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#ArbeteAndFritid #UrSpår! (1975 #MNW). humpback saab folk build with psychedelic tailights and fused jazz wheels for an improvisational ride. live progressive style engine. hop in!

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#ArbeteAndFritid #SeUppFörLivet (1977 #MNW). we enjoyed exploring sweden. jazz folk. rock clusters. experiments. opposition. blender. speeds. variables.

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French Women Open Their "Borders" to Muslim Refugees
#Mnw #Bnwo #refugeewelcome #refugeeswelcum #OpenBorders #France #Africa
@mariemartinfr.bsky.social
@elisamartin.bsky.social

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Russian women open their "borders" to Muslim refugees
#Mnw #Bnwo #refugeeswelcome #refugeeswelcome #OpenBorders #Russia #Africa

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Italian women open their “borders” to Muslim refugees
#Mnw #Bnwo #refugeeswelcome #refugeeswelcome #OpenBorders #Italy #Africa

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#ArbeteAndFritid #SeUppFörLivet (1977 #MNW). movements. multiple. whatever. however. remembering the adventures. we can, just listen and hear. take a left, then go north until you see a sign, sweden.

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Polish symbolist artist Jacek Malczewski depicts a beautiful woman in a white dress outdoors amidst a vibrant landscape of rowan trees and orange-red rowan berries, evoking a mood of introspective contemplation. 

She possesses wavy dark hair styled simply, pulled back from her face, revealing her delicate facial features. Her expression is one of quiet playful melancholy with her eyes downcast and her hands are gently touching her neck. She wears a translucent, light-colored, almost white dress that appears to be made of a flowing fabric that drapes loosely around her form. Malczewski’s brushstrokes suggest texture and movement in the fabric. Her skin tone is rendered with soft, pale hues, emphasizing a kind of ethereal quality.

The soft light, the colors, and the overall style create a peaceful, almost dreamlike mood. The contrast between the warm orange-red of the berries and the cool tones of the background adds a sense of subtle tension within the serene setting both romantic and introspective.

Malczewski (ˈjat͡sɛk malˈt͡ʂɛfskʲi) was one of the central figures of the patriotic Young Poland (Młoda Polska) modernist movement in Polish visual arts, literature and music from roughly 1890-1918. His works combined the dominant style of his time with historical motifs of Polish martyrdom, the romantic aspiration for national independence, Christian and Greek mythology, folk tales, and his love of the natural world. He was also the father of painter Rafał Malczewski.

Many believe the model for this painting was the artist’s lifelong muse, Maria Bal (Jadwiga Maria Kinga Bal), who was a Polish baroness and frequently his live model for a series of symbolic portrayals of women, as well as nude studies and mythological beings. Their affair began around the time her 1st marriage ended in 1904 until World War I, even though Malczewski was 25 years her senior and married as well. Long after their breakup, the two regularly communicated and remained friends.

Polish symbolist artist Jacek Malczewski depicts a beautiful woman in a white dress outdoors amidst a vibrant landscape of rowan trees and orange-red rowan berries, evoking a mood of introspective contemplation. She possesses wavy dark hair styled simply, pulled back from her face, revealing her delicate facial features. Her expression is one of quiet playful melancholy with her eyes downcast and her hands are gently touching her neck. She wears a translucent, light-colored, almost white dress that appears to be made of a flowing fabric that drapes loosely around her form. Malczewski’s brushstrokes suggest texture and movement in the fabric. Her skin tone is rendered with soft, pale hues, emphasizing a kind of ethereal quality. The soft light, the colors, and the overall style create a peaceful, almost dreamlike mood. The contrast between the warm orange-red of the berries and the cool tones of the background adds a sense of subtle tension within the serene setting both romantic and introspective. Malczewski (ˈjat͡sɛk malˈt͡ʂɛfskʲi) was one of the central figures of the patriotic Young Poland (Młoda Polska) modernist movement in Polish visual arts, literature and music from roughly 1890-1918. His works combined the dominant style of his time with historical motifs of Polish martyrdom, the romantic aspiration for national independence, Christian and Greek mythology, folk tales, and his love of the natural world. He was also the father of painter Rafał Malczewski. Many believe the model for this painting was the artist’s lifelong muse, Maria Bal (Jadwiga Maria Kinga Bal), who was a Polish baroness and frequently his live model for a series of symbolic portrayals of women, as well as nude studies and mythological beings. Their affair began around the time her 1st marriage ended in 1904 until World War I, even though Malczewski was 25 years her senior and married as well. Long after their breakup, the two regularly communicated and remained friends.

Portret kobiety na tle jarzębiny (Portrait of a Woman with Rowanberry) by Jacek Malczewski (Polish) - Oil on cardboard / 1917 - National Museum in Warsaw (Poland) #womeninart #art #oilpainting #JacekMalczewski #Malczewski #YoungPoland #NationalMuseuminWarsaw #MNW #MuzeumNarodowewWarszawie #womensart

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ST: #KuCoin deslistará alguns projetos

▪️ Morpheus.Network #MNW
▪️ Souni #SON
▪️ Work X #WORK
▪️ Origin Dollar #OUSD
▪️ GAME Token #GAME
▪️ TuumIO Price #SOLVE
▪️ Beoble #BBL
▪️ Unifi Protocol DAO #UNFI
▪️ Hypurr Fun #HFUN
▪️ Entangle #kNGL

Detalhes: www.kucoin.com/pt/announcem...

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First Edition of #MNW tonight, and already an outstanding performance #starcraft2
@tkl.bsky.social

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I did another paint on my tablet. Lucius Constantine, the devil of the nexus. #MNW

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Granlund w/o his stick is better than any Calgary player with one. #mnw #mnwild

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