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Some amazing new queer acquisitions by the Smithsonian American Art Museum #atSAAM

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I think I just accidentally photobombed a short video by Kaitlan Collins in the Smithsonian American Art Museum 😂. Sorry @kaitlancollins.bsky.social! #atSAAM

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If you into people making religious things out of aluminum foil ... #atSAAM

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Excellent tour of #SmithsonianAmericanArtMuseum #SAAM by Melissa Clark!🖼️ My personal fav #artwork was definitely the powerful sculpture by artist #GlennKaino of 200 golden arms representing courageous acts of 1968 Olympic 200 meter gold medalist #TommieSmith 🥇& bronze medalist #JohnCarlos 🥉 #atSAAM!

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Charlotte Cushman 1816-1876

William Page (1811-1885)
Oil on canvas, 1853

Charlotte Cushman 1816-1876 William Page (1811-1885) Oil on canvas, 1853

Charlotte Cushman 1816-1876
Born Boston, Massachusetts

Billed as "the greatest living tragic actress" of the mid-nineteenth century, Charlotte Cushman excelled in portraying strong women, notably William Shakespeare's Lady Macbeth. She became best known, however, for convincingly portraying male characters, including Hamlet and Romeo.
While other female performers titillated audiences by crossdressing as men, Cushman used her large physique, prominent jawline, and athleticism to astonish viewers with an uncanny experience of gender-bending verisimilitude.
Cushman defied gender norms offstage as well, often dressing in the masculine style represented in this portrait. She managed her own career and demanded equal pay with male actors. Lack of public awareness about lesbian sexuality enabled her to sustain long-term intimate relationships with women while avoiding scandal. From 1845 to 1849, Cushman toured Britain, impressing audiences with her vigorous "American" acting style. During the 1850s, she became the center of an expatriate community of women artists and writers in Rome, where this portrait was painted.

William Page (1811-1885)
Oil on canvas, 1853

Charlotte Cushman 1816-1876 Born Boston, Massachusetts Billed as "the greatest living tragic actress" of the mid-nineteenth century, Charlotte Cushman excelled in portraying strong women, notably William Shakespeare's Lady Macbeth. She became best known, however, for convincingly portraying male characters, including Hamlet and Romeo. While other female performers titillated audiences by crossdressing as men, Cushman used her large physique, prominent jawline, and athleticism to astonish viewers with an uncanny experience of gender-bending verisimilitude. Cushman defied gender norms offstage as well, often dressing in the masculine style represented in this portrait. She managed her own career and demanded equal pay with male actors. Lack of public awareness about lesbian sexuality enabled her to sustain long-term intimate relationships with women while avoiding scandal. From 1845 to 1849, Cushman toured Britain, impressing audiences with her vigorous "American" acting style. During the 1850s, she became the center of an expatriate community of women artists and writers in Rome, where this portrait was painted. William Page (1811-1885) Oil on canvas, 1853

Happy Pride #atSAAM

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A bronze piece with three abstract flames and the words 'IN CASE OF FIRE ELEVATORS ARE PUT OF SERVICE'

A bronze piece with three abstract flames and the words 'IN CASE OF FIRE ELEVATORS ARE PUT OF SERVICE'

From the National Portrait Gallery. I couldn't find the placard.

Artist Unknown

#atSAAM

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Sign that reads 'Photography encouraged'

Sign that reads 'Photography encouraged'

You better believe I felt encouraged.

Happy Monday, heathens. We're taking the train back home tomorrow night. I can't believe this trip is almost over.

Sorry I haven't been around much lately.

#atSAAM

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Young woman with a red sweater and a yellow coat, looks on at a painting by Edward Hopper as she walks around the national portrait gallery. Painting depicts a woman looking out a window to the right, at a field and trees to the right of the painting

Young woman with a red sweater and a yellow coat, looks on at a painting by Edward Hopper as she walks around the national portrait gallery. Painting depicts a woman looking out a window to the right, at a field and trees to the right of the painting

A man in a leather jacket uses his phone to photograph a sculpture of a boxing match, one boxer stands over the other on display at the National portrait gallery in Washington DC

A man in a leather jacket uses his phone to photograph a sculpture of a boxing match, one boxer stands over the other on display at the National portrait gallery in Washington DC

Portrait Gallery, DC, December, 2024

#photoaday #photography #atsaam #washingtondc #seeingart

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#atSAAM

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