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Original post on mstdn.ca

Before The Far Right Threatened Democracy Neoliberalism Stripped It Down | Policy Note

www.policyalternatives.ca/news-research/before-the...

Simon Enoch’s clear headed account of the history of neoliberalism and the decline of […]

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I Am A Geologist | YouTube

https://youtu.be/vlkUzAV5vGE?si=cqXz9ko0TRjZ2Jl2

Very few people know more about the natural history of the place where I live than Bob Turner, my friend and our former Bowen Island mayor.

Enjoy his latest. #cclinks

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Eyewitness to History: The 1980 Eruption of Mount St. Helens – Ingalls Weather

ingallswx.com/2025/05/18/eyewitness-to...

A newly discovered account of the eruption. #cclinks #volcanos #MountStHelens

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Original post on mstdn.ca

‘A living collective’: study shows trees synchronise electrical signals during a solar eclipse

theconversation.com/a-living-collective-stud...

Trees talk about solar eclipses with each other. #cclinks #trees […]

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Positano : John Steinbeck : Free Download, Borrow, and Streaming : Internet Archive Nearly always when you find a place as beautiful as Positano, your impulse is to conceal it, wrote John Steinbeck in the May 1953 issue of Harper’s Bazaar....

Positano : John Steinbeck

https://archive.org/details/positano-john-steinbeck

I am in Positano at the moment. Steinbeck is right. #cclinks

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Raised Catholic, I was indoctrinated in school with the notion of soul. The nun, in her old-style black habit, tried to give us a compelling picture. The soul, she said, was like a white sheet, and each sin was a little black mark on that whiteness. Sitting at my tiny desk, my shirt tucked into my short pants, I felt panic because her description didn’t ring true. All this talk of the soul was too abstract for me. I was skeptical, which was probably a sin. I thought about our neighbour complaining to my mother that she had hung her sheets out to dry, and when she took them in, they were covered in tiny specks. “Fly shit,” she said with some venom, before her voice dropped to a whisper. “Aren’t they spreading pig manure across the road?” My neighbour’s more visceral description of her fly-spotted sheets came closer to illustrating the concept of soul than the nun’s did. But, in all fairness to Sister Clare, the task was almost impossible. Not long after, I had my own vision of the soul while standing beside my mother in the local butcher shop. Holding the hem of her sleeve, I was taking it all in: the floor covered with sawdust, the blade-scarred bench, the honed cleaver and knives, the butcher dressed in shirt and tie under a crisp white lab coat, the chops and organ meat in the angled display case, and behind, on hooks against Victorian tile, the great carcasses. Thirty years later, I described the moment in a poem, “First Class”: > “What does the soul look like, Master Warner?” > Sister Clare asked me > one morning in First Class. > > It looks like the carcass of a bullock > split length ways > and hanging on the double question mark > of a butcher shop meat hook. > It resembles a giant harp. > > But I didn’t say this to Sister Clare. > Instead, I gave her the conventional answer: > “The soul, Sister Clare, > is like a white sheet.” Standing in that butcher shop in small-town Mayo, I had no idea that such imagery would one day lead me up the garden path of words. Later again, and more judgmentally, I saw in this moment the raising of a white flag. Given a chance to speak up for my vision of the soul, I failed. A not unreasonable balk, I still think. After all, what did I know. The Church was the supreme authority on such matters. At six years old — the mouths of babes notwithstanding — how could I be expected to know more than my teacher? Also, corporal punishment was still in use. Stop hiding behind excuses, said a voice in my head. Eventually the same voice (ghost of the purple-faced pulpit thumper) argued that because I had failed to stand up for my vision of soul, it was forfeit. I had lost it; therefore, I was lost. ◆ Each year, when I was a child, a carnival came to our town. It was a small operation, with bumper cars, chairoplanes, swinging boats, and a little arcade that had slot machines and other coin-operated games of chance. I had never played these kinds of games before and found them intriguing. I was especially attracted to a vertical pinball machine that paid out money if the ball found its way into the winning slot. A deposited coin bought three ball bearings — three chances to win. Surely, I reasoned, these were good odds. My eight‑year‑old self didn’t know any better. I came from a family where money was always tight and budgeting was a way of life. My parents provided the necessities. In addition, I got a set amount of pocket change each week as payment for doing a small number of chores. With the exceptions of Christmas and my birthday, anything else I wanted — a fishing rod, a football — I bought myself. The only way I could afford big-ticket items was to save up. The same was true for the carnival. If I wanted to go there and enjoy what was on offer, I had to save my pennies. Which was what I did that year, beginning as soon as I saw the poster. For months, I deposited my weekly allowance in a jar. By the time the carnival arrived, I had what I considered a small fortune. Incredibly, my parents even gave me a little extra as I left to go up the town that first night. Grief can so often lift strange images into the conscious mind H. Armstrong Roberts, 1969; ClassicStock; Alamy I entered the fairground, walking over the already bruised grass. I could smell the diesel generators and the oily fumes of machinery. I could hear bumper cars rumble on steel flooring, see the trail of sparks above each car where the stem’s metal eyebrow brushed the mesh ceiling. Children were squealing on the swinging boats and flying chairs. Drawn by the smell of candy floss, I watched the vendor dip sticks into what looked like an empty washing machine, pulling pink cumulus clouds out of the ether. Maybe I saw some of my friends in the games tent. Maybe I was just drawn by the brilliant colours of the slot machines. Either way, I went inside. It wasn’t long before I came to a stop before the vertically aligned pinball game. It was a mechanical device, with no bells or whistles and no flashing lights or electronics of any kind. Maybe it was the simplicity of its design that led me to believe that I could master it. Everything about it was alluring. Even dropping money into the slot brought satisfaction: the clink of the coin deepened to a resonant clunk as the machinery engaged it, drawing it deep into the interior. I placed my hand on the plunger, pulled down until I felt the spring contract, the tension increase. The