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Posts tagged #ReggaeHistory

This episode explores how dub became a sonic philosophy of reconstruction—where music is dismantled, reshaped, and reborn through the mixing desk.

#DubMusic
#ReggaeHistory
#SoundSystemCulture

https://youtu.be/jnngNYn6qkM

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What Is Dub? The Revolution of Acoustic Reconstruction
What Is Dub? The Revolution of Acoustic Reconstruction YouTube video by Monumental Movement

This episode explores how dub became a sonic philosophy of reconstruction—where music is dismantled, reshaped, and reborn through the mixing desk.

#DubMusic
#ReggaeHistory
#SoundSystemCulture

youtu.be/jnngNYn6qkM

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In the Caribbean, dominoes is more than a game. It is part competition, part conversation, part neighborhood theater. The sound of tiles hitting the table echoes through rum shops, street corners, and family yards across Jamaica.
#Livicated #domino #ReggaeHistory #movie #rogersteffens #BobMarley

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Peter Tosh Wanted Dread & Alive
Not just an iconic album cover, but this one carries signatures and testimonies from reggae legends who shaped the music alongside Peter.

Who signed the album?
#PeterTosh #ReggaeHistory #Livicated #RogerSteffens #reggaearchives #BobMarley #documentary

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Ernest Ranglin In the Rain
Ernest Ranglin In the Rain YouTube video by Stay inthegroove

youtube.com/watch?v=4m8W...

Ernest Ranglin - In the Rain

#ernestranglin #reggae #jamaicanjazz #instrumentalreggae #ska #rocksteady #jazzguitar #jamaicanmusic #reggaehistory #islandrecords #vinylonly #deeplistening #Jazz #leescratchperry #dub #dubplate

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Black Starliner Must Come
Black Starliner Must Come YouTube video by Culture - Topic

youtu.be/XLC_fY6vHq0?...

Culture - Black Starliner Must Come

#rootsreggae #dubreggae #jamaicanmusic #blackark #leerryperry #soundculture #soundsystem #rastafari #marcusgarvey #70sreggae #reggaehistory #deepdub #vinylonly #reggae #dub

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A vertically oriented, weathered concert poster fills the frame, its surface marked by deep fold lines that divide the image into uneven rectangles. The paper appears yellowed and brittle, with torn corners and strips of aged tape clinging to the edges, suggesting it was once pinned to a wall and later salvaged. At the top, bold text reads “ONE LOVE PEACE CONCERT,” set within a border of red, gold, and green stripes that echo Rastafarian colors. Centered beneath the title is a monochrome, sepia-toned photograph of Bob Marley mid-performance, eyes partially closed, mouth open in song, one hand gripping a microphone. His dreadlocks frame his face and fall onto a simple jacket, conveying intensity and resolve. Below the image, large block lettering announces “BOB MARLEY AND THE WAILERS.” Near the bottom, smaller text lists the venue and date: National Stadium, Kingston, Jamaica, April 22, 1978. The entire poster feels worn yet reverent, like a relic that has survived decades of handling, carrying the atmosphere of a historic night where music and political tension briefly gave way to collective hope.
Keywords
reggae legacy, concert poster, folded paper, Rastafarian colors, peace concert, Kingston Jamaica, music history, cultural memory, live performance, archival texture
Attribution line
Clearly identified as AI-generated; use is permitted for non-commercial creative projects. MidJourney, FLUX.1-schnell model via Perchance, Artspace.ai, REVE, Echoform™.

A vertically oriented, weathered concert poster fills the frame, its surface marked by deep fold lines that divide the image into uneven rectangles. The paper appears yellowed and brittle, with torn corners and strips of aged tape clinging to the edges, suggesting it was once pinned to a wall and later salvaged. At the top, bold text reads “ONE LOVE PEACE CONCERT,” set within a border of red, gold, and green stripes that echo Rastafarian colors. Centered beneath the title is a monochrome, sepia-toned photograph of Bob Marley mid-performance, eyes partially closed, mouth open in song, one hand gripping a microphone. His dreadlocks frame his face and fall onto a simple jacket, conveying intensity and resolve. Below the image, large block lettering announces “BOB MARLEY AND THE WAILERS.” Near the bottom, smaller text lists the venue and date: National Stadium, Kingston, Jamaica, April 22, 1978. The entire poster feels worn yet reverent, like a relic that has survived decades of handling, carrying the atmosphere of a historic night where music and political tension briefly gave way to collective hope. Keywords reggae legacy, concert poster, folded paper, Rastafarian colors, peace concert, Kingston Jamaica, music history, cultural memory, live performance, archival texture Attribution line Clearly identified as AI-generated; use is permitted for non-commercial creative projects. MidJourney, FLUX.1-schnell model via Perchance, Artspace.ai, REVE, Echoform™.

