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Pierre Bonnard, "View from Uhlenhorst Ferry House on the Outer Alster Lake with St. Johannis," oil on canvas, 1913; Carnegie Museum of Art. #bonnard #impressionist #impressionism #art #modernart #paintings #peintures #arte #oilpainting #museum #artgallery

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Pierre Bonnard, "Interior With a Woman in a Wicker Chair," oil on canvas, 1920; Nationalmuseum, Stockholm. #bonnard #nabis #postimpressionist #paintings #peintures #art #arte #modernart #oiloncanvas #museum #artgallery

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Pierre Bonnard, "Girls with a Seagull," oil on canvas, 1917; Petit Palais, Paris. #bonnard #postimpressionist #postimpressionism #paintings #oilpainting #modernart #peintures #art #arte #museum #artgallery

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Pierre Bonnard, "Sunset (The Terrace at 'Ma Roulotte' at Vernnonet)," oil on canvas, 1916; photo: Christie's. #bonnard #landscape #modernart #impressionist #impressionism #paintings #peintures #arte #art #oilpainting #museum #artgallery

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Crimson Lips Touched

#Art #Portrait #Emotion #Temperament #Introversion #Calmness #Alienation #ModernLyricalExpressionism #Modigliani #PostImpressionism #Bonnard

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PIERRE BONNARD La poesía de lo cotidiano;
PIERRE BONNARD La poesía de lo cotidiano; YouTube video by Henry de Toubeyre

#arte #bonnard #pintor
www.youtube.com/shorts/B713-...

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PIERRE BONNARD Everyday life as poetry;
PIERRE BONNARD Everyday life as poetry; YouTube video by Henry de Toubeyre.

#art #bonnard #painting
www.youtube.com/shorts/18kUN...

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PIERRE BONNARD La poésie du quotidien;
PIERRE BONNARD La poésie du quotidien; YouTube video by Henry De Toubeyre

#art #bonnard #peintre
www.youtube.com/shorts/L8T-a...

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Si tu veux, je te passe mes codes Canal, @marcelcaumixe.bsky.social ...
#dinguerie #bonnard

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Paintings of Le Cannet: 1928-45 Pierre and Marthe Bonnard bought a villa in the village soon after they married, and she died there in 1942, with Pierre following her in 1947.
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Paintings of Le Cannet: 1901-27 A small village inland from the resort of Cannes, on the Mediterranean coast. Home to Renoir as an escape for his arthritis, and later to Pierre Bonnard, who settled down there.
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Paintings of 1925: people Portraits by Lovis Corinth, Thomas Eakins' widow Susan, a great Estonian pastellist, and others, and insights into Pierre Bonnard's conflicted personal life.
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Paintings of 1925: landscapes An eclectic range from LA Ring's fine realism, Paul Signac's Pointillism and watercolours, Pierre Bonnard in Le Midi, to Marsden Hartley and Lesser Ury.
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#cuadrodeldía La blusa verde, 1919 (Pierre #Bonnard 1867-1947) #metmuseum N.Y. #art Bonnard cofundó el grupo post-impresionista Los #Nabis, famoso por su uso atrevido del color y unas obras donde el trasfondo, decorado y estilo importan tanto como el tema central #FelizDomingo

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PIERRE BONNARD (1867 - 1947), “Still Life with Guelder Roses”, 1892 (retouched 1929). Nelson Atkins Museum of Art, Kansas City, Missouri US.
Pierre Bonnard belonged to the French avant-garde group known as Les Nabis, although he always claimed his independence. In 1892, he painted “Still Lie with Guelder Roses” in his Nabi style, with flattened dimensions and compositions that reflected his deep appreciation for Japanese prints. In 1929, Bonnard returned to the painting and added dabs of paint to the flowers to give them more dimensionality, which spoke to his personal style of that later date. This gentle still life ended up in the collection of David David-Weill, the Jewish French-American head of the Lazard-Frères banking house. In 1943, the Nazis looted about 2,000 pieces from David-Weill’s extensive and exquisite art collection in Paris, including this work. The looted artworks were shipped to salt mines in Austria for storage to wait out the war; they were recovered there in 1945 by the Allies’ Monuments Men. The Bonnard painting was returned to David David-Weill, who had escaped from France and settled in the US, in 1946. His heirs eventually sold it to another collector, who gifted it to the Nelson Atkins Museum in 2004.

PIERRE BONNARD (1867 - 1947), “Still Life with Guelder Roses”, 1892 (retouched 1929). Nelson Atkins Museum of Art, Kansas City, Missouri US. Pierre Bonnard belonged to the French avant-garde group known as Les Nabis, although he always claimed his independence. In 1892, he painted “Still Lie with Guelder Roses” in his Nabi style, with flattened dimensions and compositions that reflected his deep appreciation for Japanese prints. In 1929, Bonnard returned to the painting and added dabs of paint to the flowers to give them more dimensionality, which spoke to his personal style of that later date. This gentle still life ended up in the collection of David David-Weill, the Jewish French-American head of the Lazard-Frères banking house. In 1943, the Nazis looted about 2,000 pieces from David-Weill’s extensive and exquisite art collection in Paris, including this work. The looted artworks were shipped to salt mines in Austria for storage to wait out the war; they were recovered there in 1945 by the Allies’ Monuments Men. The Bonnard painting was returned to David David-Weill, who had escaped from France and settled in the US, in 1946. His heirs eventually sold it to another collector, who gifted it to the Nelson Atkins Museum in 2004.

PIERRE BONNARD (1867 - 1947), “Still Life with Guelder Roses”, 1892 (retouched 1929). Nelson Atkins Museum of Art, Kansas City, Missouri US.
#arthistory #art #Bonnard

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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Medium and Message: Sticks and crayons Modern and mixed media such as wax crayons, pencils, oil pastels, oil sticks and oil bars have become increasingly popular, although many age poorly and most have to be kept under glass.
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Pierre Bonnard - Fillette et des chats
#arte #bonnard #art

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Egg tempera painting on MDF panel, blues and reds. Storytelling with a red riding hood vase, dahlias, foo dog, apples Guanyin, a Bonnard catalogue. Patterns. From an Alice Neel book:’

The minute I sat in front of a canvas I was happy
because it was a world, and I could do what I liked.

‘The thing that always made me happiest in the world
was to paint a good picture.’

Egg tempera painting on MDF panel, blues and reds. Storytelling with a red riding hood vase, dahlias, foo dog, apples Guanyin, a Bonnard catalogue. Patterns. From an Alice Neel book:’ The minute I sat in front of a canvas I was happy because it was a world, and I could do what I liked. ‘The thing that always made me happiest in the world was to paint a good picture.’

We tell ourselves stories, egg tempera on panel, 20 x 27cm, September, 2025
#painting #fairytales #Bonnard #apples#dahlias #red #blue#eggtempera #foodog #Guanyin

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Pierre Bonnard - Tarte aux cerises
#arte #bonnard #art

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Pierre Bonnard - La Seine
#arte #bonnard #art

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A woman sits at an al fresco meal. A woman is regarding a big slice of cherry pie at the edge of the table. We can see the eyes and top of the head of a black dog that also appears to be staring longingly at the pie.

A woman sits at an al fresco meal. A woman is regarding a big slice of cherry pie at the edge of the table. We can see the eyes and top of the head of a black dog that also appears to be staring longingly at the pie.

Not book-related but a painting I'm just fond of. 'The Cherry Pie' by Pierre Bonnard, 1908. The soulful, hopeful eyes of the dog peering at the treat a few inches from his nose are delightful.
#BookologyThursday #Bonnard #FrenchArt #artsky

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