A color photo of an black-framed abstract painting of black lines, defining biomorphic shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a portrait orientation.
Jean Dubuffet’s painting Dimanche Urbain, February 1967.
A color photo of an abstract painting in a black frame. The painting has black lines defining shapes filled with red, yellow and blue solid colors, as well as stripes against a white wall. The painting has a landscape orientation.
Jean Dubuffet’s painting Site aux Paysannes, March 1966.
A color photo of an black-framed abstract painting of black lines, defining shapes filled with yellow, red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation.
Jean Dubuffet’s painting Offres Gallant, January 1967
A color photo of a very large, long rectangular abstract painting of black lines, defining shapes filled with red and blue solid colors, as well as stripes against a blue painted wall. The painting has a landscape orientation.
Jean Dubuffet’s painting Nunc Sans, 1965. This was one of Dubuffet’s largest paintings.
With the Hourloupe cycle, Dubuffet wanted to reinvent the everyday in an alternate world. He posited the parallel universe of the Hourloupe, defined by a visual language of absent-minded doodles and meandering lines that create interlocking puzzle shapes of negative space. #art #dubuffet
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