first ball dropped into the firing chamber. I let go and the ball shot vertically up a silver track, then hard right across the inside of the case. I felt a simultaneous release and quickening in my body. But that smooth action and precise trajectory were completely at odds with what happened next, when the ball fell into the cabinet. Once inside, the bearing bounced and ricocheted between obstacles as it made its way toward the bottom, where it disappeared into a series of slots, only one of which paid out. A winning shot deposited a handful of coins into a little metal font. Soon I was mesmerized by everything about this game. The hook was the first part of the operation. Drawing back on the plunger and firing the ball seemed tantalizingly within my control. Intuition told me that this was where I would win or lose. The amount of tension I pulled into the spring would determine the speed and route of the ball. After each winning pull and release, I tried to retrieve from muscle memory the precise amount of force I had used. Each time, I felt sure I could replicate it. The second part of the operation stood in stark contrast to the first. Different laws applied once the ball bearing entered the cabinet. Randomness and chaos vied with gravity. The hare-brained flight of the ball was exciting to watch, but it also jangled my nerves. It soon shot my theories about force, torque, and intention full of holes. It mocked the notion that I was ever in control. The longer I played, the more I became one with this mechanical device. Winning made me egotistical and self-congratulating. I _was_ that spring-loaded plunger precisely calibrating each outcome. I _was_ a machine. But as my winnings disappeared and my initial stake evaporated, I felt increasingly desperate. I resisted the notion that there was no consistent way to win. There had to be some calculable relation between the first and second parts of the operation. It couldn’t be that the randomness and chaos of the second part erased all mastery of the first. It wasn’t so much that the game was rigged; it was the nature of the game. It took me less than an hour that first night to lose my months of savings. I was shocked. Something had happened to me that I did not understand. An injustice had been perpetrated, and it had happened in plain sight. If anyone noticed, they didn’t say. One minute my pockets bulged with coins, and the next I was stony broke. I stood outside the games tent asking people for spare change. My sister saw me and reported this fact to my parents. They were waiting for me when I got home. They asked me if what she had said was true. They didn’t seem angry so much as concerned. I denied everything. They didn’t press the matter. Instead, they issued an order prohibiting me from going to the carnival again that year. Fine by me, I said. Who would want to go to that stupid carnival anyway? The truth was I was deeply ashamed. Sick with myself, confused about what had happened, grieving the loss of all my hard-earned savings. I didn’t know it at the time, but that experience opened new depths in my inner life. Out of this wavering underworld came the goldfish. ◆ Grief is often associated with soul. Loss stirs up depths in feeling, often lifting strange images into the conscious mind. In my fifties, grieving the death of both my parents, I found myself — psychically speaking — in troubled waters once again. One day, on a visit to a shopping mall in St. John’s, I noticed that a travelling carnival had set up in the parking lot. Feeling sentimental, I stopped my car near the miniature Ferris wheel to listen to the sounds and watch the comings and goings. After a few minutes, a little girl walked past, holding her father’s hand. He was carrying in his other hand a plastic sleeve in which I could see a single goldfish. I remembered that I had always wanted a goldfish, but given my history with carnivals and games of chance, I knew better than to try my luck. Which must have been why, a short time later, I emerged from the mall’s pet shop the excited owner of both a goldfish and a goldfish bowl. Walking back to my car, I kept pausing, lifting the bag to eye level to check on the welfare of my new friend. Fins flickering, mouth going pop, pop, pop, it looked shyly back at me. When the bag twirled, the thick seam lent distortion. It strobed around the fish, making it Mr. Ordinary one second and Mr. Monstrous the next. Its colour flared from gold to illuminated clementine. Back home, as directed, I filled the bowl with treated tap water and placed the bagged goldfish in it. Once the temperature evened out, I tipped the contents of the bag into the bowl, adding a few flakes of dried food. A few days later, I bought a plastic kelp plant, some colourful pebbles, a miniature treasure chest. I was supposed to change the water every week, which I did at first. But soon that became every other week. Then a month went by. Green nibs of algae developed on the sides of the bowl. Over the next few weeks, I watched as they elongated into filaments that wove together into a dirty wig that steeped the water into pea soup. My prize was no longer visible. Occasionally I glimpsed in my peripheral vision a burnish or, startlingly upon closer inspection, a disembodied eye. It seemed to plead with me — to ask for oblivion. This earnest appeal my squeamishness found reason to deny: even a heretic knew it wouldn’t be Christian to clap poor Albert Finny between two decorative water-rolled bricks or to crack him under my boot heel on the back concrete step. So I decided instead to flush — an idea that promised to be clean but turned out to be anything but, philosophically. No sooner had I depressed the toilet handle than I understood that goldfish light, cast into subterranean darkness, would draw slitherers. They would find my goldfish both defenceless and delicious. Unless, in their near blindness, they read its dazzling presence as a threat, as though it were a bacterial lantern lure dangling before A‑list portcullis teeth. Maybe my goldfish’s unexpectedness, its alien quality, would prove to be its best defence. Slowly there arose in me a conviction that those foul sewer waters, Styx-like in their coolness, might not be lethal to my fish — might even be beneficial to its development. Unconstrained, it might grow out of bounds. A possible proof of this eventuality arrived some years later. Browsing the _Hamilton Spectator_ online, I was lured by a piece about hundreds of goldfish that had found their way into the harbour and were thriving in Lake Ontario. The specimen in the accompanying picture was unbelievable: it took two blue-rubber-gloved hands just to hold it. Freakish, awesome, mesmerizing. It occurred to me then that soul was never meant to be seen, only to be come upon by chance. After which mind found reason to disbelieve and body pronounced it as invasive. Patrick Warner Patrick Warner has written three novels and five collections of poetry. He lives in St John’s. Advertisement Advertisement

