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Two women (described by the museum as laundresses) stand in a shallow doorway and lean into conversation. An older woman at left has light skin, a wrinkled face, and a white headscarf tied under her chin as her arms fold across her chest and her expression reads as doubtful, guarded, and thoroughly unconvinced. Another older woman at right, also light-skinned and shown mostly from the back and profile, bends forward insistently with one hand raised as if emphasizing a point. Both wear long blue skirts and aprons, with red accents in the speaker’s shawl/sash. A broom, bucket, and cloth at the threshold reinforce the domestic scene. Danish artist Carl Bloch uses a rounded panel top, dark interior shadow, and bright sunlit wall to frame their gestures so the drama is carried by posture, hands, and faces rather than action.

What makes the painting memorable is how much social observation Bloch compresses into a small format. The Nivaagaard Collection text notes his interest in Copenhagen’s working-class subjects and in humorous, everyday scenes. That emphasis shows here because this is not an idealized allegory of womanhood but a charged moment of ordinary speech, skepticism, insistence, and relationship. The museum also points to Bloch’s caricature-like expressiveness and to Dutch Golden Age genre painting as a touchstone. Both feel visible in the animated body language and the almost theatrical timing of the exchange.

Painted in 1874, the work also sits within Bloch’s mature career after his Italian years, when he was already an established Danish artist capable of moving between grand commissions and intimate genre scenes. Even while he was known for ambitious historical and religious paintings, Bloch continued to give close attention to working women as subjects worthy of wit, presence, and psychological nuance.

Two women (described by the museum as laundresses) stand in a shallow doorway and lean into conversation. An older woman at left has light skin, a wrinkled face, and a white headscarf tied under her chin as her arms fold across her chest and her expression reads as doubtful, guarded, and thoroughly unconvinced. Another older woman at right, also light-skinned and shown mostly from the back and profile, bends forward insistently with one hand raised as if emphasizing a point. Both wear long blue skirts and aprons, with red accents in the speaker’s shawl/sash. A broom, bucket, and cloth at the threshold reinforce the domestic scene. Danish artist Carl Bloch uses a rounded panel top, dark interior shadow, and bright sunlit wall to frame their gestures so the drama is carried by posture, hands, and faces rather than action. What makes the painting memorable is how much social observation Bloch compresses into a small format. The Nivaagaard Collection text notes his interest in Copenhagen’s working-class subjects and in humorous, everyday scenes. That emphasis shows here because this is not an idealized allegory of womanhood but a charged moment of ordinary speech, skepticism, insistence, and relationship. The museum also points to Bloch’s caricature-like expressiveness and to Dutch Golden Age genre painting as a touchstone. Both feel visible in the animated body language and the almost theatrical timing of the exchange. Painted in 1874, the work also sits within Bloch’s mature career after his Italian years, when he was already an established Danish artist capable of moving between grand commissions and intimate genre scenes. Even while he was known for ambitious historical and religious paintings, Bloch continued to give close attention to working women as subjects worthy of wit, presence, and psychological nuance.

“To koner, der taler sammen” (Two Women Talking) by Carl Bloch (Danish) - Oil on panel / 1874 - The Nivaagaard Collection (Nivå, Denmark) #WomenInArt #CarlBloch #Bloch #NivaagaardCollection #DanishArtist #DanishArt #art #arte #artText #BlueskyArt #ArtOfTheDay #1870s #WomenAtWork #PortraitOfWomen

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Good morning,

The beauty of ballet is seen no matter where you are. The presence of a powerful ballerina will light up the most darkened areas.

Ballerina Jill, Royal Ballet School

#london #streetphotography #tutu #ballet #ballerina #canon #dance #canon #bloch #camera #royalballet

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L'Assemblée nationale va respecter une minute de silence pour Quentin Deranque Les députés respecteront une minute de silence ce mardi après-midi pour rendre hommage au jeune militant nationaliste mort vendredi à Lyon en marge d'une conférence de la députée LFI Rima Hassan. La d...

C'est une blague ?!!!!
L'assemblée du peuple français rend hommage aux faf maintenant ?!?! Mais on est où là ?!!!!

Et c'est avant ou après la penthéonisation de #Bloch ?!!!

www.bfmtv.com/politique/pa...

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Photo : Centre Marc Bloch

Photo : Centre Marc Bloch

#AAC Colloque Marc #Bloch : Histoires croisées et engagement #francoallemand

Prolongation de la date de soumission jusqu'au 20 janvier !

