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Fondation Dubuffet - Conférences - Journée d'étude - Jean Dubuffet & Niki de Saint Phalle Le monumental à l'épreuve du temps Fondation Dubuffet - Conférences - Journée d'étude - Jean Dubuffet & Niki de Saint Phalle Le monumental à l'épreuve du temps

Journée d'étude: "Jean Dubuffet & Niki de Saint Phalle : Le monumental à l'épreuve du temps", 11 février, Paris, ADAGP. Plus d’informations sur www.fondationdubuffet.com/actualites/e...

#art #arthistory #dubuffet #nikidesaintphalle #artcontemporain #contemporaryart

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Art brut – Wikipedia

de.wikipedia.org/wiki/Art_brut
Die Bezeichnung ging vom franz Maler Jean #Dubuffet aus, der sich eingehend mit 1 naiven & antiakademischen Ästhetik beschäftigte.
#Artbrut bedeutet eine Kunst quasi in ihrem Rohzustand – jenseits etablierter Formen und Strömungen
angloamerikanischen Outsider Art

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#artbrut #Dubuffet #Lausanne #DonQuichotte #Marseille

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Desnudus (1945)
Huile sur Toile de Dubuffet exposée au Doyenné de Brioude jusqu'à fin octobre

Desnudus (1945) Huile sur Toile de Dubuffet exposée au Doyenné de Brioude jusqu'à fin octobre

J'aime l'Art !
#Dubuffet

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Was ist Art Brut?
Ein Blick auf die rohe und unverfälschte Kunst
Jean #Dubuffet:
Der Vater des Art Brut
Für Dubuffet war Art Brut die

reinste Form der Kreativität,

frei von den Einflüssen der kulturellen Normen,

die er als einengend empfand.

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Jean Dubuffet 🇫🇷👨🏻‍🎨
fallece #12Mayo 1985🙏🏼 Creador del concepto Art Brut, fuera de convenciones estéticas o intelectuales
Es la espontaneidad pueril en la obra 🖼
#FelizLunes
#JeanDubuffet #Dubuffet
#ArtBrut #Arte #Pintura
#OtrebordmXCultura

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Jean Dubuffet , Hilarious Figure (Portrait of Francis Ponge), 1947, Stedelijk Modern Art Museum, Amsterdam
#art #artwork #JeanDubuffet #Dubuffet
#Portrait #Stedelijk #ModernArt #Museum #Amsterdam #artdaily

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Jean Dubuffet, Réchaud-four à gaz (Gas stove-oven), 1966, Marker, graphite on paper, Centre Pompidou

#JeanDubuffet #CentrePompidou #dubuffet #pompidou #modernart #art #artaddict #artdaily

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A color photo of a frame in a portrait orientation mounted on a wall with eight unique square ceramic tiles that together form a cohesive but abstract image. The image seems to be humanoid in shape over a black background.

Jean Dubuffet’s ceramic piece, Le Porteur d’Horloge, April 1965.

A color photo of a frame in a portrait orientation mounted on a wall with eight unique square ceramic tiles that together form a cohesive but abstract image. The image seems to be humanoid in shape over a black background. Jean Dubuffet’s ceramic piece, Le Porteur d’Horloge, April 1965.

A color photo of a portrait oriented frame with 15 ceramic tiles, arranged, three across and five high. Each of the tiles is square and unique, but form a comprehensive image together the image is abstract, but the viewer can see five faces in the composition.

Jean Dubuffet’s ceramic piece, Composition avec Cinc Personages, April 1965.

A color photo of a portrait oriented frame with 15 ceramic tiles, arranged, three across and five high. Each of the tiles is square and unique, but form a comprehensive image together the image is abstract, but the viewer can see five faces in the composition. Jean Dubuffet’s ceramic piece, Composition avec Cinc Personages, April 1965.

Detail of Jean Dubuffet’s ceramic piece, showing the multitude of textures and variations in color even within any single cell.

Detail of Jean Dubuffet’s ceramic piece, showing the multitude of textures and variations in color even within any single cell.

A color photo of an installation view of a white sculpture with black lines, depicting a table with a bottle and some other items on it. The sculpture is on a raised platform painted dark blue with a feature wall behind the sculpture in the same dark blue. 

Jean Dubuffet’s sculpture Table a la Bouteille, September 1970.

A color photo of an installation view of a white sculpture with black lines, depicting a table with a bottle and some other items on it. The sculpture is on a raised platform painted dark blue with a feature wall behind the sculpture in the same dark blue. Jean Dubuffet’s sculpture Table a la Bouteille, September 1970.

The @pacegallery.bsky.social exhibition also features some interesting ceramic works, and smaller sculptures. Overall, quite an interesting exhibition that is worth visiting. #art #Dubuffet

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A color photo of a large,flat sculpture on a elevated platform. The white sculpture shows a terrain surface with different organically shaped levels outlined in black paint. There are a few vertical elements in the sculpture, including one that looks like a tree. 

Jean Dubuffet’s maquette for Jardin d'email, 1968. This Met was executed as a full-size sculpture in the Netherlands that people can walk on and interact with.

A color photo of a large,flat sculpture on a elevated platform. The white sculpture shows a terrain surface with different organically shaped levels outlined in black paint. There are a few vertical elements in the sculpture, including one that looks like a tree. Jean Dubuffet’s maquette for Jardin d'email, 1968. This Met was executed as a full-size sculpture in the Netherlands that people can walk on and interact with.

Two monumental sized sculptures with humanoid shapes, one standing and one seeming to be bent over or falling forward. The sculptures are somewhat abstract with black outlines and biomorphic shapes in red and blue on them.

Jean Dubuffet’s L’incivil and Le Facetieux sculptures.