#musicmondayai
One Love, Folded Into History
A creased promise of unity, still singing through paper and time.
#OneLoveConcert #BobMarley #ReggaeHistory #PeaceThroughMusic #GenAI #SynthArt #AIart #aiartist #aiartcommunity #GenerativeArt #AIchallenge #BuilderofNightmares

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Here’s another gem from #RogerSteffens’ Reggae Archives: an original Who Feels It Knows It album signed by Rita Marley herself.
Rita is the matriarch of the Marley legacy, an influential artist and activist in her own right.
#RitaMarley #ReggaeHistory #Livicatedmovie #BobMarley #m

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A classic Roger Steffens photo of Gregory “Cool Ruler” Isaacs outside his African Museum record shop in Jamaica, standing beside a mural painted in his honor.
A moment of pure reggae history from the streets that shaped his sound
#GregoryIsaacs #rogersteffens #AfricanMuseum #ReggaeHistory #Livicated

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In Memoriam: Jimmy Cliff (1944-2025) The 81-year-old was there at reggae’s beginnings, and was one of its best international ambassadors.

AT THE TIM “NAPALM” STEGALL SUBSTACK In Memoriam: Jimmy Cliff (1944-2025) How the Jamaican musical legend "brough reggae music to the world!!" #TheTimNapalmStegallSubstack #TimNapalmStegall #JimmyCliff #Obituary #TheHarderTheyCome #ReggaeHistory #ReggaeMeetsPunk open.substack.com/pub/timnapal...

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Jimmy Cliff: One and All, historia de un originador - Atonal Webzine sobre música y otras disciplinas relacionadas.

Jimmy Cliff se ha ido y el mundo queda un poco más huérfano de coraje melódico. Del patio jamaicano al celuloide, del rocksteady al punk, vivió como un delta en movimiento: sin fronteras, sin corsés y siempre a contracorriente

atonal.net/jimmy-cliff-...

#JimmyCliff #ReggaeHistory

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Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae journalism went digital, The Beat magazine was the heartbeat of the culture, connecting fans across the world with stories, interviews, and rare insights into the artists who shaped the movement. Co-founded by Roger Steffens and CC Smith following the success of Roger and Hank Holmes' groundbreaking KCRW radio show “Reggae Beat”, the magazine became a vital archive of reggae, African, and Caribbean music from the '80s through the 2000s. Here are a few of The Beat’s Bob Marley collector’s edition covers, each marking a different era in Marley’s legacy, from “The Troubled Legacy” to “25 Years On.” These covers remind us of how reggae’s message of resistance, love, and unity has continued to echo across generations. 📰 From the airwaves of KCRW to the pages of The Beat: Word, Sound, Power live on.

Before reggae went digital, The Beat magazine, co-founded by Roger Steffens & CC Smith after KCRW’s “Reggae Beat” was the printed heartbeat of the culture.
Bob Marley's covers still echo the spirit of 'Word, Sound & Power 💛💚❤️
#ReggaeHistory #BobMarley #TheBeatMagazine #RogerSteffens #KCRW #livicated

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The sweet sound of Lovers Rock — born in Britain, loved worldwide. 💕🇬🇧 A celebration of love and British-Caribbean creativity.
🔗 Hatman Soul lab - www.youtube.com/playlist
🎶 #LoversRock #BritishSoul #ReggaeHistory #LoungeClubHistory #UKMusic

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The sweet sound of Lovers Rock — born in Britain, loved worldwide. 💕🇬🇧 A celebration of love and British-Caribbean creativity.
🔗 Hatman Soul lab - www.youtube.com/playlist
🎶 #LoversRock #BritishSoul #ReggaeHistory #LoungeClubHistory #UKMusic

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Another Treasure in the Archive
The Wailing Wailers (1965/66, Studio One) — debut LP of Marley, Tosh & Wailer backed by the Soul Brothers.
This copy’s signed by Peter Tosh, Roland Alphonso, Lloyd Brevett & more, a meeting of giants frozen in ink and history.
#BobMarley #ReggaeHistory #Livicated #Ja

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The sweet sound of Lovers Rock — born in Britain, loved worldwide. 💕🇬🇧 A celebration of love and British-Caribbean creativity.
🔗 Hatman Soul lab - www.youtube.com/playlist
🎶 #LoversRock #BritishSoul #ReggaeHistory #LoungeClubHistory #UKMusic

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The sweet sound of Lovers Rock — born in Britain, loved worldwide. 💕🇬🇧 A celebration of love and British-Caribbean creativity.
🔗 Hatman Soul lab - www.youtube.com/playlist
🎶 #LoversRock #BritishSoul #ReggaeHistory #LoungeClubHistory #UKMusic

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The sweet sound of Lovers Rock — born in Britain, loved worldwide. 💕🇬🇧 A celebration of love and British-Caribbean creativity.
🔗 Hatman Soul lab - www.youtube.com/playlist
🎶 #LoversRock #BritishSoul #ReggaeHistory #LoungeClubHistory #UKMusic

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Step into Toronto’s reggae legacy.

