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Posts tagged #matrialreference

Canonbury Tower, brick Tudor building and tower

Canonbury Tower, brick Tudor building and tower

Canonbury Place, London N1

Canonbury Tower, brick Tudor building and tower

#reference #matrialreference #buildingreference

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Canonbury Tower, brick Tudor building and tower

Canonbury Tower, brick Tudor building and tower

Canonbury Tower, brick Tudor building and tower

Canonbury Tower, brick Tudor building and tower

Canonbury Place, London N1

Canonbury Tower, brick Tudor building and tower

#reference #matrialreference #buildingreference

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Canonbury Tower, brick Tudor building and tower

Canonbury Tower, brick Tudor building and tower

Canonbury Place, London N1

Canonbury Tower, brick Tudor building and tower

#reference #matrialreference #buildingreference

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Canonbury Tower, brick Tudor building with wooden door with iron nails

Canonbury Tower, brick Tudor building with wooden door with iron nails

Canonbury Tower, brick Tudor building with wooden door with iron nails

Canonbury Tower, brick Tudor building with wooden door with iron nails

Canonbury Place, London N1

Canonbury Tower, brick Tudor building with wooden door with iron nails

#reference #matrialreference #buildingreference

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Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

Southgate Road, London N1

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building at dusk

#reference #matrialreference #buildingreference

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Video

Shepperton Road, London N1

Pedestrian crossing light reflected off footpath in the rain

#reference #matrialreference

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The Rosemary Branch Pub, brick building with plaster window frames and pub front

The Rosemary Branch Pub, brick building with plaster window frames and pub front

The Rosemary Branch Pub, brick building with plaster window frames and pub front

The Rosemary Branch Pub, brick building with plaster window frames and pub front

Southgate Road, London N1

The Rosemary Branch Pub, brick building with plaster window frames and pub front

#reference #matrialreference #buildingreference

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Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building

Southgate Road, London N1

Former pub “BARCLAYS ALES & STOUT” with glazed tiles and plaster front on brick building

#reference #matrialreference #buildingreference

25 6 2 1
Former warehouses with brick walls and decretive trim

Former warehouses with brick walls and decretive trim

Former warehouses with brick walls and decretive trim

Former warehouses with brick walls and decretive trim

Pancras Road, London N1C

Former warehouses with brick walls and decretive trim

#reference #matrialreference #buildingreference

22 3 0 0
Faded painted sign on brick building side

Faded painted sign on brick building side

Shepperton Road, London N1

Faded painted sign on brick building side

#reference #matrialreference #buildingreference

56 6 3 0
Underground public toilet entrance with metal railings

Underground public toilet entrance with metal railings

Underground public toilet entrance with metal railings

Underground public toilet entrance with metal railings

Underground public toilet entrance with metal railings

Underground public toilet entrance with metal railings

Talbot Road, London W11

Underground public toilet entrance with metal railings

#reference #matrialreference #budingreference

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Wheelie bins with graffiti

Wheelie bins with graffiti

Fashion Street, London E1

Wheelie bins with graffiti

#reference #matrialreference #propreference

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Brick wall and metal door covered with mural posters

Brick wall and metal door covered with mural posters

Brick wall and metal door covered with mural posters

Brick wall and metal door covered with mural posters

Fashion Street, London E1

Brick wall and metal door covered with mural posters

#reference #matrialreference

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Plaster fronted brick building

Plaster fronted brick building

Pembridge Crescent, London W11

Plaster fronted brick building

#reference #matrialreference #buildingreference

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Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Plaster fronted brick building

Pembridge Crescent, London W11

Plaster fronted brick building

#reference #matrialreference #buildingreference

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Plaster floral design on wall

Plaster floral design on wall

Plaster floral design on wall

Plaster floral design on wall

Plaster floral design on wall

Plaster floral design on wall

Pembridge Crescent, London W11

Plaster floral design on wall

#reference #matrialreference

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Red brick building with decorative brick details

Red brick building with decorative brick details

PALACE COURT, London W2

Red brick building with decorative brick details

#reference #matrialreference #budingreference

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Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Ladbroke Grove tube station, London W10

Red brick wall with plaster trim, door and window frames

#reference #matrialreference #propreference

19 4 1 1
Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Red brick wall with plaster trim, door and window frames

Ladbroke Grove tube station, London W10

Red brick wall with plaster trim, door and window frames

#reference #matrialreference #propreference

20 3 1 1
Video

Jubilee Parade, Lowestoft NR33

Wooden pillion peer imbedded in beach sand with rusted iron bolts sea weed and Oscan waves

#reference #matrialreference #animationreference

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Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Wooden pillion imbedded in beach sand with rusted iron bolts

Jubilee Parade, Lowestoft NR33

Wooden pillion imbedded in beach sand with rusted iron bolts

#reference #matrialreference #propreference

31 11 1 1
Wooden beer barrels turned outside table

Wooden beer barrels turned outside table

Wooden beer barrels turned outside table

Wooden beer barrels turned outside table

Wooden beer barrels turned outside table

Wooden beer barrels turned outside table

Hoxton Street, London N1

Wooden beer barrels turned outside table

#reference #matrialreference #propreference

38 10 4 0
This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello.

The background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. The Cantoria (1435-38) provides a point of reference for the present relief, but the advanced illusionistic scheme suggests that it was made after 1443, when Donatello transferred his studio to Padua. While there can be little doubt of Donatello's responsibility for the general design, which is recorded in other reliefs in marble, terracotta, stucco and cartapesta, this relief was very likely carved by a student or follower.

Text from display

This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello. The background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. The Cantoria (1435-38) provides a point of reference for the present relief, but the advanced illusionistic scheme suggests that it was made after 1443, when Donatello transferred his studio to Padua. While there can be little doubt of Donatello's responsibility for the general design, which is recorded in other reliefs in marble, terracotta, stucco and cartapesta, this relief was very likely carved by a student or follower. Text from display

This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello.

The background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. The Cantoria (1435-38) provides a point of reference for the present relief, but the advanced illusionistic scheme suggests that it was made after 1443, when Donatello transferred his studio to Padua. While there can be little doubt of Donatello's responsibility for the general design, which is recorded in other reliefs in marble, terracotta, stucco and cartapesta, this relief was very likely carved by a student or follower.

Text from display

This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello. The background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. The Cantoria (1435-38) provides a point of reference for the present relief, but the advanced illusionistic scheme suggests that it was made after 1443, when Donatello transferred his studio to Padua. While there can be little doubt of Donatello's responsibility for the general design, which is recorded in other reliefs in marble, terracotta, stucco and cartapesta, this relief was very likely carved by a student or follower. Text from display

V&A East Storehouses, London E20

Virgin and Child with Five Angels
Relief ca. 1450 - 1460 (made)

#reference #matrialreference #propreference

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