Cover of Forsdick et al. which features a digital illustration entitled Kia taiao ora, kia tangata ora by Isobel Joy Te Aho-White. Isobel Joy's illustration combines the principles of science through a Western lens with Mātauranga Māori understandings of whakapapa. The structures of DNA and a phylogenetic tree are treated with traditional Māori design to bring them into a contemporary, multicultural context. Here the DNA is envisaged as pātiki kōwhaiwhai, a pattern seen on the rafters of wharenui, to represent manaakitanga (hospitality), our connection to the environment, and how nourishment of the environment in turn nourishes the people. Behind is an abstracted phylogenetic tree with a weaving pattern treatment based on raukūmara and poutama designs, to represent connections/whakapapa and learning respectively.
Isobel Joy Te Aho White (Ngāti Kahungunu ki Wairoa, Kāi Tahu, Pākehā ki te Cornwall me te Denmark) is an illustrator based in Wellington, with a Bachelor of Design from Massey University, majoring in Illustration. Much of Isobel’s work incorporates Māori design and plant life that is native to Aotearoa New Zealand, and is inspired by her ancestral lineages of healers on both Māori and Pākehā sides.
Recreating @natforsdick.bsky.social 🧵 for #BIOL429_UC
'Current applications and future promise of genetic/genomic data for conservation in an Aotearoa NZ context' available as an OA peer-reviewed report in @docgovtnz.bsky.social #ScienceForConservation series:
www.doc.govt.nz/globalassets... 1/7