IldiSolti

Following Mr Stylite's paging you led me here and I'm glad for both cocktails & rule of law

Almost finished leading a year’s worth of comedy workshops. Come see the results at Wilton’s Music Hall 9/10 May

Join in the Martext workshops online any time, every other Thursday. Jan 30th 7pm (UK): The Tempest, Act 5 - "O brave new world that has such people in it!" - does a visible audience help or hinder? Bring your own drink! DM me for Zoom link. Photo Kevin Weinman @ollycrick.bsky.social

Join in the Martext workshops online any time, every other Thursday at 7pm (UK). Jan 16th: The Tempest, Act 4 - a masque, a murder plot plus drunkards & a monster chased by dogs - does a visible audience help or hinder? Bring your own drink! DM me for Zoom link. @ollycrick.bsky.social

Please just DM me and happy to help if I can

Indeed

This also means that drama might be best approached analytically by means other than language, e.g. drawing, diagramming or virtual reality visualisations. And that was my PhD. Not sure if any parallels to your intriguing dilemmas - thank you for sharing them

I don't know if this overlaps with what you are saying but drama, at the core, is always attempting to capture what is impossible to understand, or what is counterintuitive, and beyond language and is doing it through physical action (including the physical properties of spoken language).

On Tuesday 19.11.24 I’m hosting the hybrid Metamodern Theatre Symposium at UEL. A brilliant collection of theatre makers and scholars will be joining to explore metamodern theatre & we’ll launch my book! Access (online and irl) is free - join us! FREE tickets: www.tickettailor.com/events/unive...

just to be clear, what i'm mocking here is not the cause but the people who have exploited it to build a personal brand out of (both real and perceived) grievances