Two monumental sized sculptures with humanoid shapes, one standing and one seeming to be bent over or falling forward. The sculptures are somewhat abstract with black outlines and biomorphic shapes in red and blue on them. Jean Dubuffet’s L’incivil and Le Facetieux sculptures.

A color photo of an installation of an art exhibition, showing six paintings on a back wall two cloud like sculptures hanging from the ceiling, a column like sculpture to the rear, right, and a biomorphic shaped bench sculpture in the foreground with people sitting on it. 

Jean Dubuffet’s Banc-Salon, 1970-2024.

A color photo of an installation of an art exhibition, showing six paintings on a back wall two cloud like sculptures hanging from the ceiling, a column like sculpture to the rear, right, and a biomorphic shaped bench sculpture in the foreground with people sitting on it. Jean Dubuffet’s Banc-Salon, 1970-2024.

A color photo of an installation view of an art gallery with various sculptures and paintings

A color photo of an installation view of an art gallery with various sculptures and paintings

@pacegallery.bsky.social’s exhibition, also featured several sculptures and installation pieces #art #dubuffet

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A color photo of an black-framed abstract painting of black lines, defining biomorphic shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a portrait orientation.

Jean Dubuffet’s painting Dimanche Urbain, February 1967.

A color photo of an black-framed abstract painting of black lines, defining biomorphic shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a portrait orientation. Jean Dubuffet’s painting Dimanche Urbain, February 1967.

A color photo of an abstract painting in a black frame. The painting has black lines defining shapes filled with red, yellow and blue solid colors, as well as stripes against a white wall. The painting has a landscape orientation.

Jean Dubuffet’s painting Site aux Paysannes, March 1966.

A color photo of an abstract painting in a black frame. The painting has black lines defining shapes filled with red, yellow and blue solid colors, as well as stripes against a white wall. The painting has a landscape orientation. Jean Dubuffet’s painting Site aux Paysannes, March 1966.

A color photo of an black-framed abstract painting of black lines, defining shapes filled with yellow, red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation.

Jean Dubuffet’s painting Offres Gallant, January 1967

A color photo of an black-framed abstract painting of black lines, defining shapes filled with yellow, red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation. Jean Dubuffet’s painting Offres Gallant, January 1967

A color photo of a very large, long rectangular abstract painting of black lines, defining shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation.

Jean Dubuffet’s painting Nunc Sans, 1965. This was one of Dubuffet’s largest paintings.

A color photo of a very large, long rectangular abstract painting of black lines, defining shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation. Jean Dubuffet’s painting Nunc Sans, 1965. This was one of Dubuffet’s largest paintings.

With the Hourloupe cycle, Dubuffet wanted to reinvent the everyday in an alternate world. He posited the parallel universe of the Hourloupe, defined by a visual language of absent-minded doodles and meandering lines that create interlocking puzzle shapes of negative space. #art #dubuffet

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A color picture of the entrance signage at Pace Gallery’s Jean Dubuffet exhibition in Chelsea, New York City, showing the word “Dubuffet” in red neon partially super imposed over the same, larger text in white painted on a blue wall

A color picture of the entrance signage at Pace Gallery’s Jean Dubuffet exhibition in Chelsea, New York City, showing the word “Dubuffet” in red neon partially super imposed over the same, larger text in white painted on a blue wall

A color photo of the installation view of Pace Gallery’s John Dubuffet exhibition in Chelsea. The photo shows a large white room with a smooth concrete floor, and striped white lighting on the ceiling, and a rear wall painted in dark blue. On the left wall, there is a painting, then three sculptures, a large painting on the back wall, three paintings on the right wall and a large sculpture in the foreground. In the middle of the room is a sculpture that serves as a bench, with some sculptures of clouds above.

A color photo of the installation view of Pace Gallery’s John Dubuffet exhibition in Chelsea. The photo shows a large white room with a smooth concrete floor, and striped white lighting on the ceiling, and a rear wall painted in dark blue. On the left wall, there is a painting, then three sculptures, a large painting on the back wall, three paintings on the right wall and a large sculpture in the foreground. In the middle of the room is a sculpture that serves as a bench, with some sculptures of clouds above.

Dropped into @PaceGallery.bsky.social in Chelsea the other day and saw their exhibition of works from Jean Dubuffet’s Hourloupe cycle. The exhibit is on view till April 26. #art #NYC #Dubuffet

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@pacegallery.bsky.social #dubuffet Beautiful Dubuffet show at Pace NYC

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Jean Dubuffet, Barbe des colères, 1959

Jean Dubuffet, Barbe des colères, 1959

Jean Dubuffet, Barbe des colères, 1959

#JeanDubuffet #dubuffet #portrait #painting #arthistory #artaddict #art

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snoopy

#chicago🩶 #photography

#dubuffet #sculpture #monumentwithstandingbeast

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The Nîmes quai ala Jean DuBuffet.

#blackandwhitephotography.
#bwphotography
#bnwphotography #photography #blancoynegro #fineartphotography
#streetphotography #streetphotographyfrance #dubuffet #jeandubuffet

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"Le Jardin d'hiver" by Jean Dubuffet, 1969, is essentially a white box with undulating walls, with thick black lines outlining these irregular shapes. The artist conceived the term "Art Brut" in the 1940s..

#Art #Artwork #Installation #ArtBrut #Dubuffet #French #CentrePompidou #Paris

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“Jardin d’émail” (Enamel Garden). Jean Dubuffet (French; 1901–1985). Concrete, glass fiber reinforced epoxy resin, polyurethane paint, 1974. Kröller-Müller Museum, Otterlo, The Netherlands.

#krollermullermuseum #dubuffet #beeldentuin #JeanDubuffet #KröllerMüllerMuseum

@krollermullermuseum

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#Dubuffet wants you to play.

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