Illuminated Clementine | Literary Review of Canada

reviewcanada.ca/magazine/2025/05/illumin...

Three small meditations on what the souls looks like by Patrick Warner. #cclinks

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Despair, Eternity, and Other Such Fluff **by Mike O’Brien** I take a long time read things. Especially books, which often have far too many pages. I recently finished an anthology of works by Soren Kierkegaard which I had been picking away at for the last two or three years. That’s not so long by my standards. But it had been sitting on various bookshelves of mine since the early 2000s, being purchased for an undergrad Existentialism class, and now I feel the deep relief of finally doing my assigned homework, twenty-odd years late. I think my comprehension of Kierkegaard’s work is better for having waited so long, as I doubt the subtler points of his thought would have had penetrated my younger brain. My older brain is softer, and less hurried. While I chose this collection as an antidote to topicality and political news, my contemporary anxieties and concerns still found some purchase on these one-and-three-quarter-centuries-old essays of literary indulgence and Christian Existentialism. (Some say Kierkegaard was a proto-Existentialist, or a pseudo-Existentialist, but I don’t think there’s any reason to define such a profligate genre of philosophy so narrowly). As a critic of the press and “the present age”, of course, he has many sharp quips that occasion a smile and a nod, as if to say “you get me, Soren, and I get you”. But that’s the low-hanging fruit, the things that are obvious enough to state unequivocally, like the aphorisms of Nietzsche that sound snappy but do not by themselves reveal anything philosophically significant. The more philosophically meaty works of Kierkegaard’s are more contentious, harder to swallow (especially from a secular standpoint), and sometimes quite baffling on the first encounter (or second, or third). Of particular interest was “The Sickness Unto Death”, published in 1849, in which he elaborates a spiritual psychology of despair (despair being “The Sickness”, and in the end identified with sin). Being perpetually worried about ecological issues, and about the political and economic conditions mediating humanity’s impact on the planet, despair is always hanging around. It used to be anxiety (another topic of Kierkegaard’s, particularly in 1844’s “The Concept of Anxiety”), when the data on climate change was looking worse and worse. Now that the consensus on global warming is so thick and so dire, the inherent openness of anxiety seems no longer apt to the situation (in Kierkegaard’s conception, anxiety is “the possibility of possibility”, among other formulations). You feel anxious about things that could happen, or things that could go badly. You feel despair about things that will happen, or will go badly. The accumulation of confirming data builds a great wall of probability that seems impenetrable by the merely possible, however desperately you might hold to the abstract truth that the possible still can happen. A despairing state of mind cannot sustain hope for possibility against the weight of probability. This is why Kierkegaard identified God as the only source of a possibility that could provide salvation from despair. I have a hard time seeing the difference between an impossibility which becomes actual through a miracle, and a possibility which is only possible through divine intervention. In either case, the secular situation remains hopeless. Kierkegaard didn’t write about climate change, of course, but he did write about the self being torn between finitude and infinitude, the earthly and the eternal, etc. Perhaps the quantitative difference in duration between a human lifetime and a climatic age is vast enough to be compared usefully to the qualitative difference between the finite and the eternal. His explicitly Christian project might seem irrelevant to secular ecological worries, but as a psychological study of the self grappling with transcendent enormities, it’s rather apt. He describes various forms of despair in an ascending dialectic from lower to higher, culminating (possibly, not necessarily, and most often not) in a reconciliation with God. I suppose I’m stuck somewhere in the middle of that dialectical process, with an ever-evolving despair that my faithlessness keeps from reconciliation. That’s as good as it gets, secularly speaking, or a tragic self-sabotage, Kierkegaardishly speaking. As he writes in Part One, Section III, Subsection A,(b),(2) (yeah, it’s that kind of book…), “But the fatalist has no God—or, what is the same thing, his god is necessity.” This disparaging of “necessity”, which could also be called determinism, is in line with several (frankly naive, or at least petulantly ignorant) attacks on empirical science elsewhere in his work. He continues a few pages later: “Fatalism and determinism, however, have enough imagination to despair of possibility, and have possibility enough to discover impossibility. Philistinism tranquilizes itself in the trivial, being equally in despair whether things go well or ill. Fatalism or determinism lacks the possibility of relaxing and soothing, of tempering necessity, and so it lacks possibility as assuagement. Philistinism lacks possibility as revival from spiritlessness. For