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¡En vivo!

El Informe #WITM revela la precariedad financiera de las organizaciones feministas y exige un financiamiento sostenible a largo plazo

Inscripción al webinario: https://bit.ly/3JdACX7

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Il est en ligne !

Le rapport #WITM révèle la précarité des organisations féministes : financements courts, autofinancement, instabilité…

Rejoignez le webinaire virtuel : Inscription au webinaire - Zoom: https://bit.ly/3JdACX7

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It’s live!

The #WITM Report exposes financial realities behind feminist organizing, from short grants to self-generated resources, and calls to fund feminists for the long haul.

Registration: https://bit.ly/3JdACX7

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¡Faltan solo 2 días!

El 81 % de las organizaciones feministas se autofinancia y el 29 % depende totalmente.
Nuestra creatividad es fuerte, pero no reemplaza el financiamiento sostenido.

Webinario #WITM 29 oct, 14–15:30 UTC.

Inscripción al webinario: https://t.co/1Rg5mRruun https://t.co/9OmMK6SQfM

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C’est dans 2 jours !

81 % des organisations féministes s’autofinancent, 29 % en dépendent totalement.
Notre créativité est forte, mais ne remplace pas un financement durable.

Webinaire #WITM 29 oct., 14h à 15h30 UTC

Inscription au webinaire - Zoom: https://t.co/rqlLxXM1VQ https://t.co/zOptXHb3h4

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2 days left!

81% of feminist orgs self-fund their work; 29% rely on it entirely.
Our creativity and resilience are powerful, but they can’t replace sustained funding.

Join the #WITM Report webinar 29 Oct, 2–3:30 PM UTC.

Webinar Registration: https://bit.ly/3JdACX7

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83 % des organisations féministes manquent de fonds pour atteindre leurs objectifs.

C’est une question de survie et de justice.

Rejoignez le webinaire #WITM 29 oct., 14h à 15h30 UTC.
Exposons la crise du financement ensemble.

Inscription au webinaire: https://bit.ly/3JdACX7

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83 % de las organizaciones feministas carecen de fondos para alcanzar sus objetivos.

Se trata de supervivencia y justicia.

Participa en el webinario #WITM 29 oct, 14:00 a 15:30 UTC.
Denunciemos la crisis de financiamiento.

Inscripción al webinario: https://bit.ly/3JdACX7

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83% of feminist orgs can’t meet their goals due to underfunding.

This is about survival and justice.

Join the global #WITM Report webinar on 29 Oct, 2–3:30 PM UTC.
Let’s expose the funding crisis + imagine better futures together

Webinar Registration: https://bit.ly/3JdACX7

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Books I read in August: Kafka & I by Can Xue, Killing Stella by Marlen Haushofer, Overstaying by Ariane Koch, I Didn’t Talk by Beatriz Bracher and The Planetarium by Nathalie Sarraute

Books I read in August: Kafka & I by Can Xue, Killing Stella by Marlen Haushofer, Overstaying by Ariane Koch, I Didn’t Talk by Beatriz Bracher and The Planetarium by Nathalie Sarraute

Books I read in August for #WITM

💙📚 #BookSky #TranslatedLit

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Women in Translation Month | Columbia University Press Eleven years ago, blogger and academic Meytal Radzinski took a critical look at the publishing landscape and noticed that the world of translated literature was heavily male-dominated. Women authors’...

Today is the final day to save 20% on our Women in Translation Month selections. Thank you for celebrating with us—we look forward to sharing more translated works in September for Translation Month and mid-Sept through mid-Oct for Hispanic Heritage Month. buff.ly/JvnXody #WomenInTranslation #WITM

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New translator blog post at cupblog.org. Vivian Arimany on Translating Juliana Rozo’s Archaeology of a Swan. It features the books cover, the Sundial House logo, and an author blurb. Distributed by Columbia University Press.

New translator blog post at cupblog.org. Vivian Arimany on Translating Juliana Rozo’s Archaeology of a Swan. It features the books cover, the Sundial House logo, and an author blurb. Distributed by Columbia University Press.

In this blog post, translator Vivian Arimany reflects on collaborating with Juliana Rozo on translating ARCHEOLOGY OF A SWAN—a work blending poetry, visual art by Hilma af Klint, and Colombian memories. buff.ly/8BKWJ99 #Translation #WITM #WomenInTranslation #WomenWriters #ColombianLiterature

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Cover of Overstaying. Surreal drawing of dog with a human head on a beach at night with a dark sea in the background. It's called 'Sur la Plage Abandonnée' drawn by Lucie Kohler

Cover of Overstaying. Surreal drawing of dog with a human head on a beach at night with a dark sea in the background. It's called 'Sur la Plage Abandonnée' drawn by Lucie Kohler

From Devon Halliday's Barrelhouse review:

"The visitor is sapping the life out of the narrator, or she is sapping the life out of him. The narrator is protecting the visitor, imprisoning him, feeding him, starving him, taking advantage or being taken advantage of, seducing or being seduced. The novel’s fragmented structure allows all things to be true in turn, never contradicting because they never meet. Unlike novels that explore each nuance of a complex relationship dynamic, Overstaying nips individual bites of nuance out of many possible dynamics: the dynamic of unwelcome guest and longsuffering host, of flighty guest and possessive host, of affectionate guest and indifferent host, of parasitic guest and complicit host.

