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The image shows hexagons painted in blue,green and black. Despite the sharp painted edges,gaps can be seen. 

Painted areas have chops and scratches caused by removing the masking tape. 

The image is flat and holds no interest visually. I am not intrigued by the visuals. They need to hold attention and draw the viewer in.

The image shows hexagons painted in blue,green and black. Despite the sharp painted edges,gaps can be seen. Painted areas have chops and scratches caused by removing the masking tape. The image is flat and holds no interest visually. I am not intrigued by the visuals. They need to hold attention and draw the viewer in.

Here I show the type of painted edge that can be achieved. Even with a fairly reckless approach to the brush work. 

The cadmium orange butt's up sharply against the grey background.  A carved line can be seen below the orange section.

Here I show the type of painted edge that can be achieved. Even with a fairly reckless approach to the brush work. The cadmium orange butt's up sharply against the grey background. A carved line can be seen below the orange section.

Here a painted section is shown at an angle the carved lines can be plainly seen.

I will make this a feature. 

The brushwork is more interesting.  The paint is pretty translucent which is just due to the pigments I had to hand. 

This was drawn or carved out and painted within an hour. So with a little more care and specific brushes I think I've cracked my hexagon issues. 

My next problem is to introduce visual hooks and levels of interest.  This will be a matter of trying ideas based around hexagons and 60 degree triangles.

Here a painted section is shown at an angle the carved lines can be plainly seen. I will make this a feature. The brushwork is more interesting. The paint is pretty translucent which is just due to the pigments I had to hand. This was drawn or carved out and painted within an hour. So with a little more care and specific brushes I think I've cracked my hexagon issues. My next problem is to introduce visual hooks and levels of interest. This will be a matter of trying ideas based around hexagons and 60 degree triangles.

After a late start due to a studio rearrangement. I got peeved by my hexagon paintings.

I had thought that a flat surface was what I wanted aesthetically. However, I find the works bland.

//1
#hexencoding
#problems #art #writingasart
@artcanorg.bsky.social

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This shows a Hexagon in slight perspective. The Violet sections are the background,  the pink sections are Zeros. The green parts are masking tape. The grey sections are Ones and unpainted 

This took around 10 or 15 minutes to mask up.

This shows a Hexagon in slight perspective. The Violet sections are the background, the pink sections are Zeros. The green parts are masking tape. The grey sections are Ones and unpainted This took around 10 or 15 minutes to mask up.

This shows two hexagons in slight perspective. The colours signify the same things as the previous picture. 

These two hexagons took an hour to mask up. I will not be sad to see the back of this one.

This shows two hexagons in slight perspective. The colours signify the same things as the previous picture. These two hexagons took an hour to mask up. I will not be sad to see the back of this one.

St/p (wip)
60cm x 60cm 
Emulsion on mdf

The image shows the painting masked up and areas painted in different colours.  
Again Violet is the back ground, pink the zeros, the maroon is the ones and the green parts are masking tape. 

I'll probably have to explain the zeros and ones comments at some point. Maybe.

I have spent the day masking this up. Then I stayed a bit late painting it. I'm almost done with this one. 

It will need a few more coats of paint and some varnish before I'm done with it.

St/p (wip) 60cm x 60cm Emulsion on mdf The image shows the painting masked up and areas painted in different colours. Again Violet is the back ground, pink the zeros, the maroon is the ones and the green parts are masking tape. I'll probably have to explain the zeros and ones comments at some point. Maybe. I have spent the day masking this up. Then I stayed a bit late painting it. I'm almost done with this one. It will need a few more coats of paint and some varnish before I'm done with it.

A productive day in the studio. Also lots of thoughts today about how fortunate my life has been to me.
#studio
#hexencoding
#KIAC

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l/t/ny/g//nstf//r
60cm x 60cm 
Emulsion on mdf

The image shows a dynamic arrangement of hexagons.  The dynamism comes from the stark contrasts between the black and lighter sections. 

The hexagons are in the process of being covered in masking tape to achieve sharp painted lines. 