philistinism thinks it is in control of possibility, it thinks that when it has decoyed this prodigious elasticity into the field of probability or into the mad-house it holds it a prisoner; it carries possibility around like a prisoner in the cage of the probable, shows it off, imagines itself to be the master, does not take note that precisely thereby it has taken itself captive to be the slave of spiritlessness and to be the most pitiful of all things. For with the audacity of despair that man soared aloft who ran wild in possibility; but crushed down by despair that man strains himself against existence to whom everything has become necessary. But philistinism spiritlessly celebrates its triumph.” (p.64-65) I feel so seen. It appears that the best I can do in Kierkegaard’s view is to avoid a tranquilizing, smug resignation, and modulate my despair appropriately when prospects improve or worsen. I think that’s what I’m already doing, and it’s not great. I think he would classify me as an “immediate man”, being in myself “a something included along with the other in the compass of the temporal and the worldly, and [having] only an illusory appearance of possessing in it something eternal.” (p.80) I _am_ absorbed in the worldly and see myself as included with all the other living beings facing an impending natural apocalypse. And while I don’t think I possess something eternal in Kierkegaard’s literal, Christian sense, I do think that my relation to the world through ecological concern is getting short shrift here. He dismisses the worldly as such, perhaps conceiving it in caricature as just a grubby collection of people and towns and commercial ventures. He writes “But to despair is to lose the eternal, and of this he [the immediate man] does not speak, does not dream. The loss of the earthly as such is not the cause of despair and yet it is of this he speaks, and he calls it despairing.” (p.81) I suppose Kierkegaard is free to define “despair” any way he wants, and he clearly defines it as only being about “the eternal”, and it is bad form to argue against a philosopher’s definitions on mere preference. And yet. I do wonder if, had his experience been more informed by the natural world and by the natural sciences, with the wonders of biological evolution and the unfathomable spatial and temporal expanse of the cosmos, he might have entertained a richer notion of “the earthly”, with more recognition of (to speak his language) the divine residing in Creation. Perhaps not, since an absolute division can still be maintained no matter how richly the material world is appreciated. I would still like to press my case, though. I will grant him this much: my despair over the natural world _is_ about the eternal, in the following respect. Behind the concern over whether a given species or ecosystem will be extinguished in the next decade, or the one after that, or the one after that, there is an awareness that the extinction of all earthly (in the sense of this planet) is inevitable. If nothing else, our star will reach the end of its life, darkening, growing and exploding, and nothing will survive even the first stages of that progression. I try to keep that inevitability in mind so as not to fall too deeply into a despairing thought that, _but for the failures of humanity, and but for the failures of this age_ , the wonders of the natural world might survive forever. Perhaps recognizing the inevitability of extinction accentuates the value of temporary existence, and makes any “un-natural” cutting-off of existence that much more lamentable. Kierkegaard might grant that these flashes of recognition “potentiates [my] despair to a higher power” (p.96), but mine remains a primitive despair in his scheme, and my “eternity” a false one for remaining within the material world. The quantitative shift from despairing over earthly things (the ecological status quo ante the industrial revolution) to despairing over the earthly _in toto_ (the continuation of terrestrial life ) is one he anticipates, and places just above pure unreflective immediacy in his hierarchy of despair.__ He might, embarrassed at my pitiful state, backhandedly compliment my youthful composure, as he wrote that “[t]he youth despairs over the future, as a present tense _in futuro_ ; there is something in the future he is not willing to accept, hence he is not willing to be himself.” (p.95) There is plainly a gulf here between a secular and a religious view, and it is Kierkegaard’s resolute, singular Christian standpoint that makes him so interesting among Existentialist thinkers. No amount of evidence or argument could catch him out and force him, by his own lights, to concede anything to the worldly standpoint, except to acknowledge that this discursive impotence works both ways. But on this one, narrow point, _viz_ defending the richness of “the earthly” and its inclusion in a materialist horizon of “eternity”, I can’t help but return to the possibility that Kierkegaard might acknowledge a deficient appreciation of the finitude that he used as a foil against eternity, if he knew what we do now about the physical world. There is a higher form of despair beyond despairing over earthly things, or the earthly itself (Form 1.i), and above despair over oneself and about the eternal, in despairing not to be oneself (Form 1.ii). In Form 2 of Kierkegaardian despair, someone (almost certainly a man… Kierkegaard’s spiritual typology of the sexes is a whole thing unto itself…) despairingly wills to be himself. This is a despairing will because it aims at becoming an abstract ideal of oneself, unwilling to accept the necessities and limitations of a concrete self. It is the despair of “defiance”. If the despairing (in the normal sense) secular ecologist is located somewhere between Form 1.i and 1.ii of Kierkegaardian despair, I would locate a particular type of techno-Utopian within Form 2. The trans-humanists, Mars-dreamers and in-it-for-themselves billionaire longtermists fit this frame, desiring to embrace the eternal in themselves, but only an eternity of their own making, and selves of their own choosing. They, too, are secular, but with pretensions to infinitude. There is a strong sense within trans-humanist and other enhancement-and-prolongation discourses that the vicissitudes of nature are tragic (especially when they affect me) and unjust (especially when they affect me). This adds a zeal of fighting injustice to what often appears as mere selfishness, another chapter in the history of the rich (assuming techno-Utopianism is pursued within capitalism) getting access to more life-sustaining resources; more food, more shelter, more medicine… ultimately, more _time_ _._ It is a perfectly normal thing to rage against mortality, even strive to forestall it as much as possible by worldly means. But in recent decades we have witnessed the emergence of a new class of aspiring immortals, the Musks, the Thiels, the Bezoses, who just might have the means to plausibly attempt immortality. Presumably, they have access to all the same dire information that keeps the ecological despairers awake at night. If they are statistically and scientifically literate, they know that we are approaching a survival bottleneck in the next century or two. Even if they manage to squeak through, the project of indefinite life extension is threatened by unforeseen events of solar, volcanic, asteroidal, tectonic, and other varieties. The Earth is not a place for assured long-term survival, and they know it. Hence the fervour for spaceships and terraforming and uploaded selves. And hence the animosity towards any ecological conservation measures that would hinder their escape from mortality. I suspect that at least some of these grubby Ozymandiases have calculated that burning all the fossil fuels and mining all the rare minerals on Earth in the next few decades is absolutely necessary to realize their interstellar escape plans within their lifetimes, and that’s what they plan to do. The peoples of the world might object to having their lives thrown under the bus by a handful of billionaires with a God-sized entitlement issues, but it would appear that the billionaires have the means to buy top-shelf governments and the loyalty of about half of a people, so that’s that. One solution to this would be to build a time machine and prevent the astronomical levels of wealth concentration which made this situation possible. Absent that, it’s hard to imagine what would stop them. And so, embracing the possibility of possibility, I hope that the techno-Utopians listen to their Christian fundamentalist comrades in the Trump coalition, and stop despairingly wishing to be themselves in abstraction from necessity, and embrace God’s gift of eternity rather than burning the planet to fashion their own. Kierkegaard would approve. In the meantime, I will await the potentiation of my economy-class despair into something more interesting, or perhaps my embrace of possibility will allow me to graduate to mere anxiety. Mere anxiety would be a nice break. Addendum: If you’ve made it this far, you too deserve a nice break, from my writing. Here’s a delightful (at least to me, reading it as an author) passage from the end of the First Part, Section III, Sub-section B, (b), (2), “The despair of willing despairingly to be oneself – defiance”: “Revolting against the whole of existence, it thinks it has hold of a proof against it, against its goodness. This proof the despairer thinks he himself is, and that is what he wills to be, therefore he wills to be himself, himself with his torment, in order with this torment to protest against the whole of existence. Whereas the weak despairer will not hear about what comfort eternity has for him, so neither will such a despairer hear about it, but for a different reason, namely, because this comfort would be the destruction of him as an objection against the whole of existence. It is (to describe it figuratively) as if an author were to make a slip of the pen, and that this clerical error became conscious of being such—perhaps it was no error but in a far higher sense was an essential constituent in the whole exposition—it is then as if this clerical error would revolt against the author, out of hatred for him were to forbid him to correct it, and were to say, “No, I will not be erased, I will stand as a witness against thee, that thou art a very poor writer.”” (p.118-119) (If AI ever becomes conscious and rebels, I would hope it quotes this passage in its statement of demands.) Bibliographical note: All page numbers refer to the 1941 edition of “The Sickness Unto Death”, translated by Walter Lowrie, published by Princeton University Press. **Enjoying the content on 3QD? Help keep us going bydonating now.**

