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Dear Diary,

Last Friday night, we went to see the punk band Apricot Court perform at Cuz’s Sportsman’s Club bar up in Seaside.
Apricot Court is a VERY cool band.

Although we love it out here, sometimes I find myself hyper aware of what is not really here.
And alarmingly, what is probably never going to be here.
It was a relief—as well as a rare and beautiful thing—to be able to feed a particular “punk” need last Friday night up in Seaside.
Maybe you can understand this.

Although Apricot Court hails from Pacific Grove and therefore totally local, the band sadly doesn’t play around here that often. Certainly not enough for Todd and me.
One is much more likely to catch an Apricot Court gig a lot further north in Santa Cruz. Or way down south in Los Angeles, even.
The magnificent Anthony Annigoni, guitarist and lead vocalist for Apricot Court, said to me, “They don’t like us here in Monterey. We’re too punk for ‘em. We come from the school of Joe Strummer, not heavy metal.”

This resonates deeply.
When I moved to New York City in 1987, I remember thinking it was the only place in the world that would want me.
Up until that point, I had always felt like I was in the wrong location for lots of reasons.
A different kind of punk, but also the same.

Apricot Court has a new single out on Saturday.
If you were actually any version of cool and/or punk, you’d support Apricot Court on all platforms.

True Confessions by Bill Mullen.

Dear Diary, Last Friday night, we went to see the punk band Apricot Court perform at Cuz’s Sportsman’s Club bar up in Seaside. Apricot Court is a VERY cool band. Although we love it out here, sometimes I find myself hyper aware of what is not really here. And alarmingly, what is probably never going to be here. It was a relief—as well as a rare and beautiful thing—to be able to feed a particular “punk” need last Friday night up in Seaside. Maybe you can understand this. Although Apricot Court hails from Pacific Grove and therefore totally local, the band sadly doesn’t play around here that often. Certainly not enough for Todd and me. One is much more likely to catch an Apricot Court gig a lot further north in Santa Cruz. Or way down south in Los Angeles, even. The magnificent Anthony Annigoni, guitarist and lead vocalist for Apricot Court, said to me, “They don’t like us here in Monterey. We’re too punk for ‘em. We come from the school of Joe Strummer, not heavy metal.” This resonates deeply. When I moved to New York City in 1987, I remember thinking it was the only place in the world that would want me. Up until that point, I had always felt like I was in the wrong location for lots of reasons. A different kind of punk, but also the same. Apricot Court has a new single out on Saturday. If you were actually any version of cool and/or punk, you’d support Apricot Court on all platforms. True Confessions by Bill Mullen.

Diary entry in ALT TEXT!
#ApricotCourt #ApricotCourtBand #PunkArt #PunkBand #CaliforniaPunk #Punk #Punks #PunkCartoon #PunkDrawing #PunkIllustration #OutsiderArt #Outsiders #Markers #Sketchbook ##Diary #GuysWithLongHair #GuysWithTattoos #PostcardsFromTheEdge

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A stylized cartoon girl stands centered against a stark white background, the emptiness around her amplifying her posture and expression. She is drawn with exaggerated proportions: a large head, small body, and short stature that emphasize attitude over physical power. Her arms are crossed tightly across her chest, elbows jutting outward in a clear defensive and confrontational stance.
Her face is set in a deep scowl, eyebrows sharply angled downward, eyes narrowed with irritation and stubborn resolve. Her cheeks are flushed with faint smudges and marks, giving the impression of recent scrapes or emotional friction. Long brown hair falls straight past her shoulders, held back with a simple headband, though a small tuft at the crown sticks up slightly, breaking any sense of neatness.
She wears a sleeveless black vest layered over a faded purple shirt. The vest is heavily customized with metal spikes, patches, and skull charms that hang from the hem, adding weight and visual noise. Her arms show scuffs and bandage-like wraps, suggesting minor injuries or rough play turned serious. A simple skirt falls to her knees, worn and uneven, paired with striped socks and oversized boots.
The boots dominate the lower frame, thick-soled and armored with spikes and studs. They appear heavy, scuffed, and overbuilt for her size, grounding her stance and reinforcing the contrast between youth and aggression. Small decorative tags and worn textures add to the sense of repeated use rather than costume.
The illustration style is loose and textured, with visible brush strokes and sketch lines that give the character a raw, unfinished edge. Despite her size, the figure radiates resistance and refusal.

Attribution
Clearly identified as AI-generated; use is permitted for non-commercial creative projects. MidJourney, FLUX.1-schnell model via Perchance, Artspace.ai, REVE, Echoform™.

