Trending

#ReliefWednesday

Latest posts tagged with #ReliefWednesday on Bluesky

Latest Top
Trending

Posts tagged #ReliefWednesday

FUNERARY STELE OF A YOUTH, 410-390 BCE. GROTTAFERRATA, MUSEO DELL'ABBAZIA, ON LOAN TO THE CAPITOLINE MUSEUMS

Here we have a refined and mostly intact example of late C5 BCE Attic funerary sculpture. Once it would have been bright with colour, but no trace of the original paint remains, so we can see the Parian marble that so impassioned C18-C19 neoclassicists. The stele is rectangular, stepping back twice so it's thickest at the bottom. At top is some symmetrical palmette decoration. The stela shows a youth seated facing right, his face in profile. He has short curly hair and round cheeks, and in age is surely no older than 20. His bare shoulder and chest are broad and strong, and his chiton covers his far shoulder and his body from the waist to the ankles. He's holding an open scroll and is reading happily as his faithful dog lies in the shade beneath his chair. His legs are crossed at the ankles, a graceful touch. How this got to Grottaferrata is anyone's guess.

FUNERARY STELE OF A YOUTH, 410-390 BCE. GROTTAFERRATA, MUSEO DELL'ABBAZIA, ON LOAN TO THE CAPITOLINE MUSEUMS Here we have a refined and mostly intact example of late C5 BCE Attic funerary sculpture. Once it would have been bright with colour, but no trace of the original paint remains, so we can see the Parian marble that so impassioned C18-C19 neoclassicists. The stele is rectangular, stepping back twice so it's thickest at the bottom. At top is some symmetrical palmette decoration. The stela shows a youth seated facing right, his face in profile. He has short curly hair and round cheeks, and in age is surely no older than 20. His bare shoulder and chest are broad and strong, and his chiton covers his far shoulder and his body from the waist to the ankles. He's holding an open scroll and is reading happily as his faithful dog lies in the shade beneath his chair. His legs are crossed at the ankles, a graceful touch. How this got to Grottaferrata is anyone's guess.

For #ReliefWednesday we're at a show in the #CapitolineMuseums in #Rome to find a #Greek, probably #Athenian funerary stele from c. 400 BCE with a beautiful crisp #relief of a young man, the deceased, reading a scroll, his loyal #dog under his chair. #AncientBluesky 🏺

39 12 1 0
In this relief, the king is shown receiving the ring of kingship from a female figure, often identified as the divinity Aredvi Sura Anahita. However, the king is not depicted in a pose typical of a divinity, and it is therefore likely that the woman is a relative, perhaps Queen Shapurdukhtak of Sakastan.

In this relief, the king is shown receiving the ring of kingship from a female figure, often identified as the divinity Aredvi Sura Anahita. However, the king is not depicted in a pose typical of a divinity, and it is therefore likely that the woman is a relative, perhaps Queen Shapurdukhtak of Sakastan.

#ReliefWednesday - Sassanid relief in Naqsh-e Rostam, near Persepolis (Iran), depicting the investiture of Narseh, the seventh king of the Sassanid Empire (c. AD 293–303). Narseh, Shapur I's youngest son, had ruled the eastern provinces and was called “Great King of Armenia” before becoming shah.

141 28 2 0
Relieve que muestra al emperador Marco Aurelio y su familia ofreciendo sacrificios en el Templo de Júpiter, en la Colina Capitolina. Año: 175-180 d.C. 
⛪ Iglesia de los SS. Luca e Martina, Roma 🇮🇹 Italia

Relieve que muestra al emperador Marco Aurelio y su familia ofreciendo sacrificios en el Templo de Júpiter, en la Colina Capitolina. Año: 175-180 d.C. ⛪ Iglesia de los SS. Luca e Martina, Roma 🇮🇹 Italia

#ReliefWednesday
Relieve que muestra al emperador Marco Aurelio y su familia ofreciendo sacrificios en el Templo de Júpiter, en la Colina Capitolina. Año: 175-180 d.C.
⛪ Iglesia de los SS. Luca e Martina, Roma 🇮🇹 Italia
#History #Roma
#RomanArchaeology
#Archaeology
#AncientBluesky

6 2 0 0
Post image

#ReliefWednesday at the House of the Griffins on the Palatine Hill.