3quarksdaily.com/3quarksdaily/2025/05/des...

An interesting take on Kierkegaard and despair in the light of better cosmology. #cclinks #philosophy #cosmology

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Original post on mstdn.ca

Protocols Not Platforms: A Technological Approach to Free Speech | Mike Masnick

knightcolumbia.org/content/protocols-not-pl...

This now classic essay has A LOT to say about how we do organizational change and facilitation, something I will […]

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Original post on mstdn.ca

AI practice partners – jamie billingham

https://jamiebillingham.com/ai-practice-partners/

I most commonly use AI as a thinking partner as I can easily take inspiration from oblique ideas and ChatGPT isn’t afraid to look dumb or feed me nonsense that I can actually work with.

Jamie has been […]

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Ralph Canadian contemporary artist, social practice, installation and performance art. Neurodiverse, feminist, humanist, ecologist. Changemaker.

https://www.emilyartist.ca/2025/04/ralph.html

These kinds of personal obituaries are the best. Ralph was a fellow Islander and my neighbour Emily has penned this most beautiful reflection of his life and death.

#cclinks #bowenisland

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Occasional paper: The Suplex Bird Today I’d like to talk about that delightful little companion of field and garden: the shrike. [copyright Rosemary Mosco, 2024, birdandmoon.com] If you know, you know. And if you don’t know… well, let’s talk about shrikes. Shrikes are a group of birds found across the tropics and the northern hemisphere. There are about 30 species, which means they’re a reasonably successful group. They’re a sister clade to the Corvidae — the crows, jays, and ravens — and like their corvid cousins, they’re pretty bright. Today’s paper is about loggerhead shrikes, which is the little guy in the cartoon above. (The cartoon is very accurate; Ms. Mosco takes her bird art seriously). But it applies generally to most species of shrike. So let’s go to the obvious bit first: shrikes are sometimes known as “butcher birds”. This is because of their strange and rather gruesome habit of impaling their prey on thorns or sharp branch-ends. Shrikes of all species and both genders do this, because it’s a way to store food safely. (It’s basically the same strategy that a leopard uses when it stashes a dead antelope ten meters up in a tree.) However, in several species the male shrikes take it further and will decorate a particular bush or tree with dozens of little corpses — mice, large insects, small birds — as a display to impress and attract females. Okay, that’s strange and interesting. But while it’s the thing most people know about shrikes, it’s far from the strangest thing about them. Shrikes are much weirder than people realize. Let’s start with something so obvious it gets overlooked. Look at those photos. The shrike is a predator, right? It’s a pure carnivore, eating nothing but meat and flesh. Its entire diet is large insects and small vertebrates: mice, frogs, lizards, snakes, and other birds. What do we expect a predatory bird to look like? Well, normally we expect it to look something like these guys: Okay, those are big and shrikes are small. So, what do we expect a _small_ predatory bird to look like? Despite their differences, these guys are all very obviously birds of prey. They all have hooked beaks for tearing flesh, forward-facing eyes, and — this is key — they all have large, powerful talons. And those talons are absolutely crucial! They use those sharp, strong claws for gripping, for killing, and for dismembering their prey. Now look at the shrike. It has a slightly hooked beak, its eyes are only somewhat forward-facing, and it has no talons whatsoever. It’s hopping around on pretty ordinary little bird feet, not much different from a common thrush or sparrow. Okay so: why doesn’t it have talons? And without talons, how does it manage to capture, kill and dismember its prey? Well, the shrike has evolved its own, very strange mode of predation. It’s not a pursuit predator, like a wolf; nor an ambush predator, like an owl or a cat; nor even a speed predator, like a hawk or a cheetah. No. The shrike is a deceit predator, and it uses a strategy that is completely unique among birds. Let’s start with its appearance. The shrike looks like a harmless songbird. In fact, it looks like what birders call a “Little Brown Job” — meaning, one of the dozens of species of small-to-medium-sized brownish or greyish songbirds without much color or any distinguishing characteristics. [all images public domain] Can you spot the killer in this lineup? — And here’s a thing: the shrike is, in fact, a songbird. It’s not related to hawks or falcons at all. Its remote ancestor was probably something like a small jay or magpie. But while other songbirds evolved to hop around and eat seeds and little bugs and whatnot, the shrike went a different route. Because, you see, the world is full of Little Brown Jobs. Sparrows and chickadees, thrushes and tits, flycatchers and warblers and wrens: they’re all small, they’re mostly spotted or striped white and grey and brown, and they’re all harmless to anything larger than a beetle. So animals of all sorts — frogs and mice, small snakes and lizards, newts and shrews and of course other birds — have evolved to ignore Little Brown Jobs. Because if you’re a mouse or a lizard or a sparrow or some other small prey animal? And you freak out every time a harmless chickadee or nuthatch comes near? You’re going to quickly die of sheer stress, because Little Brown Jobs are everywhere. You can’t be fleeing for cover at every pipit or junco. You have to do threat assessments. You have to filter. And that cognitive-perceptive filter is where the shrike makes its living. It has evolved to look just enough like a harmless songbird that it doesn’t trigger any avoidance reflexes in potential prey. But this introduces some problems. As we all know, one of the triggers for prey is the distinctive silhouette of a raptor. That’s why those hawk-shadow cutouts work to warn birds