A child wearing almost exclusively light pink clothes is standing in the center of the Container Camera, about to photograph one of the projections in front of her on a plywood wall. Behind her, a screen is hanging from the ceiling showing an upside-down projection of the hexagonal facade of Kaohsiung Music Center.
Two people are seen from behind, against a plywood wall covered in an upside-down projection of the scenery outside of the Container Camera. The person on the right is reaching out to interact with the camera lens.
Interior view of the Container Camera, showing the plywood wall and built-in bench, where a lens plywood box penetrates in the center of the wall, upon which two projections of the surroundings overlap. On the back wall and fabric entrance, a third projection is visible, where a person can be seen against the massive hexagon facade of the Kaohsiung Music Center. On the short edge of the plywood wall, a fourth projection is visible, as a thin sliver of space, where one of the other container artworks releasing water mist creates a ghostly imprint.
Interior view of the tall white fabric screen, upon which two projections are visible, the view along the pier where at the end SenseSite Studio’s container art project is standing with two highrises behind it. In the sky above it, the hexagonal facade of the Kaohsiung Music Center appears ghostlike. The projection which is upside-down, have been flipped rightside up, so at the edges of the screen the container appear upside down.
...all of our experiences with cities, affects the way we perceive the city around us, we are amalgomarations of all our experiences, conscious and unconscious. #ContainerCamera brings out the blur of Kaohsiung and the harbour scape...