It is thanks to this inconstancy that Overstaying manages to evade allegory. Is this a novel about immigration, about ownership, about lost generations and lost places, about the corrupting nature of stasis? Occasionally, yes—but mostly it is a novel about the narrator and her relationship to the world, the visitor expressing aspects of that world like an outgrowth."

From Devon Halliday's Barrelhouse review: "The visitor is sapping the life out of the narrator, or she is sapping the life out of him. The narrator is protecting the visitor, imprisoning him, feeding him, starving him, taking advantage or being taken advantage of, seducing or being seduced. The novel’s fragmented structure allows all things to be true in turn, never contradicting because they never meet. Unlike novels that explore each nuance of a complex relationship dynamic, Overstaying nips individual bites of nuance out of many possible dynamics: the dynamic of unwelcome guest and longsuffering host, of flighty guest and possessive host, of affectionate guest and indifferent host, of parasitic guest and complicit host. It is thanks to this inconstancy that Overstaying manages to evade allegory. Is this a novel about immigration, about ownership, about lost generations and lost places, about the corrupting nature of stasis? Occasionally, yes—but mostly it is a novel about the narrator and her relationship to the world, the visitor expressing aspects of that world like an outgrowth."

2025 No. 33: Overstaying by Ariane Koch. Tr. from German by Damion Searls @dorothyproject.bsky.social

Loved it! The excerpt from Devon Halliday's review covers the style and themes well. The book's also very funny www.barrelhousemag.com/blog/koch-ov...

💙📚 #WITM #LitFic #BookSky #TranslatedLit

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[EXCLUSIVE] “As If Present; As If Absent: Fang Fang’s Wuhan” by Angus Stewart 📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Fang Fang. Editor’s note: In this eloquent and incisive essay, Angus …

In this eloquent and incisive essay, Angus Stewart reflects on four works by Fang Fang in English translation including THE RUNNING FLAME and SOFT BURIAL. buff.ly/UaMmErI #WITMonth #WITM #WomenInTranslation #Fiction #FictionInTranslation #WomenWriters #ChineseLiterature

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Covers of Kafka & I by Can Xue and I Didn’t Talk by Beatriz Bracher

Covers of Kafka & I by Can Xue and I Didn’t Talk by Beatriz Bracher

2025 No. 31 & 32: Kafka & I by Can Xue. Tr. from Chinese by Deanna Ren. Hanuman Editions

I Didn’t Talk by Beatriz Bracher. Tr. from Portuguese by Adam Morris. (IT’S SO GOOD) @ndbooks.bsky.social

💙📚 #BookSky #Books #TranslatedLit #IndieLit #WITM

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Books bought today: Feebleminded - Ariana Harwicz, Revenge of the Scapegoat - Caren Beilin, Lili is Crying - Hélène Bessette, Kafka & I - Can Xue, Space Opera - Georgi Gospodinov and Love Never Dies - Eka Kurniawan

Books bought today: Feebleminded - Ariana Harwicz, Revenge of the Scapegoat - Caren Beilin, Lili is Crying - Hélène Bessette, Kafka & I - Can Xue, Space Opera - Georgi Gospodinov and Love Never Dies - Eka Kurniawan

Bought books again 🤦‍♂️ but also 😊

@charcopress.com @ndbooks.bsky.social @dorothyproject.bsky.social
Hanuman Editions

💙📚 #BookSky #Books #TranslatedLit #IndieLit #WITM

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Was my first read for #WITM

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Cover of Killing Stella

Cover of Killing Stella

2025 No. 31: Killing Stella by Marlen Haushofer. Tr. from German by Shaun Whiteside @ndbooks.bsky.social

Novella about a broken marriage & repressive husband-wife dynamic, its impact on the kids & the titular Stella — the daughter of the mother’s frenemy.

💙📚 #WITM #BookSky #Books #TranslatedLit

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🇮🇸 ICELAND 🇮🇸

Our next #WiTM map stop is #Iceland with #BlackAsDeath by @liljawriter.bsky.social, T L Garcia, is the chilling finale in the Áróra Investigations #Series, out 23/10

🖤 Dark Icelandic setting
💔 Emotional mystery
🌪️ Twisty plot

❄️ bit.ly/4kKvI0u

#BookSky #Readers #WiTMonth #WITM2025

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❄️🩸

Eva Bjorg Aegisdottir's chilling new #Thriller is a #Book collector’s dream, just look at those Goldsboro Books' sprayed edges 😍

10 years after her sister vanished, a letter pulls Marsí into a mystery she may not survive...

🇮🇸 T V Cribb
🩸 https://bit.ly/41w2StZ

#BooSky #WiTM

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📖 #WomenInTranslationMonth 🌎

This August we'll be highlighting literary translations written by the FABULOUS women writers that we have the honour to publish, as well as #Translator who bring their voices to new audiences💓

#WITM #WITMonth #WomenInTranslation #BookSky

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Ohhh yeah😎. #WITM

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My #WomenInTranslation Month

🇺🇸+🇯🇵➡️🇺🇦

Довго-довгоочікуване читання виявилося сумбурно-малоподієвим, але як завше - казково красивим

#WITM

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