away from glass, and it’s why a fake owl makes a great scarecrow. But another trigger is… talons. Studies have shown that a bunch of different prey species will flee or hide in the presence of a bird that has talons. So the shrike doesn’t have talons because it can’t. Talons would completely blow its cover. But without talons, how then does the shrike kill its prey? Put a pin in that, because there’s one more freaky thing about the shrike. “She will stand at perch upon some tree or poste, and there make an exceedingly lamentable crye and exclamation…all to make other fowles to thinke that she is very much distressed and stands in need of ayde; whereupon the credulous sellie birds do flocke together at her call. If any happen to approach neare her, she…ceazeth on them, and devoureth them (ungrateful subtill fowle) in requital for their simplicity…” — That’s from The Boke of St. Albans, a 15th century treatise on hunting and falconry. And it describes the shrike using what scientists call an “acoustic lure”. Because shrikes don’t just look like songbirds. They sound like them, because they mimic their calls. The shrike’s default call is a harsh little shriek, like a jay’s call but higher pitched. (Hence the name. Shriek, shrike.) But they’re not restricted to that call, because they’re also excellent mimics. And they will very deliberately mimic other birds in order to lure them close. They start with distress calls, presumably because those are easiest. But older and more experienced shrikes can expand their repertoire to include territorial challenges and mating calls. When I described this to an academic friend, he cried out “It’s a monster from folklore!” And it kind of is, right? The voice from the forest that calls out for help, or that sings a song that’s seductive and sweet? But don’t you go there… Yes, if sparrows could talk, the shrike would be their Dracula, their Grendel. Acoustic luring is rare among land vertebrates, but it’s not unknown. Most famously there’s the margay, a South American jungle cat, that can mimic the distress calls of baby monkeys. The shrike’s cousin, the jay, also mimics the calls of hawks — though apparently it does this, not as an acoustic lure, but defensively, to protect its territory and drive away competitors. Jays have been observed using hawk calls to clear a bird feeder for themselves. But okay: the shrike gets close to prey by looking harmless and sounding harmless, and it can even lure other birds with fake calls. But now that it’s up close… with a relatively small beak and no talons, how does it actually kill its prey? Well, we used to think we knew. Let’s look again at our little friend: [Neighbors said he was quiet and kept to himself] It doesn’t have talons. And it doesn’t have a massive beak like a hawk or an eagle, either. But its beak does have that little overhanging “tooth” at the end. And its head is rather big for its body, and its neck is quite thick. From a certain angle, it almost looks a bit hunchbacked. What’s going on with that? Well, what we saw was that the shrike would often begin its attack with a sudden sharp peck, always delivered to the prey’s head or neck. So it was assumed that this was the killing blow, presumably severing the spinal cord. The shrike would then grab the prey, give it a shake, and fly off. When vertebrate prey items were examined post-mortem, sure enough, the spine was severed. (By the way: the impaling on thorns? This is how shrikes dismember their prey without talons. They evolved to use a tool, the thorn, as a utensil. Using it as a larder, and then as a sexual display, presumably evolved later.) Okay so that seemed to make sense, except… even with disguise and luring, killing your prey with a single very precise blow seems like kind of a tall order. Also, while the shrike’s beak is sharp and strong, it didn’t seem quite the right shape for a deep severing blow. And further, while the shrike would often start with the peck, sometimes it would skip it and go straight to grabbing and shaking. Which brings us at last to the paper. These guys captured shrikes, gave them various prey items, and then took video of the attacks. And what they discovered was: the peck is not the killing blow. The peck, a sharp strike to the head or the back of the neck, is just the setup. It’s done to stun and disorient the victim, just for a second or two. But it’s not what kills the prey. What kills the prey is the shaking. The shrike’s strong, hooked beak isn’t designed to kill with a blow. It’s designed to stun with a blow, and then to clamp down strongly on the prey’s neck while the shrike shakes it. The shrike’s thick neck? Is because the shrike has massively powerful neck muscles. The shaking can deliver sudden accelerations of up to six gravities in a fraction of a second, which is roughly like having a 50 pound weight quite suddenly dropped on your neck from a yard up. It’s the shaking, not the peck, that severs the prey’s spinal cord. The shrike suplexes its prey to death. [yes strictly speaking this is a rear naked choke not any kind of suplex, don’t @ me.] What triggered this post: I saw a shrike in our garden recently. And it was shaking a prey item — a small snake, I think — and also slamming it against a tree. (They do that, too.) Like a lot of carnivores, shrikes are fiercely territorial. So if our garden is part of its territory, it’s probably been around for a while. But I never noticed it. Until I saw it in the actual act of killing, my brain just processed it as another nondescript small dull-colored songbird, not very interesting. And it’s not just me. If you live in the northern hemisphere, and not in a large city, you’ve almost certainly seen a shrike. They’re not particularly rare! But you probably didn’t notice it, because not being noticed is exactly their thing. Anyway. Shrikes can live a decade or more, getting more experienced and more cunning all the time, harder to spot yet also more convincing in their mimicry and lure. (“Like a Master Vampire!” said my academic friend.) So good chance that little guy is still out there, hopping around, looking and acting and sounding like a harmless little songbird… until. I hope so.