A Republican era house buried under the Imperial Palace, the stucco relief seen here gives the house its modern name.

Photo my own at tinyurl.com/mrxwkmn6

#AncientBlueSky🏺

11 3 0 0

Wednesday #
#WednesdayGreen
#AquilineWednesday
#BookshopWednesday
#EgyptologyWednesday
#GothicWednesday
#HillfortsWednesday
#HollowayWednesday
#WaterTowerWednesday
#LegendaryWednesday
#ReliefWednesday
#RoseWednesday
#WallsOnWednesday

3 1 1 0

1/ Suggested hashtags to join on a Wednesday

#HillfortsWednesday
#NormanWednesday

#EgyptologyWednesday

#ReliefWednesday

#GothicWednesday

#WellsOnWednesday

#WallsOnWednesday

#BrickworkWednesday

#WindowsWednesday
#WindowsOnWednesday

#Woodensday

1 of 6 #WednesdayHashtags

3 0 1 0
Post image

A relief of Hercules attacking the Hydra (the serpent like creature wrapped around the demigod’s forearm). Part of the museum collections at Corbridge Roman Town in Northumberland. 📸 My own. #ReliefWednesday #RomanBritain #Corbridge #Northumberland

78 16 0 3
My photo shows part of a limestone wall panel carved in bas relief from the Fifth Dynasty mortuary temple of king Userkaf at Saqqara, Old Kingdom, 2465-2458 BC. It shows a Hoopoe, a crested bird with black and white wing pattern, and an ibis, with long curved beak, amongst papyrus plants in the marshes of the river Nile. My photo was taken in 2022 at the Egyptian Museum in Cairo.

My photo shows part of a limestone wall panel carved in bas relief from the Fifth Dynasty mortuary temple of king Userkaf at Saqqara, Old Kingdom, 2465-2458 BC. It shows a Hoopoe, a crested bird with black and white wing pattern, and an ibis, with long curved beak, amongst papyrus plants in the marshes of the river Nile. My photo was taken in 2022 at the Egyptian Museum in Cairo.

Lovely naturalistic relief of a Hoopoe and Ibis, carved by an Egyptian artisan some 4,500 years ago!

Limestone wall relief from the 5th Dynasty mortuary temple of Userkaf at Saqqara. Egyptian Museum, Cairo 📷 by me

#ReliefWednesday
#Archaeology

476 147 7 6
Post image

#ReliefWednesday from the Roman Baths in Bath.

Here we have a relief of Mercury & Rosmerta. Rosmerta is a Celtic goddess known as the Great Provider. Here she has her source of plenty, a wooden bucket.

#AncientBlueSky🏺

52 6 0 0
Entrada victoriosa de Trajano en Roma (98-117 a. C.) 
🏛️ Arco de Constantino, Roma.  
📷 A. M.

Entrada victoriosa de Trajano en Roma (98-117 a. C.) 🏛️ Arco de Constantino, Roma. 📷 A. M.

#ReliefWednesday
'Fundatori Qvietis'
Entrada victoriosa de Trajano en Roma (98-117 a. C.)
🏛️ Arco de Constantino, Roma.
#History #Roma
#Archaeology
#AncientBluesky

2 1 0 0
BATTLE SCENE FROM THE GREAT TRAJANIC FRIEZE, 114-120 CE. ARCH OF CONSTANTINE

This triumphal arch is a triumph of spolia, consisting as it does of many pieces of relief work from the reigns of Trajan, Hadrian, and Marcus Aurelius, intelligently chosen by Constantine in 315-316 to reflect a reassuring programme of pacification and an end to civil war. Four large panels from a Hadrianic relief 30 m long and 3 m high, of which this is one, were reused. This relief is known as the Great Trajanic Frieze, though its original location is unknown. It is often said to have come from Trajan's Forum, though that was intact until at least the reign of Theodoric, two centuries after the arch was built. This scene shows a mêlée between Roman cavalry and infantry and Dacians who are falling or already on the ground. In the background are three trumpeters blowing the curved horns called buccinæ, and the whole scene resembles the front of the Great Ludovisi Sarcophagus, from 250-260 CE.

