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A young woman works at pasteup (newspaper mechanical production) in 1977. She is leaning toward us over a light table, so that all we se is her short blondeish hair, parted in the middle, a cream colored sweater, and her hands. She is looking down at her hands, resting on the table, where she is trying to start a piece of graphic tape. Beneath the tape is a sheet of layout paper, onto which are pasted some galleys of type. There are scissors and other implements scattered about the light table.

A young woman works at pasteup (newspaper mechanical production) in 1977. She is leaning toward us over a light table, so that all we se is her short blondeish hair, parted in the middle, a cream colored sweater, and her hands. She is looking down at her hands, resting on the table, where she is trying to start a piece of graphic tape. Beneath the tape is a sheet of layout paper, onto which are pasted some galleys of type. There are scissors and other implements scattered about the light table.

Of all the things from my past, the technology that I just cannot believe has completely disappeared is #ColdType pre-press technology – phototypesetting, pasteup, working on light tables to produce mechanicals for anything that had to be printed. These […]

[Original post on mastodon.sdf.org]

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Video

#coldtype, dl4 loop

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been looking at a bunch of Agnes Martin. I think it’s going to get me back into #coldtype

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risograph #coldtype

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Some more gradients with the #coldtype source

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A horizontal green gradient, increasing in intensity from left to right. A vertical red gradient, increasing in intensity from top to bottom.

A horizontal green gradient, increasing in intensity from left to right. A vertical red gradient, increasing in intensity from top to bottom.

A similar arrangement of gradients but these are yellow and green.

A similar arrangement of gradients but these are yellow and green.

Three gradients: yellow, green, and blue.

Three gradients: yellow, green, and blue.

Three gradients: blue, red, yellow

Three gradients: blue, red, yellow

Trying to emulate risograph printing in #coldtype. Here are some gradients in a Paul Feeley vibe

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me when I’m goofing around in #coldtype

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lofi atonal phasing to relax/study to #coldtype #generativemusic

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The cover of Paul Tillich’s “Theology of Culture”. The bottom portion of the cover consists of 6 interleaved rows (in black) and 6 columns (in brown) resembling a woven basket. At top, serif text reads “Theology of Culture” and “Paul Tillich”. The paper cover scanned here has yellowed with age, with some creasing visible.

The cover of Paul Tillich’s “Theology of Culture”. The bottom portion of the cover consists of 6 interleaved rows (in black) and 6 columns (in brown) resembling a woven basket. At top, serif text reads “Theology of Culture” and “Paul Tillich”. The paper cover scanned here has yellowed with age, with some creasing visible.

My recreation of the plaited strips on the book cover. My palette is more saturated than the scan.

My recreation of the plaited strips on the book cover. My palette is more saturated than the scan.

A variation on the plait, with 24 rows and 24 columns in the same area. The weave is thinner, denser. More burlap than basket.

A variation on the plait, with 24 rows and 24 columns in the same area. The weave is thinner, denser. More burlap than basket.

@animation()
def scratch(f:Frame):

  nrow = 6
  ncol = 6

  comp = P()
  comp += P().rect(f.a.r).f(pm[0])

  plait_r = f.a.r.inset(75)

  row_width = (plait_r.h / (2*nrow+1))
  col_width = (plait_r.w / (2*ncol+1))
  one_row = P().rect(plait_r.take(row_width,"mdy"))
  one_col = P().rect(plait_r.take(col_width,"mdx"))
  
  rows = (
    one_row
    .layer(nrow)
    .stack(1*row_width)
    .align(f.a.r)
    .f(pm[1])
  )

  cols = (
    one_col
    .layer(ncol)
    .spread(1*col_width)
    .align(f.a.r)
    .f(pm[2])
  )

  comp += P(rows[0::2]).difference(P(cols[1::2]))
  comp += P(rows[1::2]).difference(P(cols[0::2]))

  comp += P(cols[0::2]).difference(P(rows[0::2]))
  comp += P(cols[1::2]).difference(P(rows[1::2]))

  return comp

@animation() def scratch(f:Frame): nrow = 6 ncol = 6 comp = P() comp += P().rect(f.a.r).f(pm[0]) plait_r = f.a.r.inset(75) row_width = (plait_r.h / (2*nrow+1)) col_width = (plait_r.w / (2*ncol+1)) one_row = P().rect(plait_r.take(row_width,"mdy")) one_col = P().rect(plait_r.take(col_width,"mdx")) rows = ( one_row .layer(nrow) .stack(1*row_width) .align(f.a.r) .f(pm[1]) ) cols = ( one_col .layer(ncol) .spread(1*col_width) .align(f.a.r) .f(pm[2]) ) comp += P(rows[0::2]).difference(P(cols[1::2])) comp += P(rows[1::2]).difference(P(cols[0::2])) comp += P(cols[0::2]).difference(P(rows[0::2])) comp += P(cols[1::2]).difference(P(rows[1::2])) return comp

I have mixed feelings about Tillich but replicating the overlapping bars on this cover was a fun #coldtype exercise

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#coldtype github.com/coldtype/col...