Lieu : Centre Marc Bloch

Date : 28 mai 2026

cmb.hu-berlin.de/fr/...

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Panthéonisation de Marc #Bloch : dans une lettre au président de la République, la famille de l’historien exécuté par la Gestapo en juin 1944 a demandé que « l’extrême droite, dans toutes ses formes, soit exclue de toute participation à la cérémonie ».
Grand respect à l’homme et à sa famille 🙏

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Marc Bloch, héros oublié, entre enfin au Panthéon : un hommage sous tension politique Marc Bloch entre au Panthéon le 23 juin 2026, dans un contexte politique tendu marqué par la montée des extrêmes et la guerre des droites en France.

🏛️ "Marc Bloch, héros oublié, entre enfin au Panthéon : un hommage sous tension politique"

— Bloch

#Gouvernement #GuerreDesDroitesEnFrance #Bloch #Macron #Politique2026

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L’ancienne patronne de France Inter obligée de faire un cours « d’humour politique » aux députés L’ancienne patronne de France Inter s’exprimait dans le cadre de la commission d’enquête parlementaire sur le financement et la neutralité de l’audiovisuel public.

Une ironie désespérante quand on sait que Laurent #Bloch, Sybile #Veil et @adelevanreeth.bsky.social ont déjà plié devant le conservatisme et les lobbies de droite dure pour étouffer l'humour sur la chaîne depuis des années et des années.
@radiofrance.fr
www.huffingtonpost.fr/politique/ar...

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Today is pub day! My book, Reading Better States, is officially out from @fordhampress.bsky.social!

fordhampress.com/reading-bett...

Use code RBS25 for 25% off and free shipping!

#postcolonialstates #concreteutopias #utopianmethod #Bloch #environmentalharm #environmentalfuturity #climatechange

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Couverture Bretons de Plozevet

Couverture Bretons de Plozevet

Couv : Histoire de la France

Couv : Histoire de la France

Couv. Histoire de la Famille

Couv. Histoire de la Famille

Couv. Marc Bloch aujourd'hui

Couv. Marc Bloch aujourd'hui

Retenons aussi ses 'Bretons de Plozévet' (1975), ses grands ouvrages collectifs sur la famille, la France, les paysans ou le mariage. Et puisqu'on honore Marc #Bloch cette année, son important recueil sur l'histoire comparée et les sciences sociales en l'honneur de l'historien. 3/4

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Stanisław Ignacy Witkiewicz (Witkacy) „Portret Leona Reynela”...

#Niezasztuka #MuzeumNarodowewWarszawie #Bloch

Read more on Niezła sztuka: postreads.co/feed-item/44931/click

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#HUBERT OF #LIÈGE
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Bridgy Fed Bridgy Fed is a bridge between decentralized social networks like the fediverse, Bluesky, and web sites and blogs.

fed.brid.gy/bsky/globalv...

#LISTE #DER #BIOGRAFIEN #WIC
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#OBERES #SCHLOSS #SIEGEN
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#ALICE #BLOCH #KÜNSTLERIN
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Australian road national criteriums 2026: Roseman-Gannon strikes from the break as Plowright and Dohler claim sprint glory The criteriums at Australia’s Road National Championships rarely unfold quietly, and the fast Northbridge circuit in Perth delivered three races defined by timing, positioning and patience. Across elite women, under-23 men and elite men, the championships jerseys were decided not just by raw speed, but by who understood when to commit. In the elite women’s […] The post Australian road national criteriums 2026: Roseman-Gannon strikes from the break as Plowright and Dohler claim sprint glory appeared first on ProCyclingUK.
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»Von früh auf will man zu sich. Aber wir wissen nicht, wer wir sind. Nur daß keiner ist, was er sein möchte oder könnte, scheint klar. Von daher der gemeinde Neid, nämlich auf diejenigen, die zu haben, ja zu sein scheinen, was einem zukommt. Von daher auch die Lust, Neues zu beginnen …« 2/2 #Bloch

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The Not-Yet Across the Water: A Revolutionary Activist’s accounts with Ernst Bloch and the Division of Bridges in the Twin Ports By Lucas Alan Dietsche PhD Student Cohort’23 IDSVA Duckling, duckling,here are Gretel and Hansel.No bridge, not even a track,take us over on your white back.—Hansel and GretelFrom Ernst Bloch…

Great article on #Twinports #SuperiorWI #Duluth #socialism #activism #ErnstBloch #Bloch #philosophy

xennialpoetrynotes.wordpress.com/2025/10/14/t...

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