Belated thanks for the kind words Ivan! Flattered that you read it
Belated thanks for the kind words Ivan! Flattered that you read it
The Solveig Güzel/Sherbert Taylor chronicles continue
Sometimes the mail brings treats
I’m in the new issue of @nplusonemag.com with a piece on a recent kind of theory-text— the ingredients of which are exhaustion, abstraction, and a stoic kind of mordancy, and whose voice is that of the reading mother:
I got a chance to talk to @sophieratcliffe.bsky.social about her recent hybrid of memoir and literary theory, and we discussed genres of academic writing, following in the paths of fictional characters, parenting, aging, and more
Is there a possible combination of Bookmatch quiz answers that would give you *both* of these recommendations? Donate and find out
Up now at @publicbooks.bsky.social: a conversation between Merve Emre and Devika Rege about the latter’s excellent debut novel, out now in the US
Thanks for this— can you add @publicbooks.bsky.social?
Ok, I started a starter pack for novel scholars and the people who love them. Long live long forms! Happy to add anyone I missed.
go.bsky.app/FcvMAmd
Marginal jotting (pen, never pencil) via a system of eccentric symbols developed over years; these synthesized into a list written on inside back cover or on endpapers (if any); then, if needed, this list is rewritten and elaborated in digital form with some phrases toward future actual sentences
Thanks, Ted!
A stack of books with the silk bookmark ribbons sticking out.
The Chapter: A Segmented History from Antiquity to the Twenty-First Century Nicholas Dames A history of the chapter from its origins in antiquity to today
Imagine your first experience reading a book divided into chapters. What confronted you was a story that unexpectedly stuttered. Discover the fascinating history of the chapter from @njdames.bsky.social.
press.princeton.edu/ideas/the-lo...
#Literature
Important (and depressing) to remember that the narrator of that song is *at most* in his late 30s and probably, like DF himself at the time, 32-33
NYC-area friends: there’s a book launch event for THE CHAPTER at the n+1 office in Greenpoint on Wednesday night, where I’ll be talking with critic/journalist/novelist Christine Smallwood about all things segmented, interrupted, paused, etc. Beer and wine (and book copies) for sale!
Today is my book’s official pub date, and while I’m not at home— or even in the US— to celebrate it, I *was* able to visit it at the storied Heffers in Cambridge. Now for the longest of deep breaths.
I had the pleasure of talking about my book *The Chapter* with @xavierbonilla.bsky.social -- a fantastic interlocutor-- for his podcast "Converging Dialogues". We touched on therapy-metaphors, why novel chapters get longer, and why we can't not segment time. www.youtube.com/watch?v=qyaC...
Vilém Flusser, Does Writing Have a Future? (2002)
Public Books has moved in, is unpacking boxes, getting used to the new place
Yup, second time as farce
I’m going on about 28 hours now, hoping tonight does the trick
Barney Miller. The bass riff that kicks off the theme changed often, yet always killed
Appreciate this, Ted, as I try to get over this “moved to a new school” feeling I’ve got here
Incisive and depressing piece on what’s been happening gradually and now suddenly to humanities research funding
The New Criticism hits the US: Harvard course catalogue, 1930-1
Would love to be added!
The Golden Notebook?