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Five Things “Everyone Knows” About the Pre-Modern World Most fantasy secondary worlds tend to be inspired by pre-modern society in our own world. In theory, that shouldn’t be a problem. The trouble is that, whatever in-world details you put in, someone …

My latest blog sets out to debunk some of the misleading generalisations fantasy writers often make when creating their "ancient" worlds #history #AncientHistory #premodernhistory #classicalhistory #militaryhistory #fantasy #worldmaking nykiblatchley.com/2026/02/02/f...

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Book cover for Future’s Theory: Philosophies of the World to Come, edited by Jason Bahbak Mohaghegh. The cover features a dark, atmospheric image of a tall, futuristic tower with a glowing pink ring at the top, emerging from mist or smoke. The title appears in large white text at the center, with the editor’s name below. A purple “PIR” badge is placed near the lower right corner of the surrounding promotional layout.

Book cover for Future’s Theory: Philosophies of the World to Come, edited by Jason Bahbak Mohaghegh. The cover features a dark, atmospheric image of a tall, futuristic tower with a glowing pink ring at the top, emerging from mist or smoke. The title appears in large white text at the center, with the editor’s name below. A purple “PIR” badge is placed near the lower right corner of the surrounding promotional layout.

Promotional graphic for Future’s Theory: Philosophies of the World to Come, edited by Jason Bahbak Mohaghegh. The background shows a stylized, futuristic cityscape with wireframe buildings and streaks of red, orange, and purple light converging toward the horizon, creating a sense of speed and motion. White text displays the title and subtitle. A purple circular “PIR” badge appears near the top with the words “New Title Offering.”

Promotional graphic for Future’s Theory: Philosophies of the World to Come, edited by Jason Bahbak Mohaghegh. The background shows a stylized, futuristic cityscape with wireframe buildings and streaks of red, orange, and purple light converging toward the horizon, creating a sense of speed and motion. White text displays the title and subtitle. A purple circular “PIR” badge appears near the top with the words “New Title Offering.”

Interested in speculative philosophy, futurity, or world‑making? PiR is recruiting reviewers for Future’s Theory: Philosophies of the World to Come, edited by Jason Bahbak Mohaghegh.
Reach out if you’d like to review this volume.
📩 pir@uvic.ca
#PhilSky #WorldMaking #Future

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Workshop
East Asia and West Asias: Dialogues in Past, Present, and Future Worldmaking

📍 Location: Historische Sternwarte Göttingen
📅 Date: Dec 5–6, 2025
🔗 Full program and details ➝ www.cemeas.de/event/worksh...

#EastAsia #WestAsia #Worldmaking #AsianStudies #Göttingen

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Preview
Book Suggestion: Black Truths : Healing 500 Years of Colonial Lies Even in 2022, Black people all over the world are making significant contributions in all fields, from the sciences to business and academia. We must learn this Black truth and acknowledge it, so we can realize that we too have the shoulders of our progenitors to stand on as we reach higher towards our full potential.

Book Suggestion: Black Truths : Healing 500 Years of Colonial Lies: Even in 2022, Black people all over the world are making significant contributions in all fields, from the sciences to business and academia. We must learn this… #MylesGarrett #Blackpeople #worldmaking #significantcontributions

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Das Bild enthält eine Collage aus Text und Bild. Das enthaltene Bild zeigt das Logo der LGBTQ+ Music Study Group: ein grafisches Design auf weißem Hintergrund. Im Vordergrund befindet sich ein großer, dunkelgrauer Kreis, der den Text „LGBTQ+ Music Study Group“ enthält. Hinter diesem vorderen Kreis sind zwei weitere, teilweise überlappende Kreise zu sehen. Der größere, rechts oben liegende Kreis besteht aus mehreren konzentrischen Ringen in den Farben des Regenbogen-Flags (Rot, Orange, Gelb, Grün, Blau, Violett). Der kleinere Kreis links daneben zeigt konzentrische Ringe in den Farben des Transgender-Flags (Blau, Rosa, Weiß, Schwarz, Braun) sowie einen kleinen roten Streifen. Die Kreise überlappen sich, wobei der vordere graue Kreis die anderen teilweise verdeckt. Die enthaltenen Textinhalte sind identisch mit den im Posting mitgelieferten Textinhalten.

Das Bild enthält eine Collage aus Text und Bild. Das enthaltene Bild zeigt das Logo der LGBTQ+ Music Study Group: ein grafisches Design auf weißem Hintergrund. Im Vordergrund befindet sich ein großer, dunkelgrauer Kreis, der den Text „LGBTQ+ Music Study Group“ enthält. Hinter diesem vorderen Kreis sind zwei weitere, teilweise überlappende Kreise zu sehen. Der größere, rechts oben liegende Kreis besteht aus mehreren konzentrischen Ringen in den Farben des Regenbogen-Flags (Rot, Orange, Gelb, Grün, Blau, Violett). Der kleinere Kreis links daneben zeigt konzentrische Ringe in den Farben des Transgender-Flags (Blau, Rosa, Weiß, Schwarz, Braun) sowie einen kleinen roten Streifen. Die Kreise überlappen sich, wobei der vordere graue Kreis die anderen teilweise verdeckt. Die enthaltenen Textinhalte sind identisch mit den im Posting mitgelieferten Textinhalten.