BATTLE SCENE FROM THE GREAT TRAJANIC FRIEZE, 114-120 CE. ARCH OF CONSTANTINE This triumphal arch is a triumph of spolia, consisting as it does of many pieces of relief work from the reigns of Trajan, Hadrian, and Marcus Aurelius, intelligently chosen by Constantine in 315-316 to reflect a reassuring programme of pacification and an end to civil war. Four large panels from a Hadrianic relief 30 m long and 3 m high, of which this is one, were reused. This relief is known as the Great Trajanic Frieze, though its original location is unknown. It is often said to have come from Trajan's Forum, though that was intact until at least the reign of Theodoric, two centuries after the arch was built. This scene shows a mêlée between Roman cavalry and infantry and Dacians who are falling or already on the ground. In the background are three trumpeters blowing the curved horns called buccinæ, and the whole scene resembles the front of the Great Ludovisi Sarcophagus, from 250-260 CE.

#ReliefWednesday takes us to the #Arch of #Constantine in #Rome, where a piece of the so-called Great Trajanic #Frieze, probably from the reign of #Hadrian, shows a battle scene from the #Dacian wars which may have influenced the sculptor of the Great #Ludovisi #sarcophagus. #AncientBluesky 🏺

34 7 1 0
Post image

#ReliefWednesday - Sassanid relief depicting the triumph of Shapur I (r. AD 240-270) over Valerian at Naqsh-e Rostam, located 3 km north of Persepolis. It is the most impressive of eight Sassanid rock carvings cut into the cliff beneath the tombs of their Achaemenid predecessors.

114 27 1 1

1/ Suggested hashtags to join on a Wednesday

#HillfortsWednesday
#NormanWednesday

#EgyptologyWednesday

#ReliefWednesday

#GothicWednesday

#WellsOnWednesday

#WallsOnWednesday

#BrickworkWednesday

#WindowsWednesday
#WindowsOnWednesday

#Woodensday

1 of 6 #WednesdayHashtags

3 0 1 0
Description from the Art Institute of Chicago: “Female temple attendants, whose costumes and hairstyles recall fashions worn at least 200 years earlier by the Greek occupants of southern Italy and Sicily, kneel before a tall incense burner, upon which they place an offering. The scene is bordered by an egg-and-dart pattern above and a lotus pattern below. The presence of four nailholes indicates that these panels were likely affixed to a wall.”

Description from the Art Institute of Chicago: “Female temple attendants, whose costumes and hairstyles recall fashions worn at least 200 years earlier by the Greek occupants of southern Italy and Sicily, kneel before a tall incense burner, upon which they place an offering. The scene is bordered by an egg-and-dart pattern above and a lotus pattern below. The presence of four nailholes indicates that these panels were likely affixed to a wall.”

✨Relief plaque of temple attendants✨

This #ReliefWednesday we are enjoying this beautiful terracotta relief thought to date from the C1st CE but emulating the style of southern Italy and the influences of Magna Graecia.

37 8 1 0
Post image

Two attendants from a banqueting scene from the South West Palace at Nineveh. The panel dates from 700-692 BC, and is part of the collections at the British Museum. 📸 My own. #ReliefWednesday

47 6 0 0
FRIEZE FRAGMENT, 107-110 CE. PASSAGE UNDER VIA DEI FORI IMPERIALI

We don't know very clearly from what part of the Basilica Ulpia this came from, but it seems likely to have once formed part of the façade of this huge enclosed public space, part law court, part piazza, built by Trajan and given his family name. Discovered as recently as 2007, it shows a delicate vegetal motif similar to a stylised acanthus. (We're probably looking at it upside down.) This massive monumental structure probably continued to play a role in Roman public life until it was destroyed by one of the earthquakes of the C9. After that, it was fair game for the scavatori, the marble-diggers, who broke up the remnants and put them in the lime kilns.

FRIEZE FRAGMENT, 107-110 CE. PASSAGE UNDER VIA DEI FORI IMPERIALI We don't know very clearly from what part of the Basilica Ulpia this came from, but it seems likely to have once formed part of the façade of this huge enclosed public space, part law court, part piazza, built by Trajan and given his family name. Discovered as recently as 2007, it shows a delicate vegetal motif similar to a stylised acanthus. (We're probably looking at it upside down.) This massive monumental structure probably continued to play a role in Roman public life until it was destroyed by one of the earthquakes of the C9. After that, it was fair game for the scavatori, the marble-diggers, who broke up the remnants and put them in the lime kilns.

