Call for female composers and vocalists iawm.org/annual-conce...
16.02.2025 07:01
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Call for female composers and vocalists iawm.org/annual-conce...
Morton Feldman - Violin and Orchestra, for violin and orchestra (1979)
Frankfurt Radio Symphony Orchestra
Violin - Carolin Widmann
Conductor - Emilio Pomarico the video includes the score.
www.youtube.com/watch?v=hsqV...
A statement from Daniel Barenboim on his Parkinson’s disease diagnosis.
RESSOURCES : LE NOUVEAU PORTAIL DOCUMENTAIRE SUR LA MUSIQUE CONTEMPORAINE
Notre portail regroupe des bases de données de référence sur la création musicale de 1950 à aujourd’hui. Un outil indispensable pour les mélomanes, les universitaires, les artistes, et les curieux !
👩🏽💻 ressources.ircam.fr
Off to Paris after a great concert with Klangforum, Neue Vocalsolisten and Vinbayi Kaziboni. Not to forget, Alex Paxton.
How to eat your sexuality Part 1 - Alex Paxton / ECLAT Stuttgart / Neue Vocalsolisten
Too many doubts when one reads 😂
I mean, look at this beauty. So much fun ❤️
Off to Eclat in Stuttgart with Klangforum Wien and Neue Vocalsolisten to perform « How to eat your sexuality » cycle by Alex Paxton. I absolutely love playing it.
Want some tips for composing microtones for flute, especially fast passages? helenbledsoe.com/flute-microt...
#composers
#microtonalmusic
#flute
#avantgardemusic
#musicnotation
Just received.
Indeed. I think in these recordings assembled together it’s Harrie Starreveld doing the solos. For certain I remember a recording of the Nieuw Ensemble doing the Etudes.
Agreed.
![CARCERI D'INVENZIONE (complete cycle) w/score [1981-86] | Brian Ferneyhough](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:lm2uiwtgantjtjihuexb743f/bafkreig5l4watf7ia6sp3gbhevgdz7takcygbtndlh65j7g6vk5tz3fk5u)
Not to forget the magnificent Carceri d’Invezione cycle, a masterpiece that unfortunately haven’t been played in its entirety for such a long time.
Good morning! A lil bit of Ferneyhough,...how I love his scores!
www.youtube.com/watch?v=3hAW...
Born #OTD in 1943, a major figure in the so-called New Complexity movement, Brian Ferneyhough. His 13’ orch work La Terre est un Homme caused a major stir on debut at Glasgow's 1979 Musica Nova (@rsno.bsky.social & Elgar Howarth). open.spotify.com/track/0sY1lE... #britsymphyear #classicalmusic
🎶 Call for Musicians! 🎶
Join the Ulysses Ensemble 2025, touring Milan & Paris in June! Open to young musicians in Europe.
🗓️ Deadline: Feb 11, 12 PM CEST
🎵 Flute, oboe, clarinet, sax, piano, percussion, violin, viola, cello.
Supported by #CreativeEurope #UlyssesPlatform
This, just to start with something:
Ascolta "Diario di fine stagione" for four piccolos (2016) di Giorgio Colombo Taccani su #SoundCloud
soundcloud.com/giorgio-colo...
Some pages of « Ianus » for piccolo solo by Alberto Posadas premiered last December in Festival d’Automne in Paris. This piece is part of a larger cycle that will consists of 3 more pieces, one for flute, one for alto flute and one for bass flute.
La radio! :)
We are happy to announce the release of OpenMusic version 7.5! New features include new classes, methods, shortcuts, and more. Find all the details & discussions here 👇
Spread the word ! In few days, United Instruments of Lucilin 33.7 festival !
For those who cannot get enough cello music written by historical women composers (and who can?!) here's a playlist. Works are in chronological order by year written; the cutoff is date is 1951.
open.spotify.com/playlist/1ZH...
Dinner with Salvo
Next rehearsal coming up with @klangforumwien.bsky.social. This is gonna be crazy, fun, and crazy fun. I honestly didn’t know much about Alex Paxton’s music but now I can’t wait to work on such a large format.
Check out this documentary by SWR on Luigi Nono’s “Das atmende Klarsein” and the filmed concert to celebrate his 100th anniversary.
Schoenberg archive lost in California fires! :-(
slippedisc.com/2025/01/disa...
Unfortunately my previous contract has come to an end so I’m on the hunt for 2-3 days work again (with some flexibility to work around concerts) - if anyone knows of something going I’m all ears (eyes)