As stated in the text along with the image, the hexagons have encoded a short section of 'the litany against fear' from Dune by Frank Herbert.

l/t/ny/g//nstf//r 60cm x 60cm Emulsion on mdf The image shows a dynamic arrangement of hexagons. The dynamism comes from the stark contrasts between the black and lighter sections. The hexagons are in the process of being covered in masking tape to achieve sharp painted lines. As stated in the text along with the image, the hexagons have encoded a short section of 'the litany against fear' from Dune by Frank Herbert.

This is a process shot. It shows the board covered in green masking tape and blue (royal sapphire) paint. The next stage will be to cover the blue and black sections for the final colour.

This is a process shot. It shows the board covered in green masking tape and blue (royal sapphire) paint. The next stage will be to cover the blue and black sections for the final colour.

This image shows the painting propped against the studio wall. In front of it a note book containing the encoding patterns.

The text from 'The litany against fear' I've encoded is

"I must not fear. Fear is the mind killer"

The colours used are referencing the colours of the house Atradies. 

The painting will most likely require another coat of paint in each colour, but I will nor need to remark the work for this.  Hopefully. ....

This image shows the painting propped against the studio wall. In front of it a note book containing the encoding patterns. The text from 'The litany against fear' I've encoded is "I must not fear. Fear is the mind killer" The colours used are referencing the colours of the house Atradies. The painting will most likely require another coat of paint in each colour, but I will nor need to remark the work for this. Hopefully. ....

Yesterday's studio work. Today I'm mostly avoiding housework . But I will crack on with it in a bit. Maybe.
#hexencoding #artcanhour @artcanorg.bsky.social #KIAC #studio #dune #mentalhealth

This is a homage to Dune. I use an adapted version of the litany against fear often and I find it helps.

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St/p
60 cm x 60cm 
Household wall paint on mdf.

The image shows a board covered in hexagons. Each Hexagon is divided into six wedges and has a number of 'rings' 
For example a 16 cm wide hexagon would have 8 rings. ( each ring is 2cm wide)

The background of the painting is painted in parama violet. 

Sections of the Hexagon are painted in fairytale punk. The upper section of the artwork has green masking tape on it, and splodges of pink. 

The masking tape is to keep the lines of each section sharp.

St/p 60 cm x 60cm Household wall paint on mdf. The image shows a board covered in hexagons. Each Hexagon is divided into six wedges and has a number of 'rings' For example a 16 cm wide hexagon would have 8 rings. ( each ring is 2cm wide) The background of the painting is painted in parama violet. Sections of the Hexagon are painted in fairytale punk. The upper section of the artwork has green masking tape on it, and splodges of pink. The masking tape is to keep the lines of each section sharp.

A view of my workstation..

The image shows the pink painting 'St/p' resting against the studio wall.  On the table a variety of tools and drawing implements are casually strewn.

We can see a note book with designs in it, rulers, masking tape and a white chopping board covered in black guide lines and green masking tape.

A view of my workstation.. The image shows the pink painting 'St/p' resting against the studio wall. On the table a variety of tools and drawing implements are casually strewn. We can see a note book with designs in it, rulers, masking tape and a white chopping board covered in black guide lines and green masking tape.

ST/P

The image shows the art work with the masking tap removed. The main colours are the Violet, pink and a grey. 

The art work is a bit grubby. 

The reason it took so long to do this is each of the hexagons were drawn with inadequate tools. This meant although the hexagons were generally okay, but not good enough when I needed precision, in angles and parallel lines. 

I was forced to rework the angles as I went.  Which was not fun. But it has been dine and the rest of it .... should be easy...

We shall see.

ST/P The image shows the art work with the masking tap removed. The main colours are the Violet, pink and a grey. The art work is a bit grubby. The reason it took so long to do this is each of the hexagons were drawn with inadequate tools. This meant although the hexagons were generally okay, but not good enough when I needed precision, in angles and parallel lines. I was forced to rework the angles as I went. Which was not fun. But it has been dine and the rest of it .... should be easy... We shall see.

8 and a half hours masking up this board yesterday. Just putting the masking tape on.
Swearing happened. Lots. Soon it will be finished.

Today in contrast, i masked up a board, painted it and painted up the pink work, and I got home for 4.
#hexencoding #artcan #artcanhour #artistonbluesky
#art

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