A belated #ReliefWednesday extra offering: in the labyrinth of surviving basements that form a passage for pedestrians under via dei #ForiImperiali in #Rome, a curlicued fragment of a #frieze from the #BasilicaUlpia, 107-110 CE. #AncientBluesky 🏺

29 5 3 0
RELIEF OF TRAJAN'S COLUMN, 118-120 CE. FORUM OF TRAJAN

This long helicoidal relief recounts the two campaigns of conquest waged by Trajan to conquer Dacia, in 101-102 and 105-106 CE. It was probably carved after Trajan's death and deification in 117. Originally it was richly painted and had details in metal. This scene is at the beginning of the first campaign, with the huge figure of the river-god Danube at left, watching the profectio, the soldiers marching out to start the hostilities. They are crossing a pontoon bridge built atop boats bound together as the god watches keenly.

RELIEF OF TRAJAN'S COLUMN, 118-120 CE. FORUM OF TRAJAN This long helicoidal relief recounts the two campaigns of conquest waged by Trajan to conquer Dacia, in 101-102 and 105-106 CE. It was probably carved after Trajan's death and deification in 117. Originally it was richly painted and had details in metal. This scene is at the beginning of the first campaign, with the huge figure of the river-god Danube at left, watching the profectio, the soldiers marching out to start the hostilities. They are crossing a pontoon bridge built atop boats bound together as the god watches keenly.

#ReliefWednesday today celebrates the greatest of #Roman #relief art, the column of #Trajan in #Rome. It is really a funeral monument, set up by Trajan in 113 CE. The relief might date from early in the reign of #Hadrian, c. 118. This is the beginning of the Dacian campaign. #AncientBluesky 🏺

46 9 3 0
Relieve con escena de sacrificio. 
Mármol, siglo I d. C. 
🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz 🇪🇦 España. 
📷 A. M.

Relieve con escena de sacrificio. Mármol, siglo I d. C. 🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz 🇪🇦 España. 📷 A. M.

#ReliefWednesday
Relieve con escena de sacrificio.
Mármol, siglo I d. C.
🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz 🇪🇦 España.
#Hispania #Roma
#RomanArchaeology
#Archaeology #Art
#AncientBluesky

6 1 0 0
Post image

#ReliefWednesday with this relief decorated lead fragment showing a winged two-storey building with a central tower. Architecturally similar to Roman Theatres.

It was found near Buntingford and is now part of the Verulamium Museum collection.

#AncientBlueSky🏺

64 8 1 0

Wednesday #
#WednesdayGreen
#AquilineWednesday
#BookshopWednesday
#EgyptologyWednesday
#GothicWednesday
#HillfortsWednesday
#HollowayWednesday
#WaterTowerWednesday
#LegendaryWednesday
#ReliefWednesday
#RoseWednesday
#WallsOnWednesday

1 1 1 0
Post image

#reliefwednesday #ancienthistory #archaeology

Epitaph for a child, late first to early second century AD, the Via Appia, Rome.

“D(is)M(anibus) Callisteni v(ixit)a(nnos)I,m(enses)VI. Callistus f(iliae)dulciss(imae) pos(uit).”

18 3 1 1
Fragmento de cabeza de toro, parte de decoración en un edificio del Foro Romano de Augusta Emerita. 
Siglo I-II 
🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz  🇪🇦 España. 
📷 A. M.

Fragmento de cabeza de toro, parte de decoración en un edificio del Foro Romano de Augusta Emerita. Siglo I-II 🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz 🇪🇦 España. 📷 A. M.

#ReliefWednesday
Fragmento de cabeza de toro, parte de decoración en un edificio del Foro Romano de Augusta Emerita.
Siglo I-II
🏛️ Museo Nacional de Arte Romano de Mérida, Badajoz 🇪🇦 España.
#Hispania #Roma
#RomanArchaeology
#Archaeology
#AncientBluesky

21 4 0 0

Römischer Paradehelm mit einem geflügelten Amor auf einem Streitwagen. Der Messinghelm wurde im römischen Kastell Trimontium bei Newstead in den Scottish Borders gefunden. Er gehört heute zur Sammlung des National Museum of Scotland in Edinburgh. 📸 Foto: Eigenes Foto. #ReliefWednesday #RomanScotland

0 0 0 0
Post image

Capital with excellently carved figure of Hercules
🏛️1st quarter of 3rd c. CE
🌍Rome, Terms of Caracalla
▶️Arachne 91515.
▶️Photo: Piranomonte 2008, p. 48
#ReliefWednesday

19 4 0 0
Post image

#ReliefWednesday with the funerary relief of freedmen Publius Licinius Philonicus and Publius Licinius Demetrius.