Das Bild zeigt folgendes Zitat aus dem Genderblog-Beitrag von Shirley Wick: “Participants highlighted how irony and playfulness  – for instance, the queering of heteronormative musical genres and codes – can dissolve norms and build heterotopic or utopian worlds in nightlife, on stage and in online spaces. From preserving silenced narratives through oral histories to resisting erasure through auto-archiving, history and memory work played a vital role in this conversation.”

Das Bild zeigt folgendes Zitat aus dem Genderblog-Beitrag von Shirley Wick: “Participants highlighted how irony and playfulness  – for instance, the queering of heteronormative musical genres and codes – can dissolve norms and build heterotopic or utopian worlds in nightlife, on stage and in online spaces. From preserving silenced narratives through oral histories to resisting erasure through auto-archiving, history and memory work played a vital role in this conversation.”

Neu im Genderblog erschienen: Queer Survival, Organizing, and Worldmaking: Report on the Inaugural Summer School of the LGBTQ+ Music Study Group. Ein Beitrag von Shirley Wick.

Weiterlesen auf dem Genderblog: genderblog.hu-berlin.de/queer-surviv...

#academia
#community
#music
#queer
#worldmaking

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📝 Read the short report on the “Civilization and Conceptions of World Order” conference here 👉

🔗 www.cemeas.de/short-report...

#Worldmaking #GlobalHistory #CivilizationAndWorldOrder #AcademicConference #Göttingen

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We know that the border crisis isn’t about migration—it’s about the re-production of racialised exploitation, dispossession and hierarchy. The book investigates how this process is granularly produced and constructed in place, and why this is important. #worldmaking #placemaking

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hands at play,
making worlds.

from the last NYC visual assembly on city imagining,
hosted Feb 11 2025 at MayDay in Brooklyn

@nikadubrovsky.bsky.social @museumofcare.bsky.social @davidgraeberinst.bsky.social

#publicart #urbanism #worldmaking #city #urban #drawing #collectiveart #davidgraeber

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The Art & Principles Of Walkabout Mini Golf Course Design www.uploadvr.com/walkabout-do... via @uploadvr.com

ft. Don Carson of @walkaboutminigolf.bsky.social

#worldmaking #socialXR #spatialnetworking

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The #Quartet #TheSomervilleGroup well represented at the Society for Women in Philosophy Ireland @maynoothuni.bsky.social
this year and good to see #MaryMidgley and #IrisMurdoch getting this attention #philsky #worldmaking

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Don’t forget to register for #SWIPI
and come join us. @maynoothuni.bsky.social University, 6-7 December 2024
#philsky #philosophy #womeninphilosophy #worldmaking
www.swip-ireland.com/9th-annual-c...

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Don’t forget to register for #SWIPI
and come join us. Maynooth University, 6-7 December 2024
#philsky #philosophy #womeninphilosophy #worldmaking
www.swip-ireland.com/9th-annual-c...

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A photo of my desk, with my keyboard, a Monster Juice Mango Loco drink, a Kinder Pingui seen sideways laying on the can and other desk furniture. The screen on the background shows the VRChat Creator Companion opened on the project selection screen.

A photo of my desk, with my keyboard, a Monster Juice Mango Loco drink, a Kinder Pingui seen sideways laying on the can and other desk furniture. The screen on the background shows the VRChat Creator Companion opened on the project selection screen.

The screen shows my latest VRChat project, Black Fire, a world I am currently working on. It shows an island with flowers and a giant black hole in the background.

The screen shows my latest VRChat project, Black Fire, a world I am currently working on. It shows an island with flowers and a giant black hole in the background.

Time to get shi done #vrchat #worldmaking

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Curve hallway with large windows.

Curve hallway with large windows.

Circular room with cushioned seats, decorative rocks and large oval windows.

Circular room with cushioned seats, decorative rocks and large oval windows.

Long concrete tunnel lit with rim lighting.

Long concrete tunnel lit with rim lighting.

Latest work in progress shots for world side-project. Still much to add and lighting to adjust. #vrchat #vrchatworlds #worldmaking

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11th European Workshops in International Studies.  Kadir Has University, İstanbul. 3-5 July 2024. (WS6) Waste, Wasteworlds, and Worldmaking. Ida Danewid. Joanne Yao.

11th European Workshops in International Studies. Kadir Has University, İstanbul. 3-5 July 2024. (WS6) Waste, Wasteworlds, and Worldmaking. Ida Danewid. Joanne Yao.

✅ (WS6) Waste, Wasteworlds, and Worldmaking

#cfp #wasteworlds #worldmaking

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New article out with the wonderful brain of @flusterbird.bsky.social with International Political Sociology on #covid #bordering and #more-than-human
#worldmaking - open access: academic.oup.com/ips/article/...

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#BehnBurney19 Narain examines women's solidarity & lack thereof in the works of Behn & Cavendish. She quotes Arendt & Calhoun on #worldmaking

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