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Video

#coldtype

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we can bring birth a new world from the ashes of the old #coldtype

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Solidarity forever #coldtype

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#coldtype

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dithering the RGB channels independently and summing those #coldtype

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Error diffusion doesn’t animate cleanly, as far as I can tell. Quantization propagates down and to the right so anything that moves will push around nearby pixels in a fixed background too. There’s probably an interesting way to exploit that as an aesthetic—animate only a top left border?

#coldtype

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Ordered dithering in #coldtype

See surma.dev/things/dithe... for a good explanation of dithering

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This one was a little experiment in generating MIDI files from within the #coldtype script (I’m thinking about “immanence”). I’m using the binary representation of integers as step sequencers. The two dicts in the screenshot are equivalent.

code for the animation:
gist.github.com/johnmatter/0...

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Video

you know I had to do it to em #coldtype

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The album cover of “Talking Union and other Union Songs” by Pete Seeger and the Almanac Singers

The album cover of “Talking Union and other Union Songs” by Pete Seeger and the Almanac Singers

The same album cover, rendered in pink, black, and white instead of red, white, and blue.

The same album cover, rendered in pink, black, and white instead of red, white, and blue.

The same album cover, rendered in pink, black, and white instead of red, white, and blue.

The same album cover, rendered in pink, black, and white instead of red, white, and blue.

The same album cover, rendered in yellow, black, and white instead of red, white, and blue.

The same album cover, rendered in yellow, black, and white instead of red, white, and blue.

In our hands is placed a power greater than their hoarded gold,
Greater than the might of atoms magnified a thousand-fold.
We can bring to birth a new world from the ashes of the old
For the union makes us strong.

#coldtype

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text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

text reading “jojjajjjr” which is almost my username

Turns out I can’t spell my own username either #coldtype

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even more #coldtype

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A bunch of the number four arranged in two overlaid grids. Some locations in the grids are not occupied by the number four.

A bunch of the number four arranged in two overlaid grids. Some locations in the grids are not occupied by the number four.

Post image Post image Post image

#coldtype

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Video

Wrote a class for easily generating and manipulating palettes in #coldtype

github.com/johnmatter/c...

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a bunch of punctuation strewn around the screen with a lively but gentle palette of red, green, blue, and yellow

a bunch of punctuation strewn around the screen with a lively but gentle palette of red, green, blue, and yellow

a bunch of punctuation strewn around the screen with a palette of red, blue, and white

a bunch of punctuation strewn around the screen with a palette of red, blue, and white

a bunch of punctuation strewn around the screen with a palette of pink, green, lavender, and yellow

a bunch of punctuation strewn around the screen with a palette of pink, green, lavender, and yellow

a bunch of punctuation strewn around the screen with a palette of red, green, blue, and yellow

a bunch of punctuation strewn around the screen with a palette of red, green, blue, and yellow

working on a pypalette tool for #coldtype. Here’s the proof of concept, not yet wrapped up in a portable class

gist.github.com/johnmatter/2...

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working on making Lacan’s inscrutable graphs dance in #coldtype

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squashing some Marx in #coldtype with a #pymunk physics simulation. The weight of the skulls compresses a platform held up by springs.

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The cover of the 1950s Bibliothek Suhrkamp edition of Bertolt Brecht’s “Manual of Piety”. I’ve stacked the title “Hauspostille” several times, passing underneath a thick band that runs the width of the image. The original cover is black ink on white. This version is blue text and a green band over a soft pink.

The cover of the 1950s Bibliothek Suhrkamp edition of Bertolt Brecht’s “Manual of Piety”. I’ve stacked the title “Hauspostille” several times, passing underneath a thick band that runs the width of the image. The original cover is black ink on white. This version is blue text and a green band over a soft pink.

A scan of the original cover of this edition of Hauspostille

A scan of the original cover of this edition of Hauspostille

riffing on Suhrkamp Verlag covers in #coldtype

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a #coldtype recreation of the cover of one of my favorite physics textbooks, Landau and Lifshitz’s short book on classical mechanics. It’s only 170 pages but there’s a lot to learn in there.

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Video

Stolperbeats and noon percussion

basic idea behind the code for the #coldtype visuals is in the alt text

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