Writing dialogues for silent films - «Watch out! You’re backing up into the goldfish!» crispra.substack.com/p/writing-di...
@criprasso
Editorial director at astoria edizioni. ░ Book reader by day, (silent) film buff (and knitter) by night. ░ «It isn't mink! It's kolinsky!» ░ Lermontov: Interesting quotes and book excerpts about (mostly silent) movies https://crispra.substack.com/
Writing dialogues for silent films - «Watch out! You’re backing up into the goldfish!» crispra.substack.com/p/writing-di...
The «kilometric» film - The longer the better? crispra.substack.com/p/the-kilome...
But Miss Lasky is a woman, and so I asked, «Why?» -
One of the most remarkable woman in America crispra.substack.com/p/but-miss-l...
«Have you ever been in a movie, Buster?» - Destiny in a bag of flour crispra.substack.com/p/have-you-e...
A studio in Queens - When Astoria, Queens, was better than Hollywood: crispra.substack.com/p/a-studio-i...
«Exhibs Lukewarm About Color» - Color (in 1930) did not attract more money to the box-office: crispra.substack.com/p/exhibs-luk...
«Was Joan of Arc Noah’s wife?» - Edward Lambert, the man who answers Hollywood’s strangest questions: crispra.substack.com/p/was-joan-o...
Including yourself.
Romance in a Film Factory - Within the white line: crispra.substack.com/p/romance-in...
«He did it a thousand times, like a kid» - Douglas Fairbanks and the making of «Robin Hood» (1922): crispra.substack.com/p/he-did-it-...
The genius of Billy Bitzer - Changing cinema with a can of glue
crispra.substack.com/p/the-genius...
Shooting Napoléon or: How do you end up with a 290-hour film? crispra.substack.com/p/shooting-n...
The invention of the «Cheenimartograrph» -
A pioneer, a pastor and a white lie crispra.substack.com/p/the-invent...
(Literally) killed by a joke… there’s an insurance for that! crispra.substack.com/p/literally-...
On the margin of so many things - George Cukor’s lessons in style crispra.substack.com/p/on-the-mar...
The ballyhoo phonograph - Music and early cinema
crispra.substack.com/p/the-ballyh...
«Doesn't Dickens write that way?» - D.W. Griffith, the Biograph Company and an unusual picture: crispra.substack.com/p/doesnt-dic...
«That’s he – that’s Valentino.» - The new Czar of Hollywood: crispra.substack.com/p/thats-he-t...
«The script is inane, vacuous, pompous, unreal, unbelievable – and dull» - Joe Swerling, the man who knew how to take a story and tell it crispra.substack.com/p/the-script...
Freedom of censorship - What was «obscene, indecent, inhuman, sacrilegious, likely to incite to crime» in 1915? crispra.substack.com/p/freedom-of...
«Garbo was man, woman and child.» - Sunday brunch at John Gilbert’s crispra.substack.com/p/garbo-was-...
«The first man on either side of the water to be hired for no other purpose than to write pictures.» - The birth of screenwriting: crispra.substack.com/p/the-first-...
A stick in front of the screen - Asta Nielsen, Danish Actress in America
crispra.substack.com/p/a-stick-in...
A great way to have fun and get paid for it
Roscoe «Fatty» Arbuckle and Mabel Normand's knack for talent - crispra.substack.com/p/a-great-wa...
Fritz Lang during the shooting of Metropolis, 1926. (Collection de la Cinemathèque française).
All the screens in the universe are awaiting you -
Abel Gance's battle cry and the first day of filming «Napoléon»: crispra.substack.com/p/all-the-sc...
A sick actress, a boa-constrictor and a dress that wouldn’t fit -
Just another day in the production office (1914): crispra.substack.com/p/a-sick-act...
A very proper, soft-spoken young woman - Anne Bauchens, the DeMille brothers and the art of cutting pictures: crispra.substack.com/p/a-very-pro...
I knew Fitzgerald very well in person - David O. Selznick, Francis Scott Fitzgerald, a biography and «Gone With the Wind» crispra.substack.com/p/i-knew-fit...
The Literary Secret Service: How to find a good story: crispra.substack.com/p/the-litera...