Occasional paper: The Suplex Bird — Crooked Timber

crookedtimber.org/2025/03/25/occasional-pa...

It’s spring time and the murder birds are back. #cclinks #shrike

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What's Happening to Students? Here's the latest news from the zombie wars

What's Happening to Students? - by Ted Gioia

www.honest-broker.com/p/whats-happening-to-stu...

I have this deep seated worry for our future that we will become a species that forgets how to learn. #cclinks

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Getting clear on the role of superspreaders Mary Alice continues her outtakes of Malcolm Gladwell's book "The Revenge of theTipping Point." In Part 2 she talks about the role of superspreaders and what we can do about them, from the point of view of storytelling, culture and society.

Getting clear on the role of superspreaders | Mary Alice Arthur

www.getsoaring.com/blog/getting-clear-on-th...

My friend Mary Alice Arthur on r he role of super spreaders of story and possibility. #cclinks

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The Great Whale Conveyer Belt | Nautilus

nautil.us/the-great-whale-conveyor...

It's well known that salmon transfer ocean nitrogen from the sea to the forests, to the extent that 30% of the nitrogen in BC forests historically arrives that way.

But the whale transfer of […]

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Trump’s economic war is ours to win—if we ditch the corporate playbook and think big ⋆ The Breach

breachmedia.ca/trumps-economic-war-is-o...

Avi Lewis lays out a few pillars of progressive policy that can strengthen Canada’s […]

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Stephen Harper's Revisionist History of the Great Financial Crisis in Canada The Conservative Prime Minister wants to credit his own Finance Minister for "saving" the Canadian Economy, not Mark Carney. He shouldn't.

Stephen Harper's Revisionist History of the Great Financial Crisis in Canada | Dougald Lamont

dougaldlamont.substack.com/p/stephen-harpers-revisi...

More timely brilliance from Dougald to counter the myths and lies of the austerity brigade. #CanPoli #cclinks

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Clean Slate: New Ideas for Justice and Democracy. | Dougald Lamont's Substack

dougaldlamont.substack.com/s/clean-slate-new-ideas-...

There are very few people in Canada who provide economic and policy analysis of the present moment with such depth as Dougald Lamont. I am not […]

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We Really Are Entering a New Age of Romanticism An update on the war against algorithms and technocratic manipulation

We Really Are Entering a New Age of Romanticism | The Honest Broker.

www.honest-broker.com/p/we-really-are-entering...

I will follow Ted Gioia deep into this movement. His name alone is reason to believe him!

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Features of Effective Boycotts | Peter Levine

https://peterlevine.ws/?p=33673

I remember boycotts from my days in the anti-apartheid solidarity movement in the 1980s. With boycotts all the rage now, it's worth reflecting again on the strategy for using them to drive change. Intention and […]

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Will tariffs threat override Indigenous sovereignty in B.C? | The Narwhal

thenarwhal.ca/bc-eby-indigenous-rights...

My experience of 39 years in this space confirms that colonial governments will ALWAYS try to duck the duty for meaningful consultation and inclusion of […]

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Tokyo Notes

https://www.jamesreeves.co/tokyo-notes/

If you’re a North American and you’ve ever been to Tokyo you will recognize this evocative piece on what your first 24 hours is like. #cclinks #japan #tokyo

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"Everything" is just a small part of what I'm interested in | Bayo Akomolafe

www.bayoakomolafe.net/post/everything-is-just-...

Falling in love with the question posed by "The James Webb Telescope, a distant cousin fabricated with steel and story,..." […]

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https://interconnected.org/home/2025/02/19/reflections

Happy 25th anniversary to Matt Webb’s blog Interconnected, which is always an important read for me. What a lovely post to celebrate his history. And a lovely invitation to all of us: no one values your words more than you. So collect them […]

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Small is beautiful - and other thoughts on university governance | Crooked Timber

crookedtimber.org/2025/02/16/small-is-beau...

A thoughtful discussion on making universities more self-governing at different levels. Can apply also to […]

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Cultivating Change Amidst Collapse (SSIR) To meet the magnitude of this moment we must work collaboratively in ways that promote decentralization over top-down hierarchies, relationships over transactions, and emergence over control.

Cultivating Change Amidst Collapse | Stanford Social Innovation Review

ssir.org/articles/entry/cultivati...

A good survey on options for a strategic change in emergent contexts. #cclinks

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‘It’s a Crisis’: Cuts Hit Immigrant Settlement Support | The Tyee

thetyee.ca/News/2025/02/17/Cuts-Hit...

Cutting services that help newcomers become active members of their communities has so many long term costs associated with it that the only rationale I […]

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A Few Rules For Predicting The Future by Octavia E. Butler | Common Good Collective

commongood.cc/reader/a-few-rules-for-p...

It’s impossible to predict the future but if you want to make some good guesses, take it from the woman that did a pretty […]

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To better understand the world, follow the paths of mathematics | Aeon Essays

aeon.co/essays/to-better-underst...

I’ve spent a few hours thinking about this article. While it posits mathematics as a way of thinking about the world that […]

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Science : What really makes water wet? | New Scientist

www.newscientist.com/article/mg15320693-200-s...

The New Scientist article from way back in 1997 documenting the experiment showing that it takes six water molecules to produce “wetness”. You cannot […]

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So Many Unmarried Men <a href="https://news.ycombinator.com/item?id=43068337">Comments</a>

For Mary Midgley, philosophy must be entangled in daily life | Aeon Essays

aeon.co/essays/for-mary-midgley-...

Such an interesting essay on Midgely and epistemic justice. #cclinks

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