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Posts tagged #MIHRI

Elif Soyseven
Elif Soyseven
@elifsoyseven.bsky.social
5 days ago
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Elif Soyseven | Türk resminin kayıp ressamı: Mihri Rasim mi? Mihri Müşfik mi? Kim Mihri? Mihri'nin öğrencileri Fahrelnissa Zeid, Aliye Berger, Güzin Duran, Nazlı Ecevit ve niceleri, Türk Sanat Tarihi’nin yapı taşları oldular. Sanat tarihçisi Linda N

yeni yazım t24.com.tr/yazarlar/eli...
#mihrirasim #mihrimusfik
#mihrihanim #turkishpainters
#mihri #issanat #rhm

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GLOBAL Visibility aéPiot - by aePiot.ro
GLOBAL Visibility aéPiot - by aePiot.ro
@globalvisibility.bsky.social
2 months ago
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Bridgy Fed Bridgy Fed is a bridge between decentralized social networks like the fediverse, Bluesky, and web sites and blogs.

fed.brid.gy/bsky/globalv...

#ABDULMEZID II A
multi-search-tag-explorer.aepiot.ro/advanced-sea...
#MIHRI #MÜŞFIK #HANIM
aepiot.com/advanced-sea...
#HALE #ASAF
multi-search-tag-explorer.aepiot.ro/advanced-sea...
aepiot.ro

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@tipkcekmece.bsky.social
4 months ago

@tip.istanbul
#kimmihri
#kadınhareketi
#sanat
#tarih
#resim
#belgesel
#röportaj
#resim
#pastelportrait
#mihri

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Levent Mollamustafaoglu
Levent Mollamustafaoglu
@leventmolla.bsky.social
1 year ago
Preview
Little-known Ottoman woman poet Mihri Book Review

A scholarly account of an unusual woman Ottoman poet of 15th century…

#mihri #ottomanpoetry #beloved #classicalforms

open.substack.com/pub/leventsk...

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Michael
Michael
@mdstamper.bsky.social
1 year ago
Born in 1885, Mihri Hanım, also referred to as Mihri Rasim and Mihri Müşfik (her husband’s surname), was one of the first women artists of the late Ottoman Empire. Born into a privileged upper-class Abkhazian family, she began painting at a young age under the tutelage the Ottoman court painter Fausto Zonaro. Traveling to Rome and then Paris in the early 1900s, Mihri attended several painting studios and earned her living as a portrait painter. When she returned to Istanbul in 1914, she instigated the establishment of the first school of art accepting women in the Ottoman Empire, Women’s Fine Arts Academy. At the age of 29, Mihri became the first female director of the academy and one of the painting tutors. Against all bureaucratic constraints, she encouraged her students, including Nazlı Ecevit, Müzdan Arel, Fahrelnissa Zeid, and Güzin Duran to experiment en plein air and to paint from live models. In 1920s, Mihri relocated to Italy and then in 1927 she migrated to New York. Prominent figures in some of her portraits include Mustafa Kemal Atatürk, Franklin Delano Roosevelt, Thomas Alva Edison, Edwin Markham, Gabriele D’Annunzio, and this undated self-portrait. She presents herself in 2nd-quarter 20th century attire and hairstyle with a pensive expression and a gaze directed slightly upward and away from us. Her black robe with a deep v-neckline, revealing a hint of a lighter pinkish undergarment is complemented by long dark gloves, extending past her wrists plus a dark cap atop her head. Mixing a realistic style with somewhat loose brushstroke, particularly noticeable in the background and the fabric, Mihri's use of muted and dark colors, with a focus on browns, blacks, and greys, creates a mood of quiet introspection or contemplation. Her pose, expression, and the dark color palette all contribute to a feeling of seriousness ... or, perhaps, a sense of mystery.

Born in 1885, Mihri Hanım, also referred to as Mihri Rasim and Mihri Müşfik (her husband’s surname), was one of the first women artists of the late Ottoman Empire. Born into a privileged upper-class Abkhazian family, she began painting at a young age under the tutelage the Ottoman court painter Fausto Zonaro. Traveling to Rome and then Paris in the early 1900s, Mihri attended several painting studios and earned her living as a portrait painter. When she returned to Istanbul in 1914, she instigated the establishment of the first school of art accepting women in the Ottoman Empire, Women’s Fine Arts Academy. At the age of 29, Mihri became the first female director of the academy and one of the painting tutors. Against all bureaucratic constraints, she encouraged her students, including Nazlı Ecevit, Müzdan Arel, Fahrelnissa Zeid, and Güzin Duran to experiment en plein air and to paint from live models. In 1920s, Mihri relocated to Italy and then in 1927 she migrated to New York. Prominent figures in some of her portraits include Mustafa Kemal Atatürk, Franklin Delano Roosevelt, Thomas Alva Edison, Edwin Markham, Gabriele D’Annunzio, and this undated self-portrait. She presents herself in 2nd-quarter 20th century attire and hairstyle with a pensive expression and a gaze directed slightly upward and away from us. Her black robe with a deep v-neckline, revealing a hint of a lighter pinkish undergarment is complemented by long dark gloves, extending past her wrists plus a dark cap atop her head. Mixing a realistic style with somewhat loose brushstroke, particularly noticeable in the background and the fabric, Mihri's use of muted and dark colors, with a focus on browns, blacks, and greys, creates a mood of quiet introspection or contemplation. Her pose, expression, and the dark color palette all contribute to a feeling of seriousness ... or, perhaps, a sense of mystery.

Otoportre (Self-portrait) by Mihri Hanım (Abkhazian) - Oil on canvas / c. 1925 - Istanbul Painting & Sculpture Museum (Türkiye) #womeninart #womanartist #selfportrait #womensart #portraitofawoman #Abkhazian #art #artwork #fineart #portrait #oilpainting #MihriHanım #mihri #herstory #MihriRasim

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