British Museum, 1st C. BC.

Left - rods and axes used in the ceremony of freeing a slave.
Pediment - tools of a smith or moneyer
Right - the tools of a carpenter.

#AncientBlueSky🏺

163 27 6 0

Wednesday #
#WednesdayGreen
#AquilineWednesday
#BookshopWednesday
#EgyptologyWednesday
#GothicWednesday
#HillfortsWednesday
#HollowayWednesday
#WaterTowerWednesday
#LegendaryWednesday
#ReliefWednesday
#RoseWednesday
#WallsOnWednesday

2 1 1 0
Post image

Roman parade helmet showing a winged cupid riding a chariot. The brass helmet was found at Trimontium Roman Fort, near Newstead in the Scottish Borders. Now part of the collections at the National Museum of Scotland in Edinburgh. 📸 My own. #ReliefWednesday #RomanScotland

150 30 2 1

May your year ahead be bright and filled with the vital fire embodied by the fire horse!

#ReliefWednesday #NewYear #FireHorse

5 1 0 0
DRUM FROM A COLUMN OF THE TEMPLE OF DIANA OF EPHESUS, 323-300 BCE. THE BRITISH MUSEUM

The site of the Artemision at Ephesus had been sacred since the Bronze Age. The second temple on the site burnt down in 356 BCE, on the day of the birth of Alexander the Great (c. 20 July). The Ephesians rebuilt it beginning in 323 BCE, on a grand scale, and, like its predecessor, its columns were covered in reliefs. Of all this glory, one of the Seven Wonders of the ancient world, very little survived the Christians. Here we have the most intact fragment of one of the column drums, evidently describing an event in the Underworld. Death, Thanatos, stands at left, a nude youth with wings. A woman in a beautiful peplos and chiton at centre might be Alkestis or Euridike, both mortals on their way up to the Sunlit Lands, and at right is Hermes Psychopompos, leader of souls, another beautiful nude youth.

DRUM FROM A COLUMN OF THE TEMPLE OF DIANA OF EPHESUS, 323-300 BCE. THE BRITISH MUSEUM The site of the Artemision at Ephesus had been sacred since the Bronze Age. The second temple on the site burnt down in 356 BCE, on the day of the birth of Alexander the Great (c. 20 July). The Ephesians rebuilt it beginning in 323 BCE, on a grand scale, and, like its predecessor, its columns were covered in reliefs. Of all this glory, one of the Seven Wonders of the ancient world, very little survived the Christians. Here we have the most intact fragment of one of the column drums, evidently describing an event in the Underworld. Death, Thanatos, stands at left, a nude youth with wings. A woman in a beautiful peplos and chiton at centre might be Alkestis or Euridike, both mortals on their way up to the Sunlit Lands, and at right is Hermes Psychopompos, leader of souls, another beautiful nude youth.

#ReliefWednesday at the #BritishMuseum offers us a drum from the base of a column from the temple of #Diana of #Ephesus in modern #Turkey. Here, in delicate #relief, we find winged #Thanatos, Death himself, beside a female figure, with #Hermes #Psychopompos at far right. #AncientBluesky 🏺

51 7 2 0
Stone fragment engraved with a relief depicting the head, shoulders and arms of a bearded person holding a pair of cymbals.

Stone fragment engraved with a relief depicting the head, shoulders and arms of a bearded person holding a pair of cymbals.

Fragment of the Ur-Nammu stele from Bronze Age Mesopotamia, depicting a person playing cymbals #ReliefWednesday

Evidence of cymbal-playing has also been found in the Indus Valley and Arabia, indicating musical traditions were shared around the Gulf.

🆓 doi.org/10.15184/aqy...

🏺 #Archaeology

31 4 0 0