A stylized cartoon girl stands centered against a stark white background, the emptiness around her amplifying her posture and expression. She is drawn with exaggerated proportions: a large head, small body, and short stature that emphasize attitude over physical power. Her arms are crossed tightly across her chest, elbows jutting outward in a clear defensive and confrontational stance. Her face is set in a deep scowl, eyebrows sharply angled downward, eyes narrowed with irritation and stubborn resolve. Her cheeks are flushed with faint smudges and marks, giving the impression of recent scrapes or emotional friction. Long brown hair falls straight past her shoulders, held back with a simple headband, though a small tuft at the crown sticks up slightly, breaking any sense of neatness. She wears a sleeveless black vest layered over a faded purple shirt. The vest is heavily customized with metal spikes, patches, and skull charms that hang from the hem, adding weight and visual noise. Her arms show scuffs and bandage-like wraps, suggesting minor injuries or rough play turned serious. A simple skirt falls to her knees, worn and uneven, paired with striped socks and oversized boots. The boots dominate the lower frame, thick-soled and armored with spikes and studs. They appear heavy, scuffed, and overbuilt for her size, grounding her stance and reinforcing the contrast between youth and aggression. Small decorative tags and worn textures add to the sense of repeated use rather than costume. The illustration style is loose and textured, with visible brush strokes and sketch lines that give the character a raw, unfinished edge. Despite her size, the figure radiates resistance and refusal. Attribution Clearly identified as AI-generated; use is permitted for non-commercial creative projects. MidJourney, FLUX.1-schnell model via Perchance, Artspace.ai, REVE, Echoform™.

Small Frame, Hard No
Defiance learns early when patience runs out first.
#PunkCartoon #DefiantYouth #SubvertedInnocence #GraphicAttitude #GenAI #SynthArt #AIart #aiartist #aiartcommunity #GenerativeArt #AIchallenge #BuilderofNightmares

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#DearDiary,

It felt like we were still moving even though we were permanently out of Manhattan over a year ago, but the dust eventually settled. There was free mental space all of a sudden once the big stuff was finally under control.
And I had a little freak out.

Todd sat me down and calmed me down. He slowly explained to me that he was thinking we needed to make some little escapes from time to time. San Francisco was the obvious, but perhaps LA every now and then. Maybe even Vegas. Fun road trips and quick plane rides to change it up.
Big city fixes.

I have been missing something. Ninety-five percent of the time I’m blessed and grateful, but every now and then I crave the edgy. The gritty. The sleazy. The dark and/or funky. Gay stuff. Artistic stuff. Punk stuff.
Something wild.

Our trip to SF last month was our first healing journey, and it did wonders. We’ve got another mini vacation planned for the end of October and I can’t fucking wait.
Todd was right.
He gets it.
He gets me.

Places I’d Rather Be.
CBGB’s.
And I’d like to be there with Richard Hell.

#TrueConfessions by #BillMullen

#DearDiary, It felt like we were still moving even though we were permanently out of Manhattan over a year ago, but the dust eventually settled. There was free mental space all of a sudden once the big stuff was finally under control. And I had a little freak out. Todd sat me down and calmed me down. He slowly explained to me that he was thinking we needed to make some little escapes from time to time. San Francisco was the obvious, but perhaps LA every now and then. Maybe even Vegas. Fun road trips and quick plane rides to change it up. Big city fixes. I have been missing something. Ninety-five percent of the time I’m blessed and grateful, but every now and then I crave the edgy. The gritty. The sleazy. The dark and/or funky. Gay stuff. Artistic stuff. Punk stuff. Something wild. Our trip to SF last month was our first healing journey, and it did wonders. We’ve got another mini vacation planned for the end of October and I can’t fucking wait. Todd was right. He gets it. He gets me. Places I’d Rather Be. CBGB’s. And I’d like to be there with Richard Hell. #TrueConfessions by #BillMullen

#DearDiary in ALT TEXT #RichardHell #RichardHellAndTheVoidoids #Voidoids #CBGB #CBGBs #Punk #PunkRock #PunkClub #PunkDrawing #PunkCartoon #GraffitiArt #Graffiti #Markers #Sketchbook #Smithereens #GabbaGabbaHey

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Post image

Velvet Seats, Leather Jacket

🎻 punkshits.com/velvet-seats...

🎵 Lars Frederiksen and the Bastards - “To Have and to Have Not” 🎶

#PunkShits
#VelvetSeatsLeatherJacket
#PunkVsOpera
#PunkCartoon
#OperaFails
#CultureClash
#PunkHumor
#AdultCartoon
#PunkLife

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