—“Death Style 8.17.20” by @joyellemcsweeney.bsky.social
www.poetryfoundation.org/poetrymagazi...
Such is a silence
of a woman who
speaks against silence, knowing
silence is what
moves us to speak. — from Deaf Republic, @ilyakaminsky.bsky.social
www.poetryfoundation.org/poetrymagazi...
#poetry
Lens split my image in segments, mirrors
abstract me from my face (I seize my scent).
I am eclipsing moons in the night sky,
the art of still life—existence through death.
— “Vortograph,” published in Dark Marrow (2018)
#poetry #moon
There is nothing here
to love This seascape fits exactly with
the geography of my mind:
whatever is close is dangerous
— “Somewhere” by Fanny Howe
www.theparisreview.org/poetry/3954/...
#FannyHowe #poetry
Released silhouettes
flow incessantly like water,
flow between mountains
swiftly like a kaleidoscope.
- “René Magritte” by Shuzo Takiguchi (1903-1979)
www.poetryfoundation.org/poetrymagazi...
#poetry
Guerrilla Girls, 'The Advantages Of Being A Woman Artist' poster, 1988 #womensart
Today my monostich (featuring mirror-writing) is published in the 27th issue of a dream journal, #Petrichor! What an honour!
petrichormag.com/pebbles-vol-...
#poetry #mirrorwriting #mirrorwritingpoetry #monostich
Today my monostich (featuring mirror-writing) is published in the 27th issue of a dream journal, #Petrichor! What an honour!
petrichormag.com/pebbles-vol-...
#poetry #mirrorwriting #mirrorwritingpoetry #monostich
“Instead of providing more services to women, the state has actually reduced access even to the services that were available. Today it is more difficult to get eldercare and childcare than it was at the end of the 1960s.” —Silvia Federici
“Café du Dôme,” Baroness Elsa von Freytag-Loringhoven #InternationalWomensDay
“Mothers Who Care Too Much” by Nancy J. Hirschmann @bostonreview.bsky.social www.bostonreview.net/forum/mother...
#InternationalWomensDay