The Canada Black Music Archives presents the Little Jamaica Music History Walking Tour — exploring record shops, studios, and murals along Eglinton West.

↑ Learn more: thecbma.com/little-jamai...

#LittleJamaica #TorontoHistory #ReggaeHistory #TorontoMusic

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#Interview | Read Peter I's in-depth interview with Keith Rowe (Keith & Tex). They discuss the early days of reggae music. A fascinating conversation! #KeithRowe #KeithAndTex #PrinceBuster #CoxsoneDod #DerrickHarriott #LeePerry #ReggaeHistory #Reggae #ReggaeSky

www.reggae-vibes.com/articles/202...

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#Interview with Owen Gray (Pt 2) | With the recent loss of Owen Gray, we present the second installment of his interview with Peter I—an engaging look into the roots of Jamaican popular music. #OwenGray #CountShelly #BunnyLee #ReggaeHistory

www.reggae-vibes.com/articles/202...

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Double 12" Spin #56  =Robert French/Shortie Ranks & Al Campbell/Linval Thompson=
Double 12" Spin #56 =Robert French/Shortie Ranks & Al Campbell/Linval Thompson= YouTube video by Double 12" Spin

Double 12" Spin #56 | This edition of Double 12" Spin presents a killer flashback to the year 1985 with these legends: Robert Ffrench, Al Campbell, Linval Thompson & Sly & Robbie. Enjoy!. #RobertFfrench #ShortieRanks #LinvalThompson #AlCampbell #SlyAndRobbie #Vinyl #ReggaeHistory #Reggae #ReggaeSky

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#Interview with Owen Gray (Pt 1) | Following the recent passing of Owen Gray, we are sharing the first segment of the interview conducted by Peter I. It contains fascinating insights into the early days of Jamaican popular music! #OwenGray #ReggaeHistory

www.reggae-vibes.com/articles/202...

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Double 12" Spin #54  =The Mighty Diamonds & Brent Dowe/Jah Walton=
Double 12" Spin #54 =The Mighty Diamonds & Brent Dowe/Jah Walton= YouTube video by Double 12" Spin

Double 12" Spin #54| Time-travel to ‘70s Jamaica! The Mighty Diamonds bring roots reggae, while Brent Dowe his honeyed vocals are combined with Jah Walton’s toasting! #MightyDiamonds #BrentDowe #JahWalton #SoniaPottinger #12InchSingle #CrateDiggers #Vinyl #ReggaeHistory

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🚨RARE FACT🚨

~•~ Youngest Reggae Grammy winner EVER🌟
🔁if “Toast” was your pandemic anthem.🍞

~•~ #ReggaeHistory ~•~ #AgainstTheOdds ~•~ #ReggaeUK ~ #DancehallMusic ~ #Reggae ~ #Dancehall ~ #UKLoversRock ~💥

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~•~ RARE FACT~•~

2011: #BujuBanton Won a Grammy WHILE incarcerated🚔🏆
♻️ if you’ve blasted ‘Inna Heights’ on repeat.
#ReggaeHistory #AgainstAllOdds #ViraalMusic ~ @reggaeuniverse.bsky.social

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'Mi Belly full but mi hungry!' Bob Marley, Rasta, Reggae and Political Conflicts in Jamaica! Vol. 2, No. 11, November 8, 2024: ... Reggae was called "Bugga Yagga Music' by the Jamaican Middle Class!

#BobMarley #Rastafarians #ReggaeHistory #NorrisRMcDonald #Justice
Bob Marley was shot on December 3, 1976, because it was feared that he was more and more openly supporting Michael Manley and the progressive attempts to rebuild the Jamaican society.
afrocaribbeanriddims.substack.com/p/mi-belly-f...

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RARE FACT:

1997: His clash with Capleton drew 20K+ fans… and a POLICE SHUTDOWN🚨

♻️if you’d risk arrest for this vibes. #ReggaeHistory #SoundSystem🎤

~ #Reggae #ReggaeJapan #Jamaica #Formula1
🍿 @reggaeuniverse.bsky.social @savedancehall.bsky.social

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#RiddimWise | African Beat Riddim | For an overview of the history, different renditions, and details of this classic Studio One riddim by Lester Sterling, read Ray Hurford's article. #AfricanBeatRiddim #LesterSterling #StudioOne #CoxsoneDodd #ReggaeHistory

www.reggae-vibes.com/articles/202...

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Bob Marley – “So Jah Seh” (1974)
Reggae meets machine: a Gibson Maestro Rhythm King subtly shifts the beat in this underrated gem.
#ReggaeHistory #DrumMachine #BobMarley #RootsReggae #